Witchblade 151

DAWN OF A NEW ERA! Forever altered by the events of ARTIFACTS, Sara finds herself in a completely foreign situation and surroundings. The mystery of how and why will compel readers for the coming year and beyond!

UNBALANCED PIECES', Part Two ...Tracking supernatural killers was a lot easier when Sara Pezzini, bearer of the Witchblade, lived in her hometown of New York and was a police detective. Now she must do it while avoiding butting heads with the Chicago PD and trying to make ends meet as a private detective. The new creative team of TIM SEELEY (HACK/SLASH) and DIEGO BERNARD (The Man With No Name) continue to shake up the status quo of WITCHBLADE! Featuring two covers by JOHN TYLER CHRISTOPHER (ARTIFACTS) and DIEGO BERNARD!

END OF AN ERA! WITCHBLADE reaches its landmark one hundred-fiftieth issue! The series reaches another landmark as long time writer RON MARZ and artist STJEPAN SEJIC put a final stamp on the series they helped define for the modern reader with their final issue.

It's the end of the world and few are worthy of passage to heaven, not even the Pope. God leaves behind Saint Michael, to act as a guardian for the humans. He fails, and is held captive by Luicfer. God enlists the aide of the Pope to rescue Michael, and leaves his son, Jesus H Christ to assist him in his quest. This volume is presented in color.

In the wake of Top Cow's Rebirth, Sara Pezzini has relocated from New York to Chicago and struggles to adapt to being a private detective. Pezzini quickly discovers that a change of scenery and occupation hasn't changed one thing... the Witchblade is still a magnet for the supernatural! Quickly drawn into a conflict between two mystical gangs, she must once again balance her responsibility as bearer of the Witchblade with her personal life.

Collects ARTIFACTS #9-#13. THE EPIC CONCLUSION! Over a year in the making, the final act of Top Cow's landmark ARTIFACTS is finally collected. The mysterious Survivor has been revealed and his plan exposed, but with the Artifact bearers evenly split is it possible for anyone to truly triumph? And what role will the deadly Thirteenth Bearer play in the final battle? RON MARZ (WITCHBLADE, MAGDALENA) and artists JEREMY HAUN (Detective Comics) and DALE KEOWN (THE DARKNESS/PITT) take the entire Top Cow Universe to the brink of destruction and beyond!

Focusing especially on American comic books and graphic novels from the 1930s to the present, this massive four-volume work provides a colorful yet authoritative source on the entire history of the comics medium. Comics and graphic novels have recently become big business, serving as the inspiration for blockbuster Hollywood movies such as the Iron Man series of films and the hit television drama The Walking Dead. But comics have been popular throughout the 20th century despite the significant effects of the restrictions of the Comics Code in place from the 1950s through 1970s, which prohibited the depiction of zombies and use of the word "horror," among many other rules. Comics through Time: A History of Icons, Idols, and Ideas provides students and general readers a one-stop resource for researching topics, genres, works, and artists of comic books, comic strips, and graphic novels. The comprehensive and broad coverage of this set is organized chronologically by volume. Volume 1 covers 1960 and earlier; Volume 2 covers 1960–1980; Volume 3 covers 1980–1995; and Volume 4 covers 1995 to the present. The chronological divisions give readers a sense of the evolution of comics within the larger contexts of American culture and history. The alphabetically arranged entries in each volume address topics such as comics publishing, characters, imprints, genres, themes, titles, artists, writers, and more. While special attention is paid to American comics, the entries also include coverage of British, Japanese, and European comics that have influenced illustrated storytelling of the United States or are of special interest to American readers.

Sara Pezzini falls further into the chaotic world of the supernatural. By writers David Wohl and Christina Z and artist Michael Turner.