Woman In The Shadows

The third in the sensational series starring British actress/spy Clara Vine, who maneuvers through the treacherous social hierarchy of the Nazi elite. Berlin, 1937. The city radiates glamour and ambition. But danger lurks in every shadow. . . . Anna Hansen, a bride-to-be, is a pupil at one of Hitler's notorious Nazi Bride Schools, where young women are schooled on the art of being an SS officer's wife. Then, one night, she is brutally murdered and left in the gardens of the school. Her death will be hushed up and her life forgotten. Clara Vine is an actress at Berlin's famous Ufa studios by day and an undercover British Intelligence agent by night. She knew Anna and is disturbed by news of her death. She cannot understand why someone would want to cover it up, but she soon discovers that Anna's murder is linked to a far more ominous secret. With the newly abdicated Edward VIII and his wife, Wallis, set to arrive in Berlin, and the Mitford sisters dazzling on the social scene, Clara must work in the shadows to find the truth and send it back to London. It is a dangerous path she treads, and it will take everything she has to survive. . . .

The Woman Who Owned the Shadows is the first novel written by an American Indian woman about an Indian woman published in fifty years. The book starts where the rest of the world leaves Indians off: at the brink of death. Ephanie Atencio is in the midst of a breakdown from which she can barely move. She has been left by her husband & is unable to take care of her children. To heal, Ephanie must seek, however gropingly, her own future. She leaves New Mexico for San Francisco, where she begins again the process of remembering, of trying to sort out the parts of her, ultimately finding a way to herself, relying no longer on men, but on her primary connections to the spirit women of her people & to the women of her own world.

Designated the ?Queen of Lesbian Pulp” for her series of landmark novels beginning in 1957, Ann Bannon defined lesbian fiction for the pre-Stonewall generation. Following the release of Cleis Press's new editions of Beebo Brinker and Odd Girl Out, Women in the Shadows finds Laura in love among the lesbian bohemia of Greenwich Village. This edition features a new introduction by the author. ?Sex. Sleaze. Depravity. Oh, the twisted passions of the twilight world of lesbian pulp fiction.” ? Chicago Free Press ?Shameless tales of wanton dyke lust are finally unveiled!” ? Out magazine

Winner, Next Generation Indie Book Awards - Women's Nonfiction Best Book of 2020, National Law Journal The inspiring and previously untold history of the women considered—but not selected—for the US Supreme Court In 1981, Sandra Day O’Connor became the first female justice on the United States Supreme Court after centuries of male appointments, a watershed moment in the long struggle for gender equality. Yet few know about the remarkable women considered in the decades before her triumph. Shortlisted tells the overlooked stories of nine extraordinary women—a cohort large enough to seat the entire Supreme Court—who appeared on presidential lists dating back to the 1930s. Florence Allen, the first female judge on the highest court in Ohio, was named repeatedly in those early years. Eight more followed, including Amalya Kearse, a federal appellate judge who was the first African American woman viewed as a potential Supreme Court nominee. Award-winning scholars Renee Knake Jefferson and Hannah Brenner Johnson cleverly weave together long-forgotten materials from presidential libraries and private archives to reveal the professional and personal lives of these accomplished women. In addition to filling a notable historical gap, the book exposes the tragedy of the shortlist. Listing and bypassing qualified female candidates creates a false appearance of diversity that preserves the status quo, a fate all too familiar for women, especially minorities. Shortlisted offers a roadmap to combat enduring bias and discrimination. It is a must-read for those seeking positions of power as well as for the powerful who select them in the legal profession and beyond.

Queen Victoria's reign was an era of breathtaking social change, but it did little to create a platform for women to express themselves. But not so within the social sphere of the séance--a mysterious, lamp-lit world on both sides of the Atlantic, in which women who craved a public voice could hold their own. Out of the Shadows tells the stories of the enterprising women whose supposedly clairvoyant gifts granted them fame, fortune, and most important, influence as they crossed rigid boundaries of gender and class as easily as they passed between the realms of the living and the dead. The Fox sisters inspired some of the era’s best-known political activists and set off a transatlantic séance craze. While in the throes of a trance, Emma Hardinge Britten delivered powerful speeches to crowds of thousands. Victoria Woodhull claimed guidance from the spirit world as she took on the millionaires of Wall Street before becoming America’s first female presidential candidate. And Georgina Weldon narrowly escaped the asylum before becoming a celebrity campaigner against archaic lunacy laws. Drawing on diaries, letters, and rarely seen memoirs and texts, Emily Midorikawa illuminates a radical history of female influence that has been confined to the dark until now.

"A riveting tale about a town and its people that officially never existed and the secrecy behind one of the Manhattan Project's top-secret cities!" —Kim Michele Richardson, New York Times bestselling author of The Book Woman's Daughter For fans of Atomic City Girls and Marie Benedict, a fascinating historical debut of one of the most closely held secrets of World War II and a woman caught up in it when she follows her missing sister to the mysterious city of Oak Ridge, Tennessee. Lillian Kaufman hasn't heard from her twin sister since Eleanor left for a mysterious job at an Army base somewhere in Tennessee. When she learns, on an unexpected phone call, that Eleanor is missing, Lillian takes a train from New York down to Oak Ridge to clear up the matter. It turns out that the only way into Oak Ridge is to assume Eleanor's identity, which Lillian plans to do swiftly and perfectly. But Eleanor has vanished without a trace—and she's not the only one. And how do you find someone in a town so dangerous it doesn't officially exist, when technically you don't exist either? Lillian is thrust into the epicenter of the gravest scientific undertaking of all time, with no idea who she can trust. And the more she pretends to be Eleanor, the more she loses her grip on herself.

Wayang kulit, or shadow puppetry, connects a mythic past to the present through public ritual performance and is one of most important performance traditions in Bali. The dalang, or puppeteer, is revered in Balinese society as a teacher and spiritual leader. Recently, women have begun to study and perform in this traditionally male role, an innovation that has triggered resistance and controversy. In Women in the Shadows, Jennifer Goodlander draws on her own experience training as a dalang as well as interviews with early women dalang and leading artists to upend the usual assessments of such gender role shifts. She argues that rather than assuming that women performers are necessarily mounting a challenge to tradition, “tradition” in Bali must be understood as a system of power that is inextricably linked to gender hierarchy. She examines the very idea of “tradition” and how it forms both an ideological and social foundation in Balinese culture. Ultimately, Goodlander offers a richer, more complicated understanding of both tradition and gender in Balinese society. Following in the footsteps of other eminent reflexive ethnographies, Women in the Shadows will be of value to anyone interested in performance studies, Southeast Asian culture, or ethnographic methods.

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