Wire To Wire

With its cast of train-hopping, drug-dealing, glue-huffing lowlifes, Scott Sparling's debut--an homage to the American crime novel--chronicles the lives of damaged people doing their meager best and often finding the worst. Wire to Wire assembles a cast of train-hopping, drug-dealing, glue-huffing lowlifes, in a stunning homage to one of our most popular enduring genres—the American crime novel. While riding a freight car through Detroit, Michael Slater suffers a near-fatal accident—a power line to the head. After a questionable recovery and a broken relationship, he abandons his new home in the Arizona desert, though not before leaving a man for dead. Slater returns to Michigan in a busted-up Ford to reunite with an old train-hopping pal, but quickly discovers that the Pleasant Peninsula of his youth is none too pleasant. As Slater’s past catches up with his present—a love triangle, a local drug dealer, the damaged residents of a destitute Northern Michigan town—rock bottom keeps slipping farther away. Three years later, Slater sits in a dark video-editing suite, popping speed like penny candy, attempting to reconcile himself with the unfilmed memories that haunt his screens and his conscience.

“On the High Wire is fascinating to read. You will learn about the man, his work, his passion, his tenacity and lucidity” (Marcel Marceau) In this poetic handbook, written when he was just twenty-three, the world-famous high-wire artist Philippe Petit offers a window into the world of his craft. Petit masterfully explains how preparation and self-control contributed to such feats as walking between the towers of Notre Dame and the World Trade Center. Addressing such topics as the rigging of the wire, the walker’s first steps, his salute and exercises, and the work of other renowned high-wire artists, Petit offers us a book about the ecstasy of conquering our fears and reaching for the stars.

Many television critics, legions of fans, even the president of the United States, have cited The Wire as the best television series ever. In this sophisticated examination of the HBO serial drama that aired from 2002 until 2008, Linda Williams, a leading film scholar and authority on the interplay between film, melodrama, and issues of race, suggests what exactly it is that makes The Wire so good. She argues that while the series is a powerful exploration of urban dysfunction and institutional failure, its narrative power derives from its genre. The Wire is popular melodrama, not Greek tragedy, as critics and the series creator David Simon have claimed. Entertaining, addictive, funny, and despairing all at once, it is a serial melodrama grounded in observation of Baltimore's people and institutions: of cops and criminals, schools and blue-collar labor, local government and local journalism. The Wire transforms close observation into an unparalleled melodrama by juxtaposing the good and evil of individuals with the good and evil of institutions.

Read & Burn is the first serious, in-depth appraisal of Wire, one of the most influential British bands to emerge during the punk era. If Wire were briefly a punk band, however, it was largely by historical accident. Despite the fact that they had complicated and transformed that category almost before they'd begun, they seem never to have quite escaped the label. Be it punk, post-punk, or art-punk, critics have clung onto the p-word in an attempt to capture the essence of Wire's innovative uniqueness. But their story - which honours punk's original yet quickly forgotten commitment to the new - is one of constant remaking and remodelling, one that stubbornly resists reduction to a single identity. As a result, the group's projects have always balanced uneasily between artistic endeavour and the need for commercial sustainability, played out against the backdrop of the musicians' perennially complex creative relationships. Tracing Wire's diverse output from 1977 up until the present, Read & Burn seeks to do justice to their highly influential and restlessly inventive body of work.

Irene grew up traveling around Germany with her family’s circus, surrounded by her loved ones and thrilling the crowds with her performance on the high wire...until one day, the audience boos. The Lorch family is Jewish, and the increasing power of Adolf Hitler’s Nazis has put them all in grave danger. When the circus is forced to shut down and Irene’s father is taken away, Irene and her mother must go into hiding with another circus. Every day is a frightening new kind of balancing act, caught between the desire to perform and the need to hide—even in plain sight.

This comprehensive guide to working with wire, focusing on the intricate and rewarding craft of wire weaving, will delight and inspire all levels of jewellery-maker. The 24 projects, ranging from elegant pendants to earrings, rings, brooches and bracelets, will appeal to a wide range of tastes and are grouped into beginner, intermediate and advanced sections so that confidence grows in the reader to feel able to move on a stage. Abby's experience running tutorials on this wonderful craft shines out in the clarity of the step by step instruction for each project and the invaluable tools and techniques section. To Abby, teaching is all about getting the detail right and taking out the guess work so the maker can concentrate on the end result of a beautiful piece of jewellery.

Award-winning Detroit columnist George Cantor revisits the 1984 World Series champion Detroit Tigers with unparalleled insight into what the season meant to a reeling city filled with delirious fans. The book delves into the details of a year when fantasy became reality--the Tigers chewed up their opponents, spit them out, and catapulted to the top without looking back--and provides fans with the opportunity to relive a season in history that baseball aficionados won't soon forget.