Within The Temple Of Isis Scholar S Choice Edition

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"Within the Temple of Isis" is a fictional account set in the Temple of Isis complex in ancient Egypt. The Priestess of Isis is disappointed when one of her attendants, Sarthia, is unable to perform her part during a burial service of a high ranking nobleman, and embarrassingly has to be withdrawn from the ceremony. But the Priestess is further horrified to learn that Sarthia's reason for her mistake is linked to the visions she has been having recently. Visions of the Bird of Nu, the Owl, messenger of death...

"To the Seers and the Occult Initiates alike, this book will appeal with magical force. Its truths are those of the soul and spirit, and can await the reader's soul development for verification. Truth needs no apology; therefore, none will be offered as an excuse for this publication. It is our desire that our readers may some day know for themselves that Truth is indeed stranger than Fiction."

"Within the Temple of Isis" is one part occult metaphor (in the long tradition of such works within spiritual philosophy) mixed with one part occult short story and one part late 19th century Easternization. Interesting as a fictional story, it is additionally of note for its apparently Theosophy-and-Rosicrucianism tinged metaphoric content. Speaking of polarization, purification, and the rites of old, this text is one of the greater treatises ever written on most of its attendant subjects, delivered in a form which even the least occult might find of value as entertainment alone.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Reproduction of the original: Cleopatra by Georg Ebers

Gorgias had granted his wish the more readily, because it was apparent that he wanted to speak to him in private, though he had not the least idea what Caesarion desired to confide, and, under any circumstances, he could give him only a brief interview. The fleet, at whose head the Queen had set sail, with Mark Antony, for Greece, must have already met Octavianus's galleys, and doubtless a battle wherein the destiny of the world was decided had also been fought upon the land, Gorgias believed that the victory would fall to Antony and the Queen, and wished the noble pair success with his whole heart. He was even obliged to act as if the battle had been already determined in their favour, for the architectural preparations for the reception of the conquerors were entrusted to his charge, and that very day must witness the decision of the location of the colossal statues which represented Antony hand in hand with his royal love. The epitrop Mardion, a eunuch, who as Regent, represented Cleopatra; and Zeno, the Keeper of the Seal, who rarely opposed him, wished to have the piece of sculpture erected in a different place from the one he favoured. The principal objection to the choice made by the powerful head of the government was that it had fallen on land owned by a private individual. This might lead to difficulties, and Gorgias opposed it. As an artist, too, he did not approve Mardion's plan; for though, on Didymus's land, the statues would have faced the sea, which the Regent and the Keeper of the Seal regarded as very important, no fitting background could have been obtained. At any rate, the architect could now avail himself of Caesarion's invitation to overlook from the appointed place of meeting—the lofty steps of the Temple of Isis—the Bruchium, and seek the best site for the twin statues. He was anxious to select the most suitable one; the master who had created this work of art had been his friend, and had closed his eyes in death shortly after its completion. The sanctuary whence Gorgias commenced his survey was in one of the fairest portions of the Bruchium, the Alexandrian quarter, where stood the royal palace with its extensive annexes, the finest temples—except the Serapeum, situated in another part of the city-and the largest theatres; the Forum invited the council of Macedonian citizens to its assemblies, and the Museum afforded a resort for the scholars.