William At War

Wartime William is still up to mischief! William is always ready to offer his services to his country. But why is it that his enthusiastic contribution is so seldom appreciated? William is determined to do his bit, but unfortunately no one else thinks he'd make a hero . . . William at War by Richmal Compton is a selection of ten of William's most wonderful wartime stories in which William proves himself just as dangerous, unpredictable and downright troublesome as the Enemy! This much-loved children's classic features contemporary cover art by Michael Foreman, an introduction by actor and comedian John Sessions, along with the original inside illustrations by Thomas Henry – allowing a new generation to enjoy this unforgettable character. There is only one William. This tousle-headed, snub-nosed, hearty, loveable imp of mischief has been harassing his unfortunate family and delighting his hundreds of thousands of admirers since 1922. Enjoy more of William's adventures in Just William and Still William.

An exposé of forefront military contractor Lockheed Martin discusses its power and influence while tracing the company's billion-dollar growth and presence in every aspect of American life.

Set in the years 1914 to 1918, An Ice Cream War follows the fortunes of two English brothers who enlist and fight in German East Africa. Contrasting the vibrant chaos of East Africa with the quiet gentility of Edwardian England, the novel tracks the brothers' very different but equally tragic experiences in the war and the pressures and sorrows of those they leave at home.

Everyone's favourite troublemaker is back in Richmal Crompton's William the Bad – with a fun and contemporary cover illustrated by Chris Garbutt and an introduction by writer Anne Fine. William doesn't understand why he's not invited to Robert and Ethel's fancy-dress party – what could possibly go wrong? Desperate for an invite, his search for the perfect costume causes mayhem. Somehow nothing ever goes to plan when William the Bad is around! There is only one William. This tousle-headed, snub-nosed, hearty, lovable imp of mischief has been harassing his unfortunate family and delighting his admirers since 1922. Enjoy more of William's adventures in William's Happy Days and William Again.

Academy Award winner William Joyce’s Guardians recruit Sanderson ManSnoozy, the sleepy legend also known as the Sandman, to their cause in this fourth chapter book adventure. When the Man in the Moon brought together the Guardians, he warned them that they would face some terrible evils as they strove to protect the children of earth. But nothing could have prepared them for this: Pitch has disappeared and taken Katherine with him. And now the Guardians are not only down one member, but a young girl is missing. Fortunately, MiM knows just the man to join the team. Sanderson ManSnoozy—known in most circles as the Sandman—may be sleepy, but he’s also stalwart and clever and has a precocious ability to utilize sand in myriad ways. If the other Guardians can just convince Sandy that good can triumph evil, that good dreams can banish nightmares, they’ll have themselves quite a squad. But if they can’t…they might never see Katherine again.

Looking out a second-story window of her family's quarters at the Pearl Harbor naval base on December 7, 1941, eleven-year-old Jackie Smith could see not only the Rising Sun insignias on the wings of attacking Japanese bombers, but the faces of the pilots inside. Most American children on the home front during the Second World War saw the enemy only in newsreels and the pages of Life Magazine, but from Pearl Harbor on, "the war"--with its blackouts, air raids, and government rationing--became a dramatic presence in all of their lives. Thirty million Americans relocated, 3,700,000 homemakers entered the labor force, sparking a national debate over working mothers and latchkey children, and millions of enlisted fathers and older brothers suddenly disappeared overseas or to far-off army bases. By the end of the war, 180,000 American children had lost their fathers. In "Daddy's Gone to War", William M. Tuttle, Jr., offers a fascinating and often poignant exploration of wartime America, and one of generation's odyssey from childhood to middle age. The voices of the home front children are vividly present in excerpts from the 2,500 letters Tuttle solicited from men and women across the country who are now in their fifties and sixties. From scrap-collection drives and Saturday matinees to the atomic bomb and V-J Day, here is the Second World War through the eyes of America's children. Women relive the frustration of always having to play nurses in neighborhood war games, and men remember being both afraid and eager to grow up and go to war themselves. (Not all were willing to wait. Tuttle tells of one twelve year old boy who strode into an Arizona recruiting office and declared, "I don't need my mother's consent...I'm a midget.") Former home front children recall as though it were yesterday the pain of saying good-bye, perhaps forever, to an enlisting father posted overseas and the sometimes equally unsettling experience of a long-absent father's return. A pioneering effort to reinvent the way we look at history and childhood, "Daddy's Gone to War" views the experiences of ordinary children through the lens of developmental psychology. Tuttle argues that the Second World War left an indelible imprint on the dreams and nightmares of an American generation, not only in childhood, but in adulthood as well. Drawing on his wide-ranging research, he makes the case that America's wartime belief in democracy and its rightful leadership of the Free World, as well as its assumptions about marriage and the family and the need to get ahead, remained largely unchallenged until the tumultuous years of the Kennedy assassination, Vietnam and Watergate. As the hopes and expectations of the home front children changed, so did their country's. In telling the story of a generation, Tuttle provides a vital missing piece of American cultural history.

Powerful, instructive, and full of humanity, this book challenges the current understanding of the war that has turned Mozambique—a naturally rich country—into the world's poorest nation. Before going to Mozambique, William Finnegan saw the war, like so many foreign observers, through a South African lens, viewing the conflict as apartheid's "forward defense." This lens was shattered by what he witnessed and what he heard from Mozambicans, especially those who had lived with the bandidos armado, the "armed bandits" otherwise known as the Renamo rebels. The shifting, wrenching, ground-level stories that people told combine to form an account of the war more local and nuanced, more complex, more African—than anything that has been politically convenient to describe. A Complicated War combines frontline reporting, personal narrative, political analysis, and comparative scholarship to present a picture of a Mozambique harrowed by profound local conflicts—ethnic, religious, political and personal. Finnegan writes that South Africa's domination and destabilization are basic elements of Mozambique's plight, but he offers a subtle description and analysis that will allow us to see the post-apartheid region from a new, more realistic, if less comfortable, point of view.