Wingfield College And Its Patrons

The 650th anniversary of the foundation of Wingfield College was the occasion for a special two-day symposium marking the culmination of a three-year UEA-funded research project into the college and castle. The building projects of the late medieval aristocracy focused on their homes and the monasteries, churches or chantry foundations under their patronage where their family were buried and commemorated. This commemoration allowed a visual celebration of their achievements, status and lineage, the scale and prestige of which reflected on the fortunes of the family as a whole. Wingfield is explored in the context of both the actual building of the castle, chantry chapel and the college, and that of the symbolic function of these as a demonstration ion of aristocratic status. The contributions to this book examine many topics which have hitherto been neglected, such as the archaeology of the castle, which had never been excavated, the complex history of the college's architecture, and the detailed study of the monuments in the church. The latest techniques are used to reconstruct the college and castle, with a DVD to demonstrate these. And the context of the family and its fortunes are explored in chapters on the place of the de la Poles in fifteenth century history, as soldiers, administrators and potential claimants to the throne.

New approaches to the political culture of the fourteenth and fifteenth centuries, considering its complex relation to monarchy and state.

The first systematic study of the financing and management of parish church construction in England in the Middle Ages.

First full-length account of St Stephen's Chapel, bringing out its full importance and influence throughout the Middle Ages.

Spread across the medieval kingdom of England in a network of often formidable strongholds, castles, like cathedrals, are defining landmarks of their age, dominating their settings, in many cases even to this day. By representing an essential aspect of our history and heritage, the interpretation of which is constantly being revised, they demonstrate the value of Malcolm Hislop’s compact, authoritative and well illustrated new guide to English castles. The gazetteer includes an astonishing variety of types, sizes and designs. Individual entries bring out the salient points of interest including historical context, building history and architectural character. The defensive and domestic purposes of these remarkable buildings are explained, as is the way in which their layout and role developed over the course of hundreds of years, from the predominantly earth and timber fortresses of the Normans to the complex stone castles of the later Middle Ages, many of which can be visited today. Hislop’s experience as an archaeologist specializing in medieval buildings, castles in particular, as well as his eye for structural detail, ensure that his guide is a necessary handbook for readers who are keen on medieval history and warfare, and for visitors who are looking for an accessible introduction to these monumental relics of England’s military past.

This volume brings together fifteen essays that examine the appearance, meaning, and significance of dogs in painting, sculpture, manuscripts, literature, and legal records of the period, reaching beyond Europe to include cultural material from medieval Japan and Islam.

In these vivid and approachable essays Eamon Duffy engages with some of the central aspects of Western religion in the thousand years between the decline of pagan Rome and the rise of the Protestant Reformation. In the process he opens windows on the vibrant and multifaceted beliefs and practices by which medieval people made sense of their world: the fear of death and the impact of devastating pandemic, holy war against Islam and the invention of the blood libel against the Jews, provision for the afterlife and the continuing power of the dead over the living, the meaning of pilgrimage and the evolution of Christian music. Duffy unpicks the stories of the Golden Legend and Yale University's mysterious Voynich manuscript, discusses the cult of 'St' Henry VI and explores childhood in the Middle Ages. Accompanying the book are a collection of full colour plates which further demonstrate the richness of late medieval religion. In this highly readable collection Eamon Duffy once more challenges existing scholarly narratives and sheds new light on the religion of Britain and Europe before and during the Reformation.

Medieval tombs often depict husband and wife lying side-by-side: demonstrating, as in the words of Philip Larkin's poem An Arundel Tomb, their "stone fidelity". This is the first book to address the phenomenon of the "double tomb", drawing the rich history of tomb sculpture into dialogue with discourses of power, marriage, gender and emotion, and placing them in the context of ecclesastical material culture of the time more broadly. It offers new interpretations of some of the most famous medieval monuments, such as those found in Westminster Abbey and Canterbury Cathedral, as well as drawing attention to a host of lesser-known memorials from throughout Europe. In turn, these monuments provide a vantage point from which to reconsider the culture of medieval marriage, from wedding rings and dresses, to the sacramental symbolism of matrimony, and embodied ritual practices. Whilst it is tempting to read these sculptures as straightforward expressions of romantic feeling, the author argues that a closer look reveals the artifice behind the emotion: the artistic, religious, political and legal agenda underlying the rhetoric of married love.