Witnessing America

Presents a portait of America's social and cultural history between 1600 and 1900, told through letters, diaries, memoirs, tracts, and other articles and first-hand accounts found in the collections of the Library of Congress.

Lynch mobs in late nineteenth- and early twentieth-century America exacted horrifying public torture and mutilation on their victims. In Lynching and Spectacle, Amy Wood explains what it meant for white Americans to perform and witness these sadistic spectacles and how lynching played a role in establishing and affirming white supremacy. Lynching, Wood argues, overlapped with a variety of cultural practices and performances, both traditional and modern, including public executions, religious rituals, photography, and cinema, all which encouraged the horrific violence and gave it social acceptability. However, she also shows how the national dissemination of lynching images ultimately fueled the momentum of the antilynching movement and the decline of the practice. Using a wide range of sources, including photos, newspaper reports, pro- and antilynching pamphlets, early films, and local city and church records, Wood reconfigures our understanding of lynching's relationship to modern life. Wood expounds on the critical role lynching spectacles played in establishing and affirming white supremacy at the turn of the century, particularly in towns and cities experiencing great social instability and change. She also shows how the national dissemination of lynching images fueled the momentum of the antilynching movement and ultimately led to the decline of lynching. By examining lynching spectacles alongside both traditional and modern practices and within both local and national contexts, Wood reconfigures our understanding of lynching's relationship to modern life.

Theorists emphasize the necessity of writing about—or witnessing—trauma in order to overcome it. To this critical conversation, Reading Testimony, Witnessing Trauma: Confronting Race, Gender, and Violence in American Literature treats reader response to traumatic and testimonial literature written by and about African American women and adds insight into the engagement of testimonial literature. Eden Wales Freedman articulates a theory of reading (or dual-witnessing) that explores how narrators and readers can witness trauma together. She places these original theories of traumatic reception in conversation with the African American literary tradition to speak to the histories, cultures, and traumas of African Americans, particularly the repercussions of slavery, as witnessed in African American literature. The volume also considers intersections of race and gender and how narrators and readers can cross such constructs to witness collectively. Reading Testimony, Witnessing Trauma’s innovative examinations of raced-gendered intersections open and speak with those works that promote dual-witnessing through the fraught (literary) histories of race and gender relations in America. To explicate how dual-witnessing converses with American literature, race theory, and gender criticism, the book analyzes emancipatory narratives by Sojourner Truth, Harriet Jacobs, and Elizabeth Keckley and novels by William Faulkner, Zora Neale Hurston, Margaret Walker, Toni Morrison, and Jesmyn Ward.

Missouri, 1910. John Hartmann is graduating from high school under the critical eye of his father and has no idea what options lie beyond the family farm and his small town. When Paul Bricken, nineteen and blind, buys a brand-new Ford Model T and suggests John drive him to Yellowstone National Park, John jumps at the chance. He’s less enthusiastic about inviting Henry Brotherton, who’s loud, crude, and a bigot—but Henry’s available both as a second driver and a tough guy who might be helpful in a tight spot. As the three young men set off on their tumultuous journey, America is preparing for the fight of the century between Jack Johnson and Jim Jeffries—and is headed for its biggest racial upheaval since the Civil War. With Yellowstone drawing ever closer and tensions rising, Paul, John, and Henry will soon learn there is a great deal they didn’t know about the fledgling American Midwest—or about each other.

“Eyewitness testimonies to the culture and commerce of slavery . . . coupled with smart commentary” from an acclaimed historian. “Essential.”(Kirkus Reviews) In this important book, Noel Rae integrates firsthand accounts into a narrative history that brings the reader face to face with slavery’s everyday reality. From the travel journals of sixteenth-century Spanish settlers who offered religious instruction and “protection” in exchange for farm labor, to the diaries of Reverend Cotton Mather, to Central Park designer Frederick Law Olmsted’s travelogue about the “cotton states,” to an 1880 speech given by Frederick Douglass, Rae provides a comprehensive portrait of the antebellum history of the nation. Most significant are the testimonies from former slaves themselves, ranging from the famous Solomon Northup to the virtually unknown Mary Reynolds, who was sold away from her mother as child. Drawing on thousands of original sources, The Great Stain tells of a society based on the exploitation of labor and fallacies of racial superiority. Meticulously researched, this is a work of history that is profoundly relevant to our world today. “Noel Rae expertly assembles the most consequential accounts from the era of the American slave trade. . . . A vivid and comprehensive picture.” —Ibram X. Kendi, National Book Award-winning author of Stamped From the Beginning: The Definitive History of Racist Ideas in America “Uniquely immediate, multivoiced, specific, arresting, and illuminating.” —Booklist “Many histories have been written of slavery in America, but far too few have let the participants, and particularly the victims, speak so directly for themselves. Rae has helped to fill that historical vacuum in this important work, and the voices are intense, eloquent, and haunting.” —National Book Review