Will Cuppy American Satirist

Back in the golden age of humor books (late 1920s-early 1950s), when wits of the pantheon like Robert Benchley, James Thurber, and S.J. Perelman were producing their signature works, there was another singular satirist who more than held his own with such fast company: Will Cuppy (1884-1949). This factual funnyman's metier is dark comedy that flirts with nihilism. His agenda is baldly stated in such classic Cuppy book titles as How to Be a Hermit (1929), How to Tell Your Friends from the Apes (1931), and The Decline and Fall of Practically Everybody (1950). This biography doubles as a critical study of a satirist whose shish-kebabing of humanity was often done through the veiled anthropomorphic use of animals. For a biographer, Will Cuppy represents a treasure trove of possibilities. He was a great humorist, and most of his best work is still in print, but until now he has never been the subject of a book-length study. His mesmerizingly complex and eccentric private life almost trumps the comic accomplishments of his public persona.

Back in the golden age of humor books (late 1920s-early 1950s), when wits of the pantheon like Robert Benchley, James Thurber, and S.J. Perelman were producing their signature works, there was another singular satirist who more than held his own with such fast company: Will Cuppy (1884-1949). This factual funnyman's metier is dark comedy that flirts with nihilism. His agenda is baldly stated in such classic Cuppy book titles as How to Be a Hermit (1929), How to Tell Your Friends from the Apes (1931), and The Decline and Fall of Practically Everybody (1950). This biography doubles as a critical study of a satirist whose shish-kebabing of humanity was often done through the veiled anthropomorphic use of animals. For a biographer, Will Cuppy represents a treasure trove of possibilities. He was a great humorist, and most of his best work is still in print, but until now he has never been the subject of a book-length study. His mesmerizingly complex and eccentric private life almost trumps the comic accomplishments of his public persona.

How to Be a Hermit by American humorist Will Cuppy is a subjective and partly fictional account of Will's adventures as a hermit on Jones's Island in Wisconsin. Excerpt: "All was excitement that June morning among the clams of Jones's Island (pronounced, by your leave, in two good healthy syllables, thus: Jone'-sez). Softies by the bushel dug themselves deeper into the shoreward mud, and whimpering little quahogs out in their watery beds clung closer to their mothers as they heard the dread news relayed by their kinsfolk of Seaman's Neck, Black Banks Channel, Johnson's Flats, and High Hill Crick."

A survey of life on earth, in all its variety and pagentry, by a very annoyed humorist. From early man, the Neanderthal, Cro-Magnon, to irascible observations on mankind and the animal kingdom today (including "Birds I Could Do Without"), Will Cuppy, a perennially perturbed hermit, is your guide in these are very funny essays. For eight years, from 1921 to 1929, Will Cuppy lived alone on Jones Island, off Long Island's South Shore. From that outpost, he gained a reputation for his factual but funny magazine articles and wrote the book, How to be a Hermit, his first bestseller. His last, The Decline and Fall of Practically Everybody, was left unfinished after Cuppy's death in 1949 and has become a classic of American humor. In between (among other titles) was this very funny collection. First published in 1931, the subjects include "What I Hate About Spring," "Awful Mammals," and "Why Be a Rhinoceros?" Great for anyone who loves classic American humor.

The Decline and fall of Practically Everybody is the synthesis of Will Cuppy's wry and friendly attitude toward birds, reptiles, fish, and mammals -- especially mammals, for this book is about people. Here they are, the famous and infamous of everyday history, from Cheops to Miles Standish.

Humorous essays poke fun at the natural world, extinct animals, pet snakes, and the noises of fish

A survey of the animal kingdom in which the nocturnal and tunneling wombat is awarded the greatest praise. Will Cuppy was something like the Larry David of the mid-20th century. From his perch as a staff writer at The New Yorker, Cuppy observed the world and found a great deal that annoyed him. This collection of essays on animals includes "Birds Who Can't Even Fly," "Optional Insects," "Octopuses and Those Things", and "How to Swat a Fly," which codifies the essentials in ten hilarious principles. And three essays on wombats. Perfect reading for the perplexed, befuddled, and perpetually irritated.