William S Rice

Author Ellen Treseder Sexauer, Rice's granddaughter, presents a synthesis of scholarly and uniquely personal perspectives, examining the artist's development, artistic methods, and private life. Insightful passages from interviews with Roberta Rice Treseder, Rice's daughter, and illuminating excerpts from Rice's own published articles and books provide an intimate portrait of Rice as artist, naturalist, teacher, writer, and father.

William Seltzer Rice (American, 1873-1963) was a young artist of twenty-seven when he stepped off a train in Stockton, California, in 1900; he had left his home in Pennsylvania to take the job of assistant art supervisor for the Stockton public schools. California became not only his lifelong home but also his muse, inspiring a prolific career in art. Rice soon moved to the San Francisco Bay Area, where the region's Arts and Crafts movement was flowering. He was talented in several mediums, but block printing ultimately became his favorite, for it gave him the opportunity to combine draftsmanship, carving, and printing. California's flora, fauna, and landscapes-from the Sierra Nevada to the Pacific-were the subjects that fed his creativity. William S. Rice: California Block Prints is the first book published on the artist's work and presents more than sixty of his color block prints dating from 1910 to 1935. Among the prints featured are scenes from Yosemite, Mt. Shasta, Monterey, Carmel, the San Francisco Bay Area, Lake Tahoe, and other California landmarks. An essay by Roberta Rice Treseder, Rice's daughter, recounts his life and achievements, with special emphasis on his block printing methods and materials. William S. Rice's works are in many private and public collections, including the Smithsonian American Art Museum, the Oakland Museum of California, the Achenbach Foundation for Graphic Arts, the New York Public Library, and the Worcester Art Museum.

"Block Prints: How to Make Them is an illustrated guide written by William S. Rice. It fully details his artistic process, providing straightforward, step-by-step solutions to the intricate challenges of block printmaking in both advanced and home-studio settings. It was originally published in 1941. This 2019 edition is updated with an introduction and annotation by Martin Krause"--

Marrying simplicity and succulence, steak is a food everyone can understand, and one of the very few to inspire genuine craving. Steak is William Rice's avocation, his passion, and he's researched different preparations and flavors of steak from all over the world. A collection of over 140 recipes, steak lover's cookbook is divided between fancy uptown cuts (e.g., tenderloins, porterhouses, ribs) and the plainer but just as tasty downtown cuts (skirt, chuck, flank, round). It includes the Best-Ever recipe for each type, plus dozens of inviting alternatives, not to mention Steak Fries, Outrageous Onion Rings, and Mississippi Mud Pie. It's a steakhouse at home. 84,000 copies in print.

A journey through the Amazon Rainforest introduces its people, plant life, and animals.

In 1891 William Marsh Rice made a generous bequest in order to found the distinguished Houston institution that bears his name. Ironically, this very bequest helped to bring about his murder, an act of treachery perpetrated by a conniving attorney and Rice’s naïve, malleable manservant. This captivating tale—full of intrigue, legal twists and turns, and sensational revelations—an important part of the full biography of Rice himself, received its first careful historical investigation by Andrew Forest Muir, a longtime professor of history at Rice University who, beginning in 1957, performed the fundamental research that forms the basis for this biography. At the time of Muir’s death in 1969, the work remained incomplete. Subsequently, at the request of the Rice Historical Society, Sylvia Stallings Morris shaped the fruits of Muir’s labor into the first edition of this book, which was published in 1972. The new edition of William Marsh Rice and His Institute, edited by Randal L. Hall, returns this fine biography to print in connection with the celebration of the centennial of the opening of Rice University. Incorporating new and important sources unearthed since the publication of the original book, this revised edition retains all the flavor and meticulous care of the earlier work, especially the “finely crafted storytelling of Sylvia Stallings Morris Lowe and Andrew Forest Muir,” as characterized by Hall. Rice University students, faculty, staff, and alumni; scholars and students of Houston, Texas, and regional history; and those interested in the history of American higher education will all welcome William Marsh Rice and His Institute: The Centennial Edition.

The first comprehensive study of one of America's most gifted civil rights activists and political mavericks When civil rights leader Hosea Lorenzo Williams died in 2000, U.S. Congressman John Lewis said of him, "Hosea Williams must be looked upon as one of the founding fathers of the new America. Through his actions, he helped liberate all of us." In this first comprehensive biography of Williams, Rolundus Rice demonstrates the truth in Lewis's words and argues that Williams's activism in the Southern Christian Leadership Conference (SCLC) was of central importance to the success of the larger civil rights movement. Rice traces Williams's journey from a local activist in Georgia to a national leader and one of Martin Luther King Jr.'s chief lieutenants. He helped plan the Selma-to-Montgomery march and walked shoulder-to-shoulder with Lewis across the Edmund Pettus Bridge on "Bloody Sunday." Williams played the role of enforcer in SCLC, always ready to deploy what he called his "arsenal of agitation." While his hard-charging tactics may have seemed out of step with the more diplomatic approach of other SCLC leaders, Rice suggests that it was precisely this contrast in styles that made the organization so successful. Rice also follows Williams's career after King's assassination, as Williams moved into local Atlanta politics. While his style made him loved by some and hated by others, readers will come to appreciate the central role that Williams played in the most successful nonviolent revolution in American history. Andrew Young Jr., former SCLC executive director, U.S. Congressman, U.S. Ambassador to the United Nations, and mayor of Atlanta, provides a foreword.

Traces the career of the nineteenth-century English art critic and painter, who associated with the Bloomsbury group, Picasso, and Bernard Shaw