With Bridget In The Holy Land

Discover the dramatic and eventful pilgrimage of a medieval women – Bridget of Sweden – from Rome to Jerusalem in 1371-73.

Discover the dramatic and eventful pilgrimage of a medieval women – Bridget of Sweden – from Rome to Jerusalem in 1371-73.

In The Holy Land in Observant Franciscan Texts (c. 1480–1650): Theology, Travel, and Territoriality Marianne P. Ritsema van Eck charts the development of a heterogeneous but recognizably Observant Franciscan literature about the Holy Land.

This book represents the first full-length study of the prevalence of domestic imagery in late medieval religious literature. It examines as yet understudied patterns of household imagery and allegory across four fifteenth-century spiritual texts, all of which are Middle English translations of earlier Latin works. These texts are drawn from a range of popular genres of medieval religious writing, including the spiritual guidance text, Life of Christ, and collection of revelations received by visionary women. All of the texts discussed in this book have identifiable late medieval readers, which further enables a discussion of the way in which these book users might have responded to the domestic images in each one. This is a hugely important area of enquiry, as the literal late medieval household was becoming increasingly culturally important during the fourteenth and fifteenth centuries, and these texts’ frequent recourse to domestic imagery would have been especially pertinent.

Medieval English Travel: A Critical Anthology is a comprehensive volume that consists of three sections: concise introductory essays written by leading specialists; an anthology of important and less well-known texts, grouped by destination; and a selection of supporting bibliographies organised by type of voyage. This anthology presents some texts for the first time in a modern edition. The first section consists of six companion essays on 'Places, Real and Imagined', 'Maps the Organsiation of Space', 'Encounters', 'Languages and Codes', 'Trade and Exchange', and 'Politics and Diplomacy'. The organising principle for the anthology is one of expansive geography. Starting with local English narratives, the section moves to France, en-route destinations, the Holy Land, and the Far East. In total, the anthology contains 26 texts or extracts, including new editions of Floris & Blancheflour, The Stacions of Rome, The Libelle of Englyshe Polycye, and Chaucer's Squire's Tale, in addition to less familiar texts, such as Osbern Bokenham's Mappula Angliae, John Kay's Siege of Rhodes 1480, and Richard Torkington's Diaries of Englysshe Travell. The supporting bibliographies, in turn, take a functional approach to travel, and support the texts by elucidating contexts for travel and travellers in five areas: 'commercial voyages', 'diplomatic and military travel', 'maps, rutters, and charts', 'practical needs', and 'religious voyages'.

Includes questions for discussion at the end of each chapter.

A remarkable medieval woman's life and the earliest surviving autobiography in English, now updated with new material The story of the eventful life of Margery Kempe - medieval wife, mother, businesswoman, pilgrim and visionary - is the earliest surviving autobiography in English. Here Kempe recounts in vivid, unembarrassed detail the madness that followed the birth of the first of her fourteen children, the failure of her brewery business, her dramatic call to the spiritual life, her vow of chastity and pilgrimages to Europe and the Holy Land. Margery Kempe could not read or write, and dictated her story late in life: a remarkable portrait of a woman of unforgettable character and courage. This fully updated edition of Barry Windeatt's modern English translation includes a new introduction, notes and scholarly apparatus. Translated with a new introduction by Barry Windeatt

This extensively illustrated book discusses the representation of women in the art of the late Middle Ages in Northern Europe. Drawing on a wide range of different media, but making particular use of the rich plethora of woodcuts, the author charts how the images of women changed during the period and proposes two basic categories - the Virgin and Eve, good and evil. Within these, however, we discover attitudes to sinful, foolish, married and unmarried women and the style and use of these images exposes the full extent of the misogyny entrenched in medieval society.