Wittgenstein And Kierkegaard

Cursory allusions to the relation between Kierkegaard and Wittgenstein are common in philosophical literature, but there has been little in the way of serious and comprehensive commentary on the relationship of their ideas. Genia Schönbaumsfeld closes this gap and offers new readings of Kierkegaard's and Wittgenstein's conceptions of philosophy and religious belief. Chapter one documents Kierkegaard's influence on Wittgenstein, while chapters two and three provide trenchant criticisms of two prominent attempts to compare the two thinkers, those by D. Z. Phillips and James Conant. In chapter four, Schönbaumsfeld develops Kierkegaard's and Wittgenstein's concerted criticisms of certain standard conceptions of religious belief, and defends their own positive conception against the common charges of 'irrationalism' and 'fideism'. As well as contributing to contemporary debate about how to read Kierkegaard's and Wittgenstein's work, A Confusion of the Spheres addresses issues which not only concern scholars of Wittgenstein and Kierkegaard, but anyone interested in the philosophy of religion, or the ethical aspects of philosophical practice as such.

This volume is a cross-cultural study of the evolution of civilisation. Drawing its material and inspiration from literature and culture, it looks at the achievements of humankind as a single imaginative experience. The book examines how traditions of poetry and literature have shaped cultures, societies and civilisations, and their inter-relatedness. Analysing stereotypes in Asia and Europe, the author raises questions fundamental to our perceptions of culture, democracy, and language. He throws light on dominant languages and languages cast aside by the tides of history, and attributes the status of English as a 'world language' to ideas propagated in the great epics of the West -- particularly Roman -- and the poetic heritage shaped by them. Discussing the fallout of that dream on other cultures and 'non-technical' languages of the world, this book investigates questions of legitimacy and desirability of a single language or culture becoming universal. A sensitive and nuanced work, it promises a good read for general readers as well as researchers interested in world literature, comparative literature, sociology and cultural studies, in the interaction between science and art, and in the forces that shape the world order.

What might it mean to think of philosophy as being in the condition of modernism -- in which its relation to its own past, and hence its sense of its own future, has become an undismissable problem? If philosophy's hitherto-defining conventions can neither be taken for granted nor rejected, they must be put in question -- which menans re-evealuating the relation between the form and content of philosophical writing, rethinking the demands that such writing must place on its readers, and reconceiving the nature of philosophy itself. Inheritance and Originality argues that the writings of Wittgenstein, Heidegger, and Kierkegaard are best understood as responsive (each in their own way) to such questions, and as driven in consequence to strikingly similar reconceptions of language, reason, and understanding, doubt and scepticism, morality, and the structure of selfhood. Through detailed re-readings of these authors' most influential texts, as attentive to their specificity as to their family resemblances, Stephen Mulhall reorients our sense of the philosophical work each text aims to accomplish, to engender a critical dialogue betweeen them from which the elements of a new conception of philosophy might emerge, and to uncover that conception's indebtedness to certain fundamental theological preoccupations.

This study examines the relation of image and language as well as the relation of ethics and aesthetics through a discussion of the positions of Kierkegaard and Wittgenstein. In the Tractatus Wittgenstein pursues the idea that the image can show what language cannot express and defends an aesthetic unity of ethics and aesthetics. Is he right? Is there not much to be said in favour of the opposite position, represented by Kierkegaard's pseudonymous author Judge William (in Either/Or)? William criticizes the image and argues in favour of language and of an ethical unity of aesthetics and ethics. William shows that the word has a decisive surplus when compared to the image. However, this position has its shortcomings too: language is not the only place of authentic communication. Looking for an alternative to 'logoclasm' (the early Wittgenstein) and 'iconoclasm' (William), Zijlstra explores Wittgenstein's later work and Kierkegaard's oeuvre as a whole and presents a new way of thinking about the relation of ethics and aesthetics.

A comparison of the views of Kierkegaard, Wittgenstein, and Kazantzakis on the topic of transcendence. A fresh model for understanding this important yet complex notion is offered by the author

The Oxford Handbook of Kierkegaard brings together an outstanding selection of contemporary specialists and uniquely combines work on the background and context of Kierkegaard's writings, exposition of his key ideas, and a survey of his influence and heritage.

Cursory allusions to the relation between Kierkegaard and Wittgenstein are common in the philosophical literature, but there has been little in the way of serious and comprehensive commentary on the relationship of their ideas. The author offers new readings of their intriguing and influential conceptions of philosophy and religious belief.

Selected as a Book of the Year in The Times Literary Supplement 'This lucid and riveting new biography at once rescuses Kierkegaard from the scholars and shows why he is such an intriguing and useful figure' Observer Søren Kierkegaard, one of the most passionate and challenging of modern philosophers, is now celebrated as the father of existentialism - yet his contemporaries described him as a philosopher of the heart. Over about a decade in the 1840s and 1850s, writings poured from his pen analysing love and suffering, courage and anxiety, religious longing and defiance, and forging a new philosophical style rooted in the inward drama of being human. As Christianity seemed to sleepwalk through a changing world, Kierkegaard dazzlingly revealed its spiritual power while exposing the poverty of official religion. His restless creativity was spurred on by his own failures: his relationship with the young woman whom he promised to marry, then left to devote himself to writing, haunted him throughout his life. Though tormented by the pressures of celebrity, he deliberately lived amidst the crowds in Copenhagen, known by everyone but, he felt, understood by no one. When he collapsed exhausted at the age of 42, he was still pursuing the question of existence: how to be a human being in this world? Clare Carlisle's innovative and moving biography writes Kierkegaard's remarkable life as far as possible from his own perspective, conveying what it was like to be this Socrates of Christendom - as he put it, living life forwards yet only understanding it backwards.