William Faulkner S The Wild Palms

In The Wild Palms, subsequently titled If I Forget Thee, Jerusalem, William Faulkner interweaves two stories. In the story Wild Palms, it’s New Orleans 1937. A man and a woman embark on a headlong flight into the wilderness of illicit passion, fleeing her husband and the temptations of respectability. In the story Old Man, the setting is Mississippi ten years earlier where a convict sets forth across a flooded river, risking his own chance at freedom to rescue a pregnant woman. The two interwoven separate stories are presented so that they each climax with their final chapter, one with a happy ending and one with a sad ending.

In this feverishly beautiful novel—originally titled If I Forget Thee, Jerusalem by Faulkner, and now published in the authoritative Library of America text—William Faulkner interweaves two narratives, each wholly absorbing in its own right, each subtly illuminating the other. In New Orleans in 1937, a man and a woman embark on a headlong flight into the wilderness of illicit passion, fleeing her husband and the temptations of respectability. In Mississippi ten years earlier, a convict sets forth across a flooded river, risking his own chance at freedom to rescue a pregnant woman. From these separate stories Faulkner composes a symphony of deliverance and damnation, survival and self-sacrifice, a novel in which elemental danger is juxtaposed wiht fatal injuries of the spirit. The Wild Palms is grandly inventive, heart-stopping in its prose, and suffused on every page with the physical presence of the country that Faulkner made his own.

In this feverishly beautiful novel—originally titled If I Forget Thee, Jerusalem—William Faulkner interweaves two narratives, each wholly absorbing in its own right, each subtly illuminating the other. In New Orleans in 1937, a man and a woman embark on a headlong flight into the wilderness of illicit passion, fleeing her husband and the temptations of respectability. In Mississippi ten years earlier, a convict sets forth across a flooded river, risking his own chance at freedom to rescue a pregnant woman. From these separate stories Faulkner composes a symphony of deliverance and damnation, survival and self-sacrifice, a novel in which elemental danger is juxtaposed with fatal injuries of the spirit. The Wild Palms is grandly inventive, heart-stopping in its prose, and suffused on every page with the physical presence of the country that Faulkner made his own.

Harry Dietrichson is an American correspondent reporting from Asia. He is sent to Shanghai on the eve of the Second World War. In Cosmopolitan Shanghai - the Paris of the East - British, French, and other Western expatriates continue leading opulent lives seemingly oblivious to the world crumbling around them. Harry meets and falls in love with a young woman named Viktoria who comes from a prominent Russian family that has lived in Shanghai for decades. Before they can be married, Harry is called back to the States. When the war breaks out Harry is unable to return to Shanghai. We witness Viktoria's self-sacrificing efforts to save her family from starvation and persecution. She confronts moral ambiguity on a daily basis. Meanwhile, Harry takes a commission in the Marines and endures a bloody slog of battles across the Pacific, as he attempts to survive and make his way back to Shanghai. As the war ends, Harry returns to war-torn China in search of Viktoria. This book traces the paths of two young lovers whose life together has been interrupted by war. It's a story of love, family, and perseverance.

DigiCat Publishing presents to you this special edition of "The Wild Palms" by William Faulkner. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

William Faulkner was a literary genius, and one of America's most important and influential writers. Drawing on previously unavailable sources -- including letters, memoirs, and interviews with Faulkner's daughter and lovers -- Jay Parini has crafted a biography that delves into the mystery of this gifted and troubled writer. His Faulkner is an extremely talented, obsessive artist plagued by alcoholism and a bad marriage who somehow transcends his limitations. Parini weaves the tragedies and triumphs of Faulkner's life in with his novels, serving up a biography that's as engaging as it is insightful.

It is well known that Jorge Luis Borges was a translator, but this has been considered a curious minor aspect of his literary achievement. Few have been aware of the number of texts he translated, the importance he attached to this activity, or the extent to which the translated works inform his own stories and poems. Between the age of ten, when he translated Oscar Wilde, and the end of his life, when he prepared a Spanish version of the Prose Edda , Borges transformed the work of Poe, Kafka, Hesse, Kipling, Melville, Gide, Faulkner, Whitman, Woolf, Chesterton, and many others. In a multitude of essays, lectures, and interviews Borges analyzed the versions of others and developed an engaging view about translation. He held that a translation can improve an original, that contradictory renderings of the same work can be equally valid, and that an original can be unfaithful to a translation. Borges's bold habits as translator and his views on translation had a decisive impact on his creative process. Translation is also a recurrent motif in Borges's stories. In "The Immortal," for example, a character who has lived for many centuries regains knowledge of poems he had authored, and almost forgotten, by way of modern translations. Many of Borges's fictions include actual or imagined translations, and some of his most important characters are translators. In "Pierre Menard, author of the Quixote," Borges's character is a respected Symbolist poet, but also a translator, and the narrator insists that Menard's masterpiece-his "invisible work"-adds unsuspected layers of meaning to Cervantes's Don Quixote. George Steiner cites this short story as "the most acute, most concentrated commentary anyone has offered on the business of translation." In an age where many discussions of translation revolve around the dichotomy faithful/unfaithful, this book will surprise and delight even Borges's closest readers and critics.