Winter Exhibition Of Drawings By The Old Masters And Water Colour Drawings By Artists Of The British School 1878 79
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Winter Exhibition of Drawings by the Old Masters and Water colour Drawings by Artists of the British School 1878 79
Author | : Grosvenor Gallery |
Publsiher | : Unknown |
Total Pages | : 186 |
Release | : 1878 |
Genre | : Art, British |
ISBN | : OXFORD:305072136 |
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Winter Exhibition of Drawings by the Old Masters and Water colour Drawings by Artists of the British School 1878 79
Author | : Anonim |
Publsiher | : Unknown |
Total Pages | : 172 |
Release | : 1879 |
Genre | : Art, British |
ISBN | : OCLC:68084259 |
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Sweetness and Strength
Author | : Lene Østermark-Johansen |
Publsiher | : Routledge |
Total Pages | : 348 |
Release | : 2019-01-15 |
Genre | : Art |
ISBN | : 9780429760389 |
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First published in 1998, this volume explores the reinvention of Michelangelo in the Victorian era. At the opening of the nineteenth century, Michelangelo’s reputation rested on the evidence of contemporary adulation recorded by Vasari and Condivi. Travel, photography, the shift of his drawings into public collections, and, in particular, the publication of his poems in their original form, transformed this situation. The complexity of his work commanded new attention and several biographies were published. As public curiosity and knowledge of the artist increased, so various groups began to ally themselves to aspects of Michelangelo’s persona. His Renaissance reputation as a towering genius, a man of great spiritual courage, who had journeyed through and for his art to the depths of despair, was important to the Pre-Raphaelites and other artists. His love for his own ‘Dark Lady’, Vittoria Colonna, aroused excited speculation among High Church advocates, who celebrated his friendship with the deeply religious woman-poet; and the emerging awareness that some half of his love poetry was dedicated to a younger man, Tommaso de’ Cavalieri, was of intense interest to the aestheticists, among them Oscar Wilde, Walter Pater and J.A. Symonds, who sought heroic figures from societies where masculinity was less rigorously defined. In this original and beautifully illustrated study, Lene Østermark-Johansen shows how the critical discussion of the artist’s genius and work became irretrievably bound up in contemporary debates about art, religion and gender and how the Romantic view of art and criticism as self-expression turned the focus from the work of art to the artist himself such that the two could never again be viewed in isolation.
Victorian and Edwardian Responses to the Italian Renaissance
Author | : John E. Law,Lene Østermark-Johansen |
Publsiher | : Routledge |
Total Pages | : 322 |
Release | : 2017-03-02 |
Genre | : History |
ISBN | : 9781351875981 |
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The historiography of the Italian Renaissance has been much studied, but generally in the context of a few key figures. Much less appreciated is the extent of the enthusiasm for the subject in the 19th and early 20th centuries, when the subject was 'discovered' by travellers and men and women of letters, historians, artists, architects and photographers, and by collectors on both sides of the Atlantic. The essays in Victorian and Edwardian Responses to the Italian Renaissance explore the breadth of the responses stimulated by the encounter between the British, the Americans and the Italians of the Renaissance. The volume approaches the subject from an interdisciplinary perspective. While recognising the abiding importance of the familiar 'great names', it seeks to draw attention to a wider cast of people, many of whom led colourful, energetic lives, knew Italy well, and wrote eloquently about the country and its Renaissance. Several essays show that 'Renaissance studies' became a field in which female historians could explore areas of relevance to the 'New Woman'. Other chapters examine the aims and politics of collecting and the place of the collector in literature and in the rediscovery of Renaissance artists. The contribution of teachers and other less formal champions of the Italian Renaissance is explored, as is the role of photographers who re-framed and re-viewed Florence - the Renaissance city - for Victorian and later eyes.
National Art Library Catalogue Victoria and Albert Museum London England Catalogue of Exhibition Catalogues
Author | : National Art Library (Great Britain) |
Publsiher | : Unknown |
Total Pages | : 656 |
Release | : 1972 |
Genre | : Art |
ISBN | : STANFORD:36105032003217 |
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Catalogue of the Harvard University Fine Arts Library the Fogg Art Museum
Author | : Harvard University. Fine Arts Library |
Publsiher | : Unknown |
Total Pages | : 862 |
Release | : 1971 |
Genre | : Art |
ISBN | : STANFORD:36105003681199 |
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Catalog of the Avery Memorial Architectural Library of Columbia University Cul Elb
Author | : Avery Library |
Publsiher | : Unknown |
Total Pages | : 858 |
Release | : 1968 |
Genre | : Architecture |
ISBN | : STANFORD:36105003679318 |
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Catalog of the Avery Memorial Architectural Library of Columbia University Furr Handd
Author | : Avery Library |
Publsiher | : Unknown |
Total Pages | : 848 |
Release | : 1968 |
Genre | : Architecture |
ISBN | : STANFORD:36105003679292 |
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