Witness To Genocide

“If there is one book you should read on the Rwandan Genocide, this is it. Tested to the Limit—A Genocide Survivor’s Story of Pain, Resilience, and Hope is a riveting and courageous account from the perspective of a fourteen year- old girl. It’s a powerful story you will never forget.” —Francine LeFrak, founder of Same Sky and award-winning producer “That someone who survived such a horrific, life-altering experience as the Rwandan genocide could find the courage to share her story truly amazes me. But even more incredible is that Consolee Nishimwe refused to let the inhumane acts she suffered strip away her humanity, zest for life and positive outlook for a better future. After reading Tested to the Limit, I am in awe of the unyielding strength and resilience of the human spirit to overcome against all odds.” —Kate Ferguson, senior editor, POZ magazine “Consolee Nishimwe’s story of resilience, perseverance, and grace after surviving genocide, rape, and torture is a testament to the transformative power of unyielding faith and a commitment to love. Her inspiring narrative about compassionate courage and honest revelations about her spiritual path in the face of unthinkable adversity remind us that hope is eternal, and miracles happen every day.” —Jamia Wilson, vice president of programs, Women’s Media Center, New York

What can we do to prevent more atrocities from happening in the future, and to stop the ones that are happening right now? That the World May Know tells the powerful and moving story of the successes and failures of the modern human rights movement. Drawing on firsthand accounts from fieldworkers around the world, the book gives a painfully clear picture of the human cost of confronting inhumanity in our day.

Why was the UN a bystander during the Rwandan genocide? Do its sins of omission leave it morally responsible for the hundreds of thousands of dead? Michael Barnett, who worked at the U.S. Mission to the United Nations from 1993 to 1994, covered Rwanda for much of the genocide. Based on his first-hand experiences, archival work, and interviews with many key participants, he reconstructs the history of the UN's involvement in Rwanda. In the weeks leading up to the genocide, the author documents, the UN was increasingly aware or had good reason to suspect that Rwanda was a site of crimes against humanity. Yet it failed to act. Barnett argues that its indifference was driven not by incompetence or cynicism but rather by reasoned choices cradled by moral considerations. Employing a novel approach to ethics in practice and in relationship to international organizations, Barnett offers an unsettling possibility: the UN culture recast the ethical commitments of well-intentioned individuals, arresting any duty to aid at the outset of the genocide. Barnett argues that the UN bears some moral responsibility for the genocide. Particularly disturbing is his observation that not only did the UN violate its moral responsibilities, but also that many in New York believed that they were "doing the right thing" as they did so. Barnett addresses the ways in which the Rwandan genocide raises a warning about this age of humanitarianism and concludes by asking whether it is possible to build moral institutions.

During 100 days in Spring 1994, Rwanda's descent into terror took an estimated 800,000 lives. The fastest-moving genocide in modern times was horrifying for its intimacy: Killers and victims were neighbors, friends, fellow churchgoers, workmates, even spouses. Murderers did their "work" with crude implements--machetes, hoes, nail-studded clubs--and lists of those doomed to die. This was the terrifying reality for Tharcisse Seminega, a Tutsi professor at the National University of Rwanda in Butare. He was specifically targeted for slaughter, along with his wife, Chantal, and five children, with all hope of escape cut off--until help arrived in the form of Hutu rescuers who repeatedly put themselves in mortal danger to save Seminega's family from the machetes. No Greater Love is the true story of unwavering courage and extraordinary love shown by ordinary people who offered a ray of hope during one of humanity's most horrific self-inflicted tragedies.

In the video game 'Darfur Is Dying', players must ensure the survival of a virtual refugee camp. The video game not only puts players in the position of a struggling refugee, it shows them how they can bring about change in the real world. This volume examines the role of film and the Internet in creating virtual witness to genocide over the past 100 years.