Wilkie Collins Authors In Context

Lyn Pykett offers a lively exploration of the novels of Wilkie Collins, author of the first recognised detective novel.

"This international collection of essays celebrates the 200th anniversary of Wilkie Collins's birth by exploring his multi-faceted impact on nineteenth-century culture. Examining his lesser-known and shorter works alongside the great novels, this volume provides new perspectives for both students and admirers fascinated by his complex fictions"--

The definitive biography of Wilkie Collins: the Victorian novelist, playwright, author of The Moonstone and The Woman in White, who lived a life of sensation. Wilkie Collins, author of The Moonstone and The Woman in White, was the master of the Victorian sensation novel, but he also had a complex private life that could have come straight out of one of his bestselling novels. While his books focused on uncovering family secrets, Wilkie was determined to keep his own unconventional domestic arrangements – living with two women, neither of them his wife – hidden from the outside world. In this colourful investigative biography, set against the backdrop of Victorian London, Andrew Lycett brings to life one of England’s greatest writers and reveals a brilliant, contrary and sensual man, deeply committed to his work.

In the first book centering on the collaborative relationship between Charles Dickens and Wilkie Collins, Lillian Nayder places their coauthored works in the context of the Victorian publishing industry and shows how their fiction and drama represent and reconfigure their sometimes strained relationship. She challenges the widely accepted image of Dickens as a mentor of younger writers such as Collins, points to the ways in which Dickens controlled and profited from his literary "satellites," and charts Collins's development as an increasingly significant and independent author. The pair's collaborations for Household Words and All the Year Round explicitly addressed Victorian labor disputes and political unrest, and Nayder reads the stories in terms of the social and imperial conflicts that both provided their themes and enabled Dickens and Collins to mediate their own personal and professional differences. Nayder's discussion of the collaboration and its principals is greatly enriched by archival research into unpublished and unfamiliar material, including the manuscripts of The Frozen Deep.

This selection of 11 essays charts the most important aspects of the developing debate about Wilkie Collins's fiction in the last 20 years. The book employs a range of theoretical and methodological approaches, including reader response theory, narratology, psychoanalysis, deconstruction, cultural materialism, and a range of feminisms. The essays examine Collins's fiction from several perspectives: structural, generic and political (including gender politics). They focus on an author preoccupied with the production of social and psychological identity, and with issues of class, gender, and power. If there is a single issue which permeates this collection, it is the question of the subversiveness of Collins's fiction or, alternatively, its retreat from and/or containment of a radical social critique or subversive impulses. The pros and cons of this debate are explored further in Lyn Pykett's introduction.

The novels of Charlotte and Emily Bronte have become canonical texts for the application of twentieth century literary and cultural theory. Along with the work of their sister, Anne, their texts are regarded as a sources of diversity in themselves, full of conflictual material which different schools of criticism have analysed and interpreted. This book shows how the Brontes writings engage with the major issues which dominate twentieth century theoretical work. The essays are grouped under broad schools of theory- biographical; feminist; marxist; psychoanalytical and postcolonial.