Wither Iran

Terrorism and the Middle East are often connected. The fear that these will be a future source of threat with weapons of mass destruction, notably nuclear or biological weapons, has grown in recent years. This book looks at the politics of one important state in the region - Iran - and concludes that political reform in that country is changing it in ways that are reducing it as a threat to its neighbours and to international security.

Terrorism and the Middle East are often connected. The fear that these will be a future source of threat with weapons of mass destruction, notably nuclear or biological weapons, has grown in recent years. This book looks at the politics of one important state in the region - Iran - and concludes that political reform in that country is changing it in ways that are reducing it as a threat to its neighbours and to international security.

Iran, the Green Movement and the USA presents the paradox that the USA faces in dealing with Iran over its nuclear armament: negotiate, and legitimize Ahmadinejad’s otherwise troubled presidency; resort to sanctions or military strikes, and altogether destroy the budding civil rights campaign of the Green Movement. Either way, as leading Iranian scholar Hamid Dabashi argues, the Islamic Republic will become even stronger. Featuring a short history of how the USA and Iran came to be in this confrontation, this elegantly written book provides the reader with a dynamic picture of the regional geopolitics and a purposeful guide to how to understand and deal with it.

This book investigates what is driving Iran's nuclear weapons programme in a less-hostile regional environment, using a theory of protracted conflicts to explicate proliferation. Iran’s nuclear weapons program has alarmed the international community since the 1990s, but has come to the forefront of international security concerns since 2000. This book argues that Iran’s hostility with the United States remains the major causal factor for its proliferation activities. With the US administration pursuing aggressive foreign policies towards Iran since 2000, the latter’s security threat intensified. A society that is split on many important domestic issues remained united on the issue of nuclear weapons acquisition after the US war in Iraq. Consequently, Iran became determined in its drive to acquire nuclear weapons and boldly announced its decision to enrich uranium, leaving the US in no doubt about its nuclear status. This book underscores the importance of protracted conflicts in proliferation decisions, and underpinning this is the assumption that non-proliferation may be achieved through the termination of intractable conflicts. The aims of this work are to demonstrate that a state’s decision to acquire nuclear weapons depends largely on its engagement in protracted conflicts, which shows not only that the presence of nuclear rivals intensifies the nuclear ambition, but also that non-nuclear status of rival states can promote non-proliferation incentives in conflicting states inclined to proliferate. This study will be of great interest to students of Iran, Middle Eastern politics, nuclear proliferation and international relations theory. Saira Khan is a Research Associate in the McGill-University of Montreal Joint Research Group in International Security (REGIS).

Mohammad Reza Shajarian’s Avaz in Iran and Beyond, 1979–2010 is a comprehensive study of the legacy of Mohammad Reza Shajarian, the greatest living exponent of avaz, the traditional art of singing classical Persian poetry. Picking up where the authors’ previous volume (The Art of Avaz and Mohammad Reza Shajarian: Foundations and Contexts) left off, this study examines the landmark recordings Shajarian made following the Islamic Revolution of 1979 as artistic masterpieces of avaz and as shrewd, mass-mediated expressions of frustration and dissent that boldly crystallized public sentiments under highly repressive conditions. These recordings transformed Shajarian into a national icon in Iran and through the diaspora. The book traces the subsequent expansion of Shajarian’s music and presence in ever-widening circles to his current global profile, powerfully underlined by his receipt of prestigious awards from UNESCO and other global institutions. Shajarian’s artistic accomplishments, including his recent activity in designing and crafting a range of new stringed instruments, and socio-political significance are placed in the broader context of Iranian musical culture in the decades following the Revolution. In surveying Shajarian’s legacy, this study concludes with questions arising from the Election Crisis of 2009—where he was popularly proclaimed as “Master of the Green Movement” (Ostad-e Sabz) for his outspoken opposition to the violent crackdown—the subsequent political stalemate, and how these dynamics resonate with issues of the present state and relevance of Persian classical music in the twenty-first century. This book forms the conclusion of the most detailed study to date of the music, life, and environment of the most influential musician in Iranian classical music of the past three decades.

In the nearly 25 years since the ascent of an Islamic regime, Iran has become one of the most prominent supporters of terror worldwide. Today Iran actively employs terror to achieve its international objectives. The Axis of Evil outlines the operations and goals of Shiite and Iranian terror. As Shaul Shay shows, Iran has done its utmost to conceal its involvement in terror activities and avoids leaving incriminating "fingerprints" that might prompt retaliatory action by victims of this terrorism. In consequence, most of what we know about Iranian terror activity has been gleaned from the capture and trials of Iranian terrorists or terrorists acting on Iran's behalf. The Axis of Evil deals extensively with Iran's involvement in terrorist activity against Israel through Hizballah after the Israel Defense Forces' withdrawal from Lebanon (May 2000) and the instigation of the Al-Aksa Intifada (September 2000-2003). It examines Iran's attitude towards the State of Israel since the rise of Knomeini, confirming that Iran sees Israel as a primary source of the world's wrongdoings and the epitome of evil. In turn, Israel has become one of Iran's archenemies. Over the years, Iran has strengthened its ideological links with radical Arab and Palestinian circles. In addition, it actively supports Hizballah, which acts on behalf of Iran from its base in Lebanon and perpetrates terror attacks against Israel and against representatives of Western and Arab countries in Lebanon as well as in the international arena. This book is a comprehensive and in-depth study of Shiite and Iranian terror activity. In addition to drawing attention to the significance of Iran's contributions to terror, it provides readers with a better understanding of Iran's activities in light of the global war against terrorism as well as the deployment of American troops along Iran's borders with Afghanistan and Iraq.

The Art of Avaz and Mohammad Reza Shajarian: Foundations and Contexts, by Rob Simms and Amir Koushkani, examines the traditional art of singing classical Persian poetry, as represented by its greatest living exponent. This in-depth study surveys the social and historical context of the twentieth-century tradition of avaz while placing Shajarian’s early career within this complex culture, from being a child prodigy of Qur’an recitation in Mashhad to his rise to national prominence in the 1970s. As a globetrotting celebrity who is renowned for singing medieval poetry with impeccable technique and radiant inspiration, Shajarian’s life and work provide a compelling case study for larger issues of reconciling tradition and modernity, and the crucial role of the individual in maintaining and renovating traditional art forms. Avaz is discussed in the broader context of Iranian narrative performance traditions, where the performer retells well-known scripts in a way that is appropriate to the audience and the present occasion, spinning the tale to convey a personal message. Shajarian’s career also exemplifies the huge changes that Iranian musical culture underwent in the 1960s and 70s. Finally, the study includes a detailed examination of the materials and creative processes of Shajarian’s artistic craft, including his acquisition process and training, vocal technique, selection and treatment of poetry, use of traditional musical materials, and his balance of engaging preset materials with improvisation. The Art of Avaz and Mohammad Reza Shajarian is an impressively detailed study of the music, life, and environment of the most influential musician in Iranian classical music of the past three decades.