Wilde In An Hour

After a meeting with Pope Pius IX, Oscar Wilde locked himself in his room emerging only after writing a sonnet inspired by and dedicated to the Pope. Hours later, he visited the protestant cemetery where the Romantic poet, John Keats, was buried. Kneeling at his grave, Wilde ostentatiously declared it to be "the holiest place in Rome." Did Oscar Wilde contradict himself? Did he contain multitudes? He did, to understate the matter --- and those complexities were best expressed in his great theatrical works like Lady Windermere's Fan, Salome, and, of course, The Importance of Being Earnest.Setting the playwright in context to his personal life, social, historical and political events, other writers of influence, and more, you will quickly gain a deep understanding of Wilde and the plays he wrote. Read Wilde in an Hour and experience his plays like never before. Know the playwright, love the play!The book features:- Wilde in an Hour, the main essay of the book- Wilde In a Minute, a snapshot chronology- A complete listing of Wilde¿s work- A list of Wilde¿s contemporaries in all fields- Excerpts from Wilde¿s significant works- An extensive bibliography grouped according to type of reader- An index of the main essay.Playwrights in an Hour is a series devoted to the most produced and studied playwrights in the English language, from the Greek masters to contemporary writers, and written by leading authorities in the field. Each short book places the playwright and his or her work in historical, social, and literary context.Emily Esfahani Smith, a graduate of Dartmouth College, is a journalist and writer in Washington, D.C. Her work on cultural, political, and international affairs has appeared in the Wall Street Journal, the Weekly Standard, National Review, The American Spectator, and the New Criterion.

In this elegant and affectionate biography of one of the most controversial personalities of the nineteenth century, Barbara Belford breaks new ground in the evocation of Oscar Wilde's personal life and in our understanding of the choices he made for his art. Published for the centenary of Wilde's death, here is a fresh, full-scale examination of the author of The Importance of Being Earnest and The Picture of Dorian Gray, a figure not only full of himself but enjoying life to the fullest. Based on extensive study of original sources and animated throughout by historical detail, anecdote, and insight, the narrative traces Wilde's progression from his childhood in an intellectual Irish household to his maturity as a London author to the years of his European exile. Here is Wilde the Oxford Aesthete becoming the talk of London, going off to tour America, lecturing on the craftsmanship of Cellini to the silver miners of Colorado, condemning the ugliness of cast-iron stoves to the ladies of Boston. Here is the domestic Wilde, building sandcastles with his sons, and the generous Wilde, underwriting the publication of poets, lending and spending with no thought of tomorrow. And here is the romantic Wilde, enthralled with Lord Alfred Douglas in an affair that thrived on laughter, smitten with Florence Balcombe, flirting with Violet Hunt, obsessed with Lillie Langtry, loving Constance, his wife. Vividly evoked are the theatres, clubs, restaurants, and haunts that Wilde made famous. More than previous accounts, Belford's biography evaluates Wilde's homosexuality as not just a private matter but one connected to the politics and culture of the 1890s. Wilde's timeless observations, which make him the most quoted playwright after Shakespeare, are seamlessly woven into the life, revealing a man of remarkable intellect, energy, and warmth. Too often portrayed as a tragic figure--persecuted, imprisoned, sent into exile, and shunned--Wilde emerges from this intuitive portrait as fully human and fallible, a man who, realizing that his creative years were behind him, committed himself to a life of sexual freedom, which he insisted was the privilege of every artist. Even now, we have yet to catch up with the man who exhibited some of the more distinguishing characteristics of the twentieth century's preoccupation with fame and zeal for self-advertisement. Wilde's personality shaped an era, and his popularity as a wit and a dramatist has never ebbed. NOTE: This edition does not include a photo insert.

This study claims that scholars need to examine all twenty-seven English illustrated editions of Wilde's and Beardsley's Salomë to understand whether Beardsley's compositions do, or do not, illustrate Wilde's words. For the last one hundred years scholars have addressed the aesthetic function of Beardsley's compositions (whether or not Beardsley's compositions illustrate Wilde's words), and each scholar sees something different: Beardsley's compositions are "irrelevant" to Wilde's words; Beardsley's compositions are "relevant" to Wilde's words; Beardsley's compositions are both "irrelevant" and "relevant." What is at issue here is that this traditional dance of signification (scholars' interpretations of the aesthetic function of Beardsley's compositions) relies upon an interpretive strategy that disavows the history of textual transmissions. To put this another way, what scholars "see" depends upon the particular English illustrated edition(s) they read. Beardsley's compositions are physical objects conditioned by a physical setting--i.e., the components of total book design. Yet, for many, the visible appears invisible. The motivation for this study arises from previously unexamined phenomena--the genesis and textual transmission of Beardsley's compositions for Salomë (1894-1994). As historical textual scholarship, this study uses the methodologies central to descriptive bibliography: the English illustrated editions of Wilde's and Beardsley's Salomë are treated as socially constructed physical objects. Binding, format, and paper are a few of the signifying systems described. Specifically, this investigation draws upon the model presented by Philip Gaskell in A New Introduction to Bibliography. The necessary tasks include: transcribing the title-page; analyzing the format; examining the appearance of the binding; detailing the kind of paper used; and noting other information, such as titles. As the centenary of Wilde's and Beardsley's Salomë commences, this is the opportune time to trace the publishing history of Beardsley's compositions, to update existing descriptive bibliographies, and to turn to an empirical method for a socialized model of literary production.

