Women In Modern Burma

This book challenges the popular notion that Burmese women are powerful and are granted equal rights as men by society. Throughout history Burmese women have been represented as powerful and as having equal status to men by western travellers and scholars alike. National history about women also follows this conjecture. This book explains why actually very few powerful Burmese women exist, and how these few women help construct the notion of the high status of Burmese women, thereby inevitably silencing the majority of ‘unequal’ and disempowered women. One of the underlying questions throughout this book is why a few powerful women feel compelled to defend the notion that women hold privileged positions in Burmese society. Combining historical archives with statistical data published by UN agencies, this book highlights the reality of women’s status in modern Burma. Case studies include why the first Burmese women’s army was disbanded a few months after its establishment; how women writers assessed the conditions of Burmese women and represented their contemporaries in their works; the current state of prostitution; how modern-day sex-workers are trying to find their voice; and how women fared vis-à-vis men in education.

Refiguring Women, Colonialism, and Modernity in Burma presents the first study of one of the most prevalent and critical topics of public discourse in colonial Burma: the woman of the khit kala—"the woman of the times"—who burst onto the covers and pages of novels, newspapers, and advertisements in the 1920s. Educated and politicized, earner and consumer, "Burmese" and "Westernized," she embodied the possibilities and challenges of the modern era, as well as the hopes and fears it evoked. In Refiguring Women, Chie Ikeya interrogates what these shifting and competing images of the feminine reveal about the experience of modernity in colonial Burma. She marshals a wide range of hitherto unexamined Burmese language sources to analyze both the discursive figurations of the woman of the khit kala and the choices and actions of actual women who—whether pursuing higher education, becoming political, or adopting new clothes and hairstyles—unsettled existing norms and contributed to making the woman of the khit kala the privileged idiom for debating colonialism, modernization, and nationalism. The first book-length social history of Burma to utilize