William Gillette America S Sherlock Holmes

William Gillette is best-remembered today as the living personification of Sherlock Holmes, but he was much more than that. He was one of the nineteenth century's greatest stars, among its most successful actors and playwrights. In a career spanning six decades, he was one of the best-known celebrities in the Western world, a towering figure in an age of towering figures. Among his friends were Mark Twain, Sir Arthur Conan Doyle, Theodore Roosevelt, Harriet Beecher Stowe, Thomas Nast and Maurice Barrymore. He built a castle on the Connecticut River and a miniature railroad to run around it. Among the guests who rode on that train were President Calvin Coolidge, physicist Albert Einstein and Tokyo Mayor Ozaki Yukio, who gave to America the cherry blossoms in 1912. James M. Barrie, the creator of Peter Pan, wrote two hit plays for which he specifically asked Gillette to star in. As a playwright, Gillette was known for the stark realism of his sets, costuming, dialogue and actions. He developed realistic and dramatic lighting and sound effects. As an actor, he developed the philosophy of The Illusion of the First Time, in which an actor speaks his lines and moves about each night, not as he has done a hundred times before, but as if he is making up his dialogue as he goes along, and moving about as if doing so for the first time, as real people do. Gillette's intention was to reproduce as much as possible the real world on stage, to make his audiences believe they were seeing a life episode being lived across the barrier of the footlights. This magnificent biography is the first full treatment of Gillette ever published. Exhaustively researched, thoroughly documented, and beautifully written, it not only details the life of this extraordinary man, it provides a colorful context of the times in which he lived. This is a major part of the history of the Western theater finally documented for our edification and enjoyment.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Arthur Conan Doyle (1859 – 1930) was an English writer best known for his detective stories about Sherlock Holmes. “Sherlock Holmes: A Drama in Four Acts” is a four-act play by William Gillette and Sir Arthur Conan Doyle, based on several stories about the world-famous detective.

Sherlock Holmes, a play that was revived many times after its first copyrighhtg performance in 1899, is the work of William Hooker Gillette, an American actor, playwright and stage-manager of the late nineteenth and early twentieth century who is still best remembered today as the personification of Sherlock Holmes on stage, a role he performed over 1,300 times, and reprised in a silent motion picture based on the play, and twice on radio. Gillette's particular contribution to the theater was in the areas of stage settings, special sound and lighting effects, and characterization. His portrayal of Holmes has influenced the modern image of the detective with his use of the deerstalker cap (which first appeared in some Strand illustrations by Sidney Paget) and the curved pipe that came to symbolize the character. Gillette was also well known for the famous line ñThis is elementary, my dear fellow!î which later became ñElementary, my dear Watson!î, a phrase that however never appears in DoyleÍs books.

This fascinating memoir by actor and playwright William Gillette provides a behind-the-scenes look at the original stage production of Sherlock Holmes, which he himself starred in and co-wrote. Drawing on his personal recollections and notes, as well as reviews and promotional material from the time, Gillette offers a compelling account of the creation and reception of this iconic character. A must-read for anyone interested in the history of Sherlock Holmes on stage and screen. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The American playwright and actor William Gillette is best remembered today for the role of Sherlock Holmes that he first created for the stage in 1899 and played for more than thirty years. Gillette also adapted foreign plays for the American stage and wrote strong melodramas and spy stories in which he frequently appeared himself. This volume includes All the Comforts of Home (1890), Secret Service (1895) and Sherlock Holmes (1899). Gillette's sure grasp of the keys to theatrical success, together with his technical innovations, makes him an interesting and important theatre figure. In his time, as playwright and player, he achieved a new combination of melodramatic suspense with a cool, understated acting style. These three plays represent the range of his dramatic talent.

Sherlock Holmes premiered at the Star Theatre in Buffalo in 1899 after a copyright performance in England. It then toured Rochester and Syracuse, and Scranton and Wilkes-Barre in Pennsylvania before playing at Broadway's Garrick Theater in November of 1899. Gillette's most significant contributions to the theater were in devising realistic stage settings and special sound and lighting effects, which he applied lavishly in Sherlock Holmes. The play was an instant success and, after Broadway, toured nationally, returned to England where it had started, and was produced in other Countries such as Australia, Sweden, and South Africa.

The American playwright and actor William Gillette is best remembered today for the role of Sherlock Holmes that he first created for the stage in 1899 and played for more than thirty years. Gillette also adapted foreign plays for the American stage and wrote strong melodramas and spy stories in which he frequently appeared himself. This volume includes All the Comforts of Home (1890), Secret Service (1895) and Sherlock Holmes (1899). Gillette's sure grasp of the keys to theatrical success, together with his technical innovations, makes him an interesting and important theatre figure. In his time, as playwright and player, he achieved a new combination of melodramatic suspense with a cool, understated acting style. These three plays represent the range of his dramatic talent.