Witches And Witchcraft

"A critical exploration of witches and witchcraft"--Provided by publisher.

A distinguished scholar explores the origins and evolution of witchcraft and the witch-hunt. Who were the witches? What were their practices? Why, exactly were they feared? Robin Briggs goes further than simply looking at the witch persecutions. Based on extensive archival research, he focuses on the society in which perceived witchcraft existed and illuminates a period darkened by myth and misinformation.

The Wicked Witch of the West's cackling threat, "I'll get you, my pretty. . ." from the Wizard of Oz might be as memorable and instantly recognizable as a witch's iconic pointy-hatted crone image. This volume delves into the stereotypical image of witches and their newts, caldrons, and headwear and investigates their historical origins. Historical fact and imaginative fiction are carefully sorted through, with reference to literature, films, and other forms of pop culture. Modern-day news stories and events remind readers that witches and witchcraft are by no means a thing of the past, though they are ripe for reappraisal.

Follow the Witch Through Decades of American Entertainment Deviant mistress of the dark arts. Goddess worshipper dancing in the moonlight. Crystal-wielding bookworm with a black hat and broom. We recognize the witch because no industry has been quite so influential in shaping our vision of her as Hollywood. This comprehensive book delves into the fascinating history of witchcraft and witches in American film and television. From Joan the Woman and The Wizard of Oz to Carrie and Charmed, author and film scholar Heather Greene explores how these movies and TV shows helped influence the public image of the witch and profoundly affected how women negotiate their power in a patriarchal society. Greene presents more than two hundred examples spanning silent reels to present-day blockbusters. As you travel through each decade, you'll discover compelling insights into the intersection of entertainment, critical theory, gender studies, and spirituality.

Magical phenomenon, pagan worship, sorcery, and religion have all at one time been thought of as witchcraft. Witches, were labeled magical wizards, or sorcerers who had powers to conjure ill feeling or will toward non-magical people. These ideas predate the Anglo-Saxon period. This engaging and meticulously illustrated atlas reveals cultural ideas, from a global perspective, about witches and witchcraft, their place in their society, and the sometimes cruel punishments they were subjected to. Sidebars and boxes highlight interesting facts, glossary, an index, and resources for further study conclude this fascinating book.

Beyond the witch trials provides an important collection of essays on the nature of witchcraft and magic in European society during the Enlightenment. The book is innovative not only because it pushes forward the study of witchcraft into the eighteenth century, but because it provides the reader with a challenging variety of different approaches and sources of information. The essays, which cover England, Netherlands, Spain, Italy, Germany, Scotland, Finland and Sweden, examine the experience of and attitudes towards witchcraft from both above and below. While they demonstrate the continued widespread fear of witches amongst the masses, they also provide a corrective to the notion that intellectual society lost interest in the question of witchcraft. While witchcraft prosecutions were comparatively rare by the mid-eighteenth century, the intellectual debate did no disappear; it either became more private or refocused on such issues as possession. The contributors come from different academic disciplines, and by borrowing from literary theory, archaeology and folklore they move beyond the usual historical perspectives and sources. They emphasise the importance of studying such themes as the aftermath of witch trials, the continued role of cunning-folk in society, and the nature of the witchcraft discourse in different social contexts. This book will be essential reading for those interested in the decline of the European witch trials and the continued importance of witchcraft and magic during the Enlightenment. More generally it will appeal to those with a lively interest in the cultural history of the late seventeenth and eighteenth centuries. This is the first of a two-volume set of books looking at the phenomenon of witchcraft, magic and the occult in Europe since the seventeenth century.

This “magisterial account” explores the fear of witchcraft across the globe from the ancient world to the notorious witch trials of early modern Europe (The Guardian, UK). The witch came to prominence—and often a painful death—in early modern Europe, yet her origins are much more geographically diverse and historically deep. In The Witch, historian Ronald Hutton sets the European witch trials in the widest and deepest possible perspective and traces the major historiographical developments of witchcraft. Hutton, a renowned expert on ancient, medieval, and modern paganism and witchcraft beliefs, combines Anglo-American and continental scholarly approaches to examine attitudes on witchcraft and the treatment of suspected witches across the world, including in Africa, the Middle East, South Asia, Australia, and the Americas, and from ancient pagan times to current interpretations. His fresh anthropological and ethnographical approach focuses on cultural inheritance and change while considering shamanism, folk religion, the range of witch trials, and how the fear of witchcraft might be eradicated. “[A] panoptic, penetrating book.”—Malcolm Gaskill, London Review of Books

First published in 1993. Routledge is an imprint of Taylor & Francis, an informa company.