William Blake In The Art Of His Time

In 1809 the little-known artist William Blake held an exhibition of 16 paintings in a private house in Soho in the west end of London. Works inspired by Chaucer's "Canterbury Tales" and John Milton's "Paradise Lost" sat alongside biblical scenes and Arthurian legend. The exhibition was not a success; the only review in the press was extremely unfavourable and few of the public came. One of those who did was the poet Charles Lamb, who later described the pictures as 'hard, dry, yet with grace', and the catalogue that accompanied the show as 'mystical and full of vision'. It is this catalogue that Tate Publishing are once again making available. In it, the scale and range of Blake's ambition are made plain, along with his theories on painting, his unsparing critiques of other artists and some extraordinary insights into the working of his mind. The only detailed writing on art that remains to us by Blake, it throws light on all his subsequent artistic enterprises, including the illuminated books for which he is perhaps most famous. Part commentary and part manifesto, his catalogue is as radical as it is in places eccentric (he claims at one point to have been transported in a "vision" back to the classical world). Fully illustrated in colour with reproductions of surviving works originally in the exhibition, the book includes an illuminating essay by leading authority on British art Martin Myrone, Lead Curator of Pre-1800 Art at Tate Britain, making it an essential purchase for all of those wanting to know more.

William Blake is regarded as one of the greatest creative geniuses of the Romantic era, valued for the visionary power of both his poetry and his art. However, in his own time, he struggled to make ends meet and his work attracted little attention. The book contains a lengthy introduction to the life and work of Black by Norton as was as full page black and white copies of the etchings which Blake between 1823 and 1826 for his illustrated edition of the Book of Job. His Illustrations of the Book tell the Biblical story of Job, one of the books of the Hebrew Bible. It relates his trials at the hands of Satan, his discussions with friends on the origins and nature of his suffering, his challenge to God, and finally a response from God. The book is a didactic poem set in a prose frame and has been included in lists of the greatest books in world literature. William Blake (1757 – 1827) was an English poet, painter, and printmaker. Largely unrecognised during his lifetime, Blake is now considered a seminal figure in the history of both the poetry and visual arts of the Romantic Age. His paintings and poetry have been characterised as part of the Romantic movement and "Pre-Romantic", for its large appearance in the 18th century. Blake was influenced by the ideals and ambitions of the French and American revolutions. Despite these known influences, the singularity of Blake's work makes him difficult to classify.

"William Blake is a universal artist--an inspiration to visual artists, musicians, poets, and performers worldwide as well as everyone who aspires to the ideals of personal, spiritual, and creative liberty. His heroic story has inspired an invigorated generations. His personal struggles during a period of political terror and oppression, his technical innovations, and his political commitment all remain deeply relevant today. This book presents a comprehensive overview of Blake's work as a printmaker, poet, and painter, foregrounding his relationship with the art world of his time and telling the stories behind many of his most iconic images."--

William Blake was a prominent English poet, painter, and printmaker. He was largely unrecognized during his life but is now considered a seminal figure in the history of the poetry and visual art of the Romantic Age. This book gives a detailed account of his life and works.