Withnail I

Bruce Robinson's celebrated cult comedy. This original screenplay is the sourcebook for these ubiquitous quotes about Withnail and his unnamed house-mate "I" (or "Marwood", as he appears in the script), acting students in the late 1960s, bombed from too many drugs and bummed out by too much poverty. They decide that some time in the country to rejuvenate (in the run-down holiday cottage of rich Uncle Monty) is the best remedy. After a drunken ride through interminable rain they get to the cottage... Bruce Robinson has proved in his hugely enjoyable novel The Peculiar Memories of Thomas Penman what a fantastic writer he is and access to the screenplay only confirms that it was the quality of his dialogue that makes "Withnail" such a peerless classic. An essential companion to one of the funniest films ever made. Screenplay of the classic cult film by Bruce Robinson, with an introduction by the director

Withnail and I sank almost without a trace when it was first released in 1987. Financed by HandMade Films, the late George Harrison's production company, and drawing heavily on first-time writer-director Bruce Robinson's experiences, this virtually plot-free story follows two out-of-work actors (Withnail, played by Richard E. Grant, and 'I', played by Paul McGann), eking out a living in a run-down London of the late 1960s, and embarking on a booze-fuelled weekend in the country which takes various unexpected turns. Although it initially failed to find an audience, it did not take long for the film to attract a dedicated cult following which still persists today. Lines from the film such as 'we've gone on holiday by mistake!' and 'Bring me the finest wines known to humanity!' have become popular favourites and the subject of countless internet memes. Kevin Jackson's in-depth study gives a full account of the film's origins and production history. But his main focus is the mood and magic of the film, its aesthetics and sensibility, seeking to show, without ever detracting from the film's comic brilliance, just how much more there is to Withnail and I than drunkenness and swearing. 'It is an outstandingly touching yet witheringly unsentimental drama of male friendship,' Jackson writes, 'a bleak up-ending of the English pastoral dream, a piece of ferocious verbal inventiveness' - and, without question, one of the greatest of all British films. In his new foreword to this edition, writer Bharat Tandon pays tribute to to both Withnail's peculiar genius and enduring appeal, and to his close friend Kevin Jackson.

The star of the cult classic Withnail and I offers “a refreshing combination of comedy, confession, and coruscation” in this memoir of the movie business (Kirkus Reviews). Richard E. Grant’s acting career has included memorable roles in some of Hollywood’s most critically acclaimed films, including Robert Altman’s Gosford Park and Francis Ford Coppola’s Dracula. But he attributes his success to his first film role, starring as a flamboyantly pathetic Shakespearean in the underground hit Withnail and I. As Grant explains, “I had no notion that, almost without exception, every film offered since would be the result of playing an alcoholic out-of-work actor.” In With Nails, Grant shares his long, maddening, and immensely rewarding journey through the world of film. From the hell of making Hudson Hawk to befriending Steve Martin on the set of L.A. Story; and from eating spaghetti with the Coppolas, to window-shopping with Sharon Stone, and working with and learning from the best actors and directors in the business, Grant’s unvarnished memoir “is a biting and wonderfully funny look at the movie business by an actor who is as clear-eyed and observant about himself as he is about the craziness surrounding him” (Publishers Weekly, starred review).

Withnail & I, the cult film and highly quotable debut by writer and director, Bruce Robinson, has etched itself into the hearts and minds of its varied audience since its release in 1987. In this book, an unofficial compendium of the film, the author presents an array of facts, anecdotes, and trivia regarding the production of the film as well as the colourful genesis of its plot and characters. Written in an informative and highly entertaining A to Z format, the book includes photographs and maps of the film's locations, and yields answers to the many questions asked about the film. Ralph Brown, who played the character, Danny, provides a foreword. An absolute must for any Withnail & I fan and a lively and enjoyable read for all film enthusiasts.

For over a hundred years, the mystery of Jack the Ripper has been a source of unparalleled fascination and horror, spawning an army of obsessive theorists and endless volumes purporting to finally reveal the identity of the brutal murderer who terrorized Victorian England. But what if there was never really any mystery at all? What if the Ripper was always hiding in plain sight, deliberately leaving a trail of clues to his identity for anyone who cared to look, while cynically mocking those who were supposedly attempting to bring him to justice? In They All Love Jack, the award-winning film director and screenwriter Bruce Robinson exposes the cover-up that enabled one of history's most notorious serial killers to remain at large. More than twelve years in the writing, this is no mere radical reinterpretation of the Jack the Ripper legend and an enthralling hunt for the killer. A literary high-wire act reminiscent of Tom Wolfe or Hunter S. Thompson, it is an expressionistic journey through the cesspools of late-Victorian society, a phantasmagoria of highly placed villains, hypocrites, and institutionalized corruption. Polemic forensic investigation and panoramic portrait of an age, underpinned by deep scholarship and delivered in Robinson's inimitably vivid and scabrous prose, They All Love Jack is an absolutely riveting and unique book, demolishing the theories of generations of self-appointed experts—the so-called Ripperologists—to make clear, at last, who really did it; and, more important, how he managed to get away with it for so long.

The double act has been at the heart of the British entertainment scene for over 150 years: from its start in the music halls, through radio shows such as Hancock's Half Hour playing in virtually every household and on cinema and television, from Carry On films to Withnail and I. Explore the influence of comedy duos on their audience and how their performances evolved over time, the importance of the subtle art of the straight man next to the comic and discover some acts who might have passed you by. This book is a tribute to the comedians who have entertained the public for so long, dedicating their lives to adding a bit of laughter to the mundane everyday. The Double Act will appeal to all lovers of British comedy as it takes them through the golden moments of its history.

This remarkable memoir of the legendary Vivian Mackerrell, on whom the character Withnail in Bruce Robinson's iconic film was largely based, is also an attempt to capture the essence of growing up as part of the 'Baby Boom' generation.

'The frisky Oss appeared – the dancers and drummers in a kind of shamanic trance (induced by a day of drumming, dancing and beer). They were wilder than ever; the atmosphere was positively Bacchanalian and I felt we had all become lost in a kind of collective folk consciousness.' On two wheels across Britain 'Bard on a Bike' Kevan Manwaring searches out the places and people who mark the seasons and cycles in their own special way - in ceremonies and festivals both private and public, large and intimate, ancient and modern. Along the way, he experiences and relates moments of sacred time found in the unlikeliest of places and circumstances, showing how it is a state of mind that can be experienced not only at sacred sites, but in the everyday. A collection of reflections about being fully alive in the Twenty First century, as much a useful guide for the curious, Turning the Wheel is a wise and witty account of a leather-clad time-traveller.