Wittgenstein From Mysticism To Ordinary Language

Wittgenstein: From Mysticism to Ordinary Language presents the Tractatus as a work of mystic theology intended to direct the reader to a transcendental plane from which human existence can be viewed from the divine perspective. More than any other work on Wittgenstein, this study integrates text material with personal biographical information, especially information dealing with his spiritual and psychological states. The result is a fresh, coherent, and extremely illuminating picture of Wittgenstein, successfully avoiding the pitfalls of either psychological reductionism or unfaithfulness to the text. It is bold without being reckless, passionately argued without being doctrinaire, and makes a very powerful and persuasive case for its main thesis.

The aim of this book is to consider what reasonably follows from the hypothesis that the Tractatus Logico-Philosophicus can be interpreted from a mystical point of view. Atkinson intends to elucidate Wittgenstein’s thoughts on the mystical in his early writings as they pertain to a number of topics such as, God, the meaning of life, reality, the eternal and the solipsistic self.

No detailed description available for "Meaning and Truth in Wittgenstein's Tractatus".

The essays collected in this volume explore some of the themes that have been at the centre of recent debates within Wittgensteinian scholarship. In opposition to what we are tentatively inclined to think, the articles of this volume invite us to understand that our need to grasp the essence of ethical and religious thought and language will not be achieved by metaphysical theories expounded from such a point of view, but by focusing on our everyday forms of expression.

Ludwig Wittgenstein and Martin Heidegger are arguably the two most influential philosophers of the twentieth century. Their work not only reshaped the philosophical landscape, but also left its mark on other disciplines, including political science, theology, anthropology, ecology, mathematics, cultural studies, literary theory, and architecture. Both sought to challenge the assumptions governing the traditions they inherited, to question the very terms in which philosophy’s problems had been posed, and to open up new avenues of thought for thinkers of all stripes. And despite considerable differences in style and in the traditions they inherited, the similarities between Wittgenstein and Heidegger are striking. Comparative work of these thinkers has only increased in recent decades, but no collection has yet explored the various ways in which Wittgenstein and Heidegger can be drawn into dialogue. As such, these essays stage genuine dialogues, with aspects of Wittgenstein’s elucidations answering or problematizing aspects of Heidegger’s, and vice versa. The result is a broad-ranging collection of essays that provides a series of openings and provocations that will serve as a reference point for future work that draws on the writings of these two philosophers.

First published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.

First published in 2005. This book studies the often overlooked work of Ludwig Wittgenstein's Tractatus Logio-Philosophicus, the Tractatus and their later work being argued as being mutually illuminating. Bogen states that the works of Wittgenstein require a study of their points of contact which led to the formation of this title. This is accomplished by studying the text in two parts: its relevance to picture theory, the subsequent abandonment of the picture theory.

“[Perloff] has brilliantly adapted Wittgenstein’s conception of meaning and use to an analysis of contemporary language poetry.” —Linda Voris, Boston Review Marjorie Perloff, among our foremost critics of twentieth-century poetry, argues that Ludwig Wittgenstein provided writers with a radical new aesthetic, a key to recognizing the inescapable strangeness of ordinary language. Taking seriously Wittgenstein’s remark that “philosophy ought really to be written only as a form of poetry,” Perloff begins by discussing Wittgenstein the “poet.” What we learn is that the poetics of everyday life is anything but banal. “This book has the lucidity and the intelligence we have come to expect from Marjorie Perloff.” —Linda Munk, American Literature “Wittgenstein’s Ladder offers significant insights into the current state of poetry, literature, and literary study. Perloff emphasizes the vitality of reading and thinking about poetry, and the absolute necessity of pushing against the boundaries that define and limit our worlds.” —David Clippinger, Chicago Review “Majorie Perloff has done more to illuminate our understanding of twentieth century poetic language than perhaps any other critic . . . Entertaining, witty, and above all highly original.” —Willard Bohn, SubStance