With Freedom In Our Ears

Jewish anarchism has long been marginalized in histories of anarchist thought and action. Anna Elena Torres and Kenyon Zimmer edit a collection of essays which recovers many aspects of this erased tradition. Contributors bring to light the presence and persistence of Jewish anarchism throughout histories of radical labor, women’s studies, political theory, multilingual literature, and ethnic studies. These essays reveal an ongoing engagement with non-Jewish radical cultures, including the translation practices of the Jewish anarchist press. Jewish anarchists drew from a matrix of secular, cultural, and religious influences, inventing new anarchist forms that ranged from mystical individualism to militantly atheist revolutionary cells. With Freedom in Our Ears brings together more than a dozen scholars and translators to write the first collaborative history of international, multilingual, and transdisciplinary Jewish anarchism.

ONE OF TIME'S 10 BEST FICTION BOOKS OF 2020. Longlisted for the Joyce Carol Oates Prize. Named a Best Book of 2020 by NPR, Bustle, Good Housekeeping, the New York Public Library, Library Journal, Lit Hub, Electric Literature, and Tor.com "As enchanting as fairy tales, as mysterious as dreams, these exquisitely composed fictions are as urgent and original as any being written today.” —Sigrid Nunez, author of The Friend, winner of the 2018 National Book Award for Fiction An urgent and unsettling collection of women on the verge from Laura van den Berg, author of The Third Hotel I Hold a Wolf by the Ears, Laura van den Berg’s first story collection since her prizewinning book The Isle of Youth, draws readers into a world of wholly original, sideways ghost stories that linger in the mouth and the mind. Both timeless and urgent, these eleven stories confront misogyny, violence, and the impossible economics of America with van den Berg’s trademark spiky humor and surreal eye. Moving from the peculiarities of Florida to liminal spaces of travel in Mexico City, Sicily, and Iceland, I Hold a Wolf by the Ears is uncannily attuned to our current moment, and to the fears we reveal to no one but ourselves. In “Lizards,” a man mutes his wife’s anxieties by giving her a LaCroix-like seltzer laced with sedatives. In the title story, a woman poses as her more successful sister during a botched Italian holiday, a choice that brings about strange and destructive consequences, while in “Karolina,” a woman discovers her prickly ex-sister-in-law in the aftermath of an earthquake and is forced to face the truth about her violent brother. I Hold a Wolf by the Ears presents a collection of women on the verge, trying to grasp what’s left of life: grieving, divorced, and hyperaware, searching, vulnerable, and unhinged, they exist in a world that deviates from our own only when you look too closely. With remarkable control and transcendent talent, van den Berg dissolves, in the words of the narrator of “Slumberland,” “that border between magic and annihilation,” and further establishes herself as a defining fiction writer of our time.

This book intends to reflect the variety and diversity of the musical responses that arose in favour of the Republic and against fascism during the Spanish Civil War (1936-1939), encompassing a wide range of music (classical music, film music, popular music), geographies (the US, the URSS, Britain, Germany) and individuals (from well-known figures such as Paul Robeson and Dimitri Shostakovich, to unknown men and women). In doing so, the book expands upon existing bibliography on the Spanish Civil War, which has enjoyed significant advances in the last fifteen years but has paid limited attention to the international dimensions of such musical activity. In particular, the six chapters of this book together bring in pioneering perspectives to the study of music and the Spanish Civil War (e.g., race issues), while at the same time calling for an increased transnational approach to the study of music and war more generally. Spain in our Ears will be of great value to students and researchers interested in Spanish politics and history, as well as the relationship between music and politics. The chapters in this book were originally published as a special issue of Journal of War and Cultural Studies.

A grassroots history unmatched in Reconstruction literature Yazoo is a rare and revealing firsthand account of Reconstruction told by a Wisconsin carpetbagger and devout abolitionist who moved to Mississippi in pursuit of wealth and social reform. Seeking economic opportunity for himself as well as a chance to bring about a new social order in the defeated South, Albert T. Morgan leased a cotton plantation in Yazoo County, Mississippi, in1865. His farming venture failed —as did his efforts to secure interracial democracy—but his decade spent in Yazoo County brought opportunities to serve in elected office as a constitutional delegate, state senator, and county sheriff and supervisor. The decade also gave him an intimate understanding of the trials and tribulations associated with the African American freedmen's struggle for equality. In 1884, nine years after fleeing the state under threat of death, Morgan published Yazoo at his own expense to explain the difficulties he and his compatriots faced in Mississippi. An absorbing story made all the more poignant by Joseph Logsdon's new introduction, Yazoo offers a sustained narrative about the social and political dynamics of Reconstruction on the plantations, in the local courthouse, on the deserted roads and byways, and even in the bedrooms of leading planters and politicians. In this unparalleled text Morgan documents the creation of the Mississippi Plan, which became the model for former Confederates' "redemption" of the South, and traces the orchestration of interracial democracy's failure to the manipulations of the former slaveholding elite.

A no-nonsense Zen approach to our economic realities can change everything and help us regain our freedom. Is it possible to be personally fulfilled, and also make a difference within our current financial system? If you're skeptical, business coach and Zen practitioner Kai Romhardt proposes a minimalist, awareness-based strategy that totally reconfigures our core economic relationships: work, consumption, and money. How do we do that? We need to pause, breathe, and get in touch with our true intentions. Too often, we think of the economy as something outside of us, as beyond the scope of our individual choices. We're unhappy with how things are going, with unthinking growth that polarizes our world and condenses wealth at the top, but we don't know what to do. Romhardt argues that individuals who wield a sharp Buddhist mindset can, in fact, create change through personal decisions: when we can see in to society, and in to our constructs, we become empowered to choose deeply real and purposeful lives.

From the 1880s through the 1940s, tens of thousands of first- and second-generation immigrants embraced the anarchist cause after arriving on American shores. Kenyon Zimmer explores why these migrants turned to anarchism, and how their adoption of its ideology shaped their identities, experiences, and actions. Zimmer focuses on Italians and Eastern European Jews in San Francisco, New York City, and Paterson, New Jersey. Tracing the movement's changing fortunes from the pre–World War I era through the Spanish Civil War, Zimmer argues that anarchists, opposed to both American and Old World nationalism, severed all attachments to their nations of origin but also resisted assimilation into their host society. Their radical cosmopolitan outlook and identity instead embraced diversity and extended solidarity across national, ethnic, and racial divides. Though ultimately unable to withstand the onslaught of Americanism and other nationalisms, the anarchist movement nonetheless provided a shining example of a transnational collective identity delinked from the nation-state and racial hierarchies.

In a society where so many people feel helpless and hopeless, they need to grasp onto someone who will release them from the bondage preventing them from attaining the beautiful things God has in store. So often, we don’t know how to fight our spiritual battles, leading to a weakened and defeated spirit. This state of delusion and confusion is only the work of a dark force that’s keeping people shackled in chains and suppressing their glorious life of liberty in Jesus Christ. We all long for a life full of peace, purpose, and a plan that will lead to a glorious journey with the presence of our Lord every step of the way. The reality of believing in Jesus, obeying his word, and knowing the truth brings spiritual freedom. And such a privilege includes freedom from the bondage of falsehood! “For his truth sets us free!” This forty-day devotional guide through Exodus will show us times of being in bondage—to a stage of deliverance—to wandering in the wilderness—and how to rely on the strength and guidance of an Almighty God. And that’s where spiritual freedom comes to the surface in our “intentional” lives!