In the 1890s, Oscar Wilde enjoyed one of the most high-profile reputations in Britain. Yet, virtually overnight, he was plunged into disgrace and ruin. What were the reasons for this extraordinary reversal of fortune? This book - now available in paperback - explores Wilde's motivation in prosecuting the Marquess of Queensberry, and it elaborates on the precarious legal situation that effectively quashed any prospect of a withdrawal from the lawsuit without dire consequences. The book examines the medical and psychiatric aspects of Wilde's two-year imprisonment and reveals the machinations among prison officials and doctors to cover up Wilde's state of health, based on the original Home Office records. Wilde's medical history is presented with an expert evaluation of his terminal illness, including a resolution of the syphilis controversy. The book also details Wilde's tangled matrimonial affairs during his imprisonment and goes on to disclose the maneuvers adopted by friends to secure his early release, citing hitherto unpublished letters to show that bribery of prison personnel was seriously contemplated. The issue of homosexuality is discussed not only in relation to Oscar Wilde, but from the broader historical, legal, and biological perspective. Wilde's character and behavior is portrayed through the images he projected onto society, by the strong but mixed public reaction to him, and by the quality of his interpersonal relationships with his wife, family, and close friends. Finally, Wilde's personality is assessed using internationally accepted diagnostic criteria. In an unusual and innovative experiment, a group of Wildean scholars completed a psychological questionnaire as if they were doing so for Oscar Wilde himself. Drawing on these findings and on his own extensive psychiatric experience, author Ashley Robins concludes that Wilde had a personality disorder that culminated in the final and tragic phase of his life.

The fullest, most textural, most accurate—most human—account of Oscar Wilde's unique and dazzling life—based on extensive new research and newly discovered materials, from Wilde's personal letters and transcripts of his first trial to newly uncovered papers of his early romantic (and dangerous) escapades and the two-year prison term that shattered his soul and his life. "Simply the best modern biography of Wilde." —Evening Standard Drawing on material that has come to light in the past thirty years, including newly discovered letters, documents, first draft notebooks, and the full transcript of the libel trial, Matthew Sturgis meticulously portrays the key events and influences that shaped Oscar Wilde's life, returning the man "to his times, and to the facts," giving us Wilde's own experience as he experienced it. Here, fully and richly portrayed, is Wilde's Irish childhood; a dreamy, aloof boy; a stellar classicist at boarding school; a born entertainer with a talent for comedy and a need for an audience; his years at Oxford, a brilliant undergraduate punctuated by his reckless disregard for authority . . . his arrival in London, in 1878, "already noticeable everywhere" . . . his ten-year marriage to Constance Lloyd, the father of two boys; Constance unwittingly welcoming young men into the household who became Oscar's lovers, and dying in exile at the age of thirty-nine . . . Wilde's development as a playwright. . . becoming the high priest of the aesthetic movement; his successes . . . his celebrity. . . and in later years, his irresistible pull toward another—double—life, in flagrant defiance and disregard of England's strict sodomy laws ("the blackmailer's charter"); the tragic story of his fall that sent him to prison for two years at hard labor, destroying his life and shattering his soul.

Why was Paris so popular as a place of both innovation and exile in the late nineteenth century? Using French, English and American sources, this first volume of a trilogy provides a possible answer with a detailed exploration of both the city and its communities, who, forming a varied cast of colourful characters from duchesses to telephonists, artists to beggars, and dancers to diplomats, crowd the stage. Through the throng moves Oscar Wilde as the connecting thread: Wilde exploratory, Wilde triumphant, Wilde ruined. This use of Wilde as a central figure provides both a cultural history of Paris and a view of how he assimilated himself there. By interweaving fictional representations of Paris and Parisians with historical narrative, Paris of the imagination is blended with the topography of the city described by Victor Hugo as ‘this great phantom composed of darkness and light’. This original treatment of the belle époque is couched in language accessible to all who wish to explore Paris on foot or from an armchair.

This book can be downloaded as a PDF file from here.

This compelling and unique fictional foray into American history follows a brilliantly conjured Wilde and his young black valet on a whirlwind tour across the country from high-society Newport to the deep south.