Willa Cather In Europe

Willa Cather was twenty-eight years old in the summer of 1902 when she saw England and France for the first time. Behind her stretched the Nebraska fields of her childhood and still ahead of her the world as it belongs only to great writers. The 1902 journey, coming ten years before she made her literary mark with O Pioneers!, was unrepeatable, special in its effects on her artistic development. After disembarking at Liverpool, she toured the Shropshire country, got swallowed up by London, and then crossed the Channel to other skies—to Rouen, Paris, and the Riviera. These fourteen travel articles, written for a newspaper in Lincoln, Nebraska, and eventually collected and published in book form in 1956, are striking for first impressions colored by a future novelist's feeling for history and for beauty in unexpected forms.

These essays open up debates about a number of Cather's texts, and suggest her stature as an American author much influenced by European culture and European immigrant culture in the US.

In this collection of essays, contributors investigate the various connections between Willa Cather's fiction and her aesthetic beliefs and practices. Including multiple perspectives and critical approaches--derived from the Aesthetic Movement, the visual arts, modernism, and the relationship between art and religion--this collection will increase our understanding of Cather's aesthetic and lead to a better comprehension of her work and her life.

"The essays in Cather Studies, Volume 8 explore the many locales and cultures informing Willa Cather's fiction. A lifelong Francophile, Cather first visited France in 1902 and returned repeatedly throughout her life. Her visits to France influenced not only her writing but also her interpretation of other worlds; for example, while visiting the American Southwest in 1912, a region that informed her subsequent works, she first viewed that landscape through the prism of her memories of Provence. Cather's intellectual intercourse between the Old and the New World was a two-way street, moving both people and cultural mores between the two. But her worlds extended far beyond France, or even geographical locations. This new volume pairs Cather innovatively with additional influences---theological, aesthetic, even gastronomical---and examines her as tourist and traveler cautiously yet assiduoulsy exploring a diverse range of palces, ethnicities, and professions."--BOOK JACKET.

This book presents interprative approaches to Willa Cather based on materials available in the Drew University Cather Collection. The scholars suggest the work left to do on Willa Cather, and the diverse directions in which scholars now must travel.

Edith Wharton and Willa Cather wrote many of the most enduring American novels from the first half of the twentieth century, including Wharton’s The House of Mirth, Ethan Frome, and The Age of Innocence, and Cather’s O Pioneers!, My Ántonia, and Death Comes for the Archbishop. Yet despite their perennial popularity and their status as major American novelists, Wharton (1862–1937) and Cather (1873–1947) have rarely been studied together. Indeed, critics and scholars seem to have conspired to keep them at a distance: Wharton is seen as “our literary aristocrat,” an author who chronicles the lives of the East Coast, Europe-bound elite, while Cather is considered a prairie populist who describes the lives of rugged western pioneers. These depictions, though partially valid, nonetheless rely on oversimplifications and neglect the striking and important ways the works of these two authors intersect. The first comparative study of Edith Wharton and Willa Cather in thirty years, this book combines biographical, historical, and literary analyses with a focus on place and aesthetics to reveal Wharton’s and Cather’s parallel experiences of dislocation, their relationship to each other as writers, and the profound similarities in their theories of fiction. Julie Olin-Ammentorp provides a new assessment of the affinities between Wharton and Cather by exploring the importance of literary and geographic place in their lives and works, including the role of New York City, the American West, France, and travel. In doing so she reveals the two authors’ shared concern about the culture of place and the place of culture in the United States.

Hermione Lee’s provocative and influential biography provides a sensitive reappraisal of a marvelous and often underrated writer. The Willa Cather she reveals here was a Nebraskan who spent much of her life in self-imposed exile from the prairies she celebrated in O Pioneers! and My Antonia, a woman whose life was riddled with the tension between masculine and feminine, and a writer whose naturalness of style disguised exquisite artistry. By exposing the contradictions that lie at the heart of much of Cather’s life and work, Lee locates new layers of meaning and places her firmly at the forefront of the modern literary tradition that was taking shape in her time.