Willy Loman S Reckless Daughter Or Living Truthfully Under Imaginary Circumstances

Poetry. 2015 Robert Dana-Anhinga Prize for Poetry. "Elizabeth Powell's theatrical book of poems plays out against the backdrop of Arthur Miller's signature play, which is at once a guidepost and a foil for this drama of the self, this poetic meditation on the intermixed American family. Powell's self-correcting poems are smart and high-spirited, vacillating wildly between feelings, between lyric and prose, moving in a short space from high comedy to dark grief. I can't think of another book of poems that is quite like WILLY LOMAN'S RECKLESS DAUGHTER, which keeps bravely crossing 'the line no one wants to write or live.'"—Edward Hirsch

The Pulitzer Prize-winning tragedy of a salesman’s deferred American dream Ever since it was first performed in 1949, Death of a Salesman has been recognized as a milestone of the American theater. In the person of Willy Loman, the aging, failing salesman who makes his living riding on a smile and a shoeshine, Arthur Miller redefined the tragic hero as a man whose dreams are at once insupportably vast and dangerously insubstantial. He has given us a figure whose name has become a symbol for a kind of majestic grandiosity—and a play that compresses epic extremes of humor and anguish, promise and loss, between the four walls of an American living room. "By common consent, this is one of the finest dramas in the whole range of the American theater." —Brooks Atkinson, The New York Times "So simple, central, and terrible that the run of playwrights would neither care nor dare to attempt it." —Time

Poetry. Winner of the 2001 New Issues Poetry Prize. Foreword by C.K. Williams. THE REPUBLIC OF SELF is a meditation on both the public and private American self. Elizabeth Powell's serious yet sexy and entertaining poems attempt to reconcile the divisions, diversions, and prospects of the self as we know it. THE REPUBLIC OF SELF becomes a field guide to all that lives within: nymphs, satyrs, Greco-Roman gods, even the icons of mass media and government are here in this, our forever new/old republic still inventing itself. "Nothing quite like her in American poetry..." - David Rivard.

Longlisted for the 2014 National Book Award Never has there been a book of poems quite like Gabriel, in which a short life, a bewildering death, and the unanswerable sorrow of a father come together in such a sustained elegy. This unabashed sequence speaks directly from Hirsch’s heart to our own, without sentimentality. From its opening lines—“The funeral director opened the coffin / And there he was alone / From the waist up”—Hirsch’s account is poignantly direct and open to the strange vicissitudes and tricks of grief. In propulsive three-line stanzas, he tells the story of how a once unstoppable child, who suffered from various developmental disorders, turned into an irreverent young adult, funny, rebellious, impulsive. Hirsch mixes his tale of Gabriel with the stories of other poets through the centuries who have also lost children, and expresses his feelings through theirs. His landmark poem enters the broad stream of human grief and raises in us the strange hope, even consolation, that we find in the writer’s act of witnessing and transformation. It will be read and reread.

In Neurosis and Human Growth, Dr. Horney discusses the neurotic process as a special form of the human development, the antithesis of healthy growth. She unfolds the different stages of this situation, describing neurotic claims, the tyranny or inner dictates and the neurotic's solutions for relieving the tensions of conflict in such emotional attitudes as domination, self-effacement, dependency, or resignation. Throughout, she outlines with penetrating insight the forces that work for and against the person's realization of his or her potentialities. First Published in 1950. Routledge is an imprint of Taylor & Francis, an informa company.

In Atomizer, Elizabeth A. I. Powell examines pressing questions of today, from equality and political unrest to the diminishing of democratic ideals, asking if it is even appropriate to write about love in a time seemingly hurtling toward authoritarianism. With honesty and humor, her poems explore fragrance and perfumery as a means of biological and religious seduction. Evoking Whitman’s sentiment that we are all made of the same atoms, Atomizer looks toward an underestimated sense—scent—as a way to decipher the liminal spaces around us. Molecules of perfume create an invisible reality where narratives can unfold and interact, pathways through which Powell addresses issues of materialism, body image, and the physical and psychological contours of emotional relationships. A work of fearless social satire and humorous yet painful truth, Atomizer offers a cultural, political, and sociological account of love in the present moment.

As seen on the Oxygen mini-series The Disappearance of Maura Murray When an eleven year old James Renner fell in love with Amy Mihaljevic, the missing girl seen on posters all over his neighborhood, it was the beginning of a lifelong obsession with true crime. That obsession leads James to a successful career as an investigative journalist. It also gave him PTSD. In 2011, James began researching the strange disappearance of Maura Murray, a UMass student who went missing after wrecking her car in rural New Hampshire in 2004. Over the course of his investigation, he uncovers numerous important and shocking new clues about what may have happened to Maura, but also finds himself in increasingly dangerous situations with little regard for his own well-being. As his quest to find Maura deepens, the case starts taking a toll on his personal life, which begins to spiral out of control. The result is an absorbing dual investigation of the complicated story of the All-American girl who went missing and James's own equally complicated true crime addiction. James Renner's True Crime Addict is the story of his spellbinding investigation of the missing person's case of Maura Murray, which has taken on a life of its own for armchair sleuths across the web. In the spirit of David Fincher's Zodiac, it is a fascinating look at a case that has eluded authorities and one man's obsessive quest for the answers.

The new poetry collection by Tony Hoagland, the award-winning author of What Narcissim Means To Me and Donkey Gospel In Unincorporated Persons in the Late Honda Dynasty, Tony Hoagland is deep inside a republic that no longer offers reliable signage, in which comfort and suffering are intimately entwined, and whose citizens gasp for oxygen without knowing why. With Hoagland's trademark humor and social commentary, these poems are exhilarating for their fierce moral curiosity, their desire to name the truth, and their celebration of the resilience of human nature.