Wildlife Film Making

While working as a lobbyist for environmental conservation on Capitol Hill, Chris Palmer quickly discovered that Congressional hearings were bland events, poorly attended by the majority of Representatives and Senators and with far less impact than one would expect. So he turned, instead, to wildlife filmmaking, for the National Audubon Society and the National Wildlife Federation, with the hope of transforming mindsets and encouraging protection of wildlife. In the process, Palmer discovered both the magic--and the misgivings--of the industry. While Shamu looked beautiful captured on film breaching, was it right to keep killer whales captive? Was it okay to have sound engineers recording the sound of their hands splashing in water and pawning it off as the sound of bears splashing through a stream? And should reputable TV networks be accepted or called out for airing sensational shows that put wildlife in harm's way and present animal fiction like mermaids and monster sharks as fact? In this tell-all expose of the wildlife filmmaking industry, film producer and American University professor Chris Palmer shares his own journey as a filmmaker--with its highs and lows and challenging ethical dilemmas--in order to provide filmmakers, networks, and the public with an invitation to evolve the industry to the next level. Palmer uses his life story as a conservationist and filmmaker to convey his points, with an ultimate call to stop deceiving audiences, avoid harassing animals, and promote conservation. Read this book to find a path forward. "Chris Palmer's new book is a must read for all who care about the natural world and the future of our planet." -Ted Danson, Actor and Environmentalist "Chris Palmer has written a very important book." -Jane Goodal, PhD, DBE, Founder, The Jane Goodall Institute and UN Messenger of Peace "In a world where media holds enormous influence, Chris Palmer's book makes fascinating reading." -Jean-Michel Cousteau, President, Ocean Futures Society

Longtime producer Palmer provides an in-depth look at wild animals on film, covering the history of wildlife documentaries, safety issues, and the never-ending pressure to obtain the money shot. Marlin Perkins, Jacques Cousteau, Steve Irwin, Timothy Treadwell, and many other familiar names are discussed along with their work, accidents, and in some cases, untimely deaths. Palmer is highly critical of Irwin, and offers fascinating revelations about game farms used by exploitative filmmakers and photographers looking for easy shots and willing to use caged animals to obtain them. He also considers the subliminal messages of many wildlife films, considering everything from Shark Week to Happy Feet and how they manipulate audiences toward preset conclusions about animal behavior. In all this is an engaging and exceedingly timely look at a form of entertainment the public has long taken for granted and which, as Palmer points out, really needs a fresh and careful reconsideration.

As technology advances rapidly and viewers' options increase, this book presents a fascinating exploration of the future of the wildlife film-making industry. Its unique collection of views and advice make this book an invaluable resource for everyone who wishes to succeed as a wildlife film-maker in years to come. With articles from many leading figures in the industry and case studies of numerous skilled practitioners.

Packed with information and advice acquired over years of teaching wildlife filmmaking, Warren guides readers through all aspects of making a wildlife film from choosing a camcorder to editing the final product.

Never has the time been more critical for film-making to help make a difference to the natural world. This book shows you how. A complete 'how to' guide, aimed at both film-makers and conservationists who want to use film as a tool for conservation. Covers all pre-production activities including how to raise funds. How to choose and use the filming equipment you need, plus a guide to post-production. Explores reaching audiences, organising screenings, using social media, monitoring effectiveness and ethical considerations. Features case studies from leading conservation film-makers including Mike Pandey, Rob Stewart (Sharkwater and Revolution), Will Anderson (Hugh's Fish Fight) and Shekar Dattatri. Describes how organisations use film effectively in conservation; including Greenpeace, Royal Society for the Protection of Birds (RSPB), Environmental Investigation Agency (EIA) and Great Apes Film Initiative (GAFI). 'For all of us who care about the environment and wildlife, and want to make a difference, this is an important book.' Jane Goodall, Founder of the Jane Goodall Institute and UN Messenger of Peace 'This book is of enormous value to everyone involved in conservation' Lee Durrell, Honorary Director, Durrell Wildlife Conservation Trust 'Conservation Film-making is a richly nourishing book, a professional tour de force, and a compelling argument that films, when made according to the best practices contained in this book, can make a huge and positive difference to the world in which we live.' Professor Chris Palmer, Director of the Center for Environmental Filmmaking 'This terrific book will become the bible for everyone determined to fly in the face of everything-is-wonderful-and-happy natural history programmes and show, instead, that conservation can be awe-inspiring and watchable, too.' Mark Carwardine, Conservationist 'Conservation Film-making is a detailed and well-researched 'how to' guide, but it is more than that - it's a good read! It should be read by everyone involved in conservation, to understand better how film could - indeed should - be used.' Ian Redmond

The unique book by Piers Warren, packed with guidance and advice for aspiring makers of natural history films Foreword by Jeffery Boswall Described as 'long-overdue' and 'much-needed', this is not just an essential book for newcomers and wannabes - the fascinating case studies of well-known individuals, and unique discussion of the future of the industry from top professionals, make this an important read for those already working in the fields of wildlife, underwater and conservation film. There has never been a careers guide to the wildlife film industry before, and this book covers all aspects of working in this genre. Author Piers Warren explains how wildlife films are made, describes the variety of jobs and how to get started, and then supplies information on education and training, wildlife film festivals, organisations and projects. The section 'The Future of the Industry' involves no-holds-barred views from individuals with a wide variety of experience of wildlife films - combining to produce a fascinating and eye-opening vision of the future of wildlife programming.

Jean Hartley, born in Kenya, is acknowledged as being the first to legitimise fixing for wildlife film crews. Over the last 25 years, she has worked on over a thousand films, the vast majority being about wildlife and nature. She features five of the great film makers who all started their careers in Kenya in the1950s, legends whom she is proud to call personal friends. Watching all of their films, and many more, she became fascinated by the history of film making in Kenya and determined to find out when it all started. In this insightful book, she traces the roots of wildlife film back a hundred years, drawing on accounts of the original film makers and the professional hunters who guided those early safaris. She tracks the changes from those grainy, speeded up, silent films through to the technologically perfect High Definition and 3D films that are being made today.

CHRIS PALMER is a professor, speaker, author, and environmental/ wildlife film producer, who has swum with dolphins and whales, come face-to-face with sharks and Kodiak bears, camped with wolf packs, and waded hip-deep through Everglade swamps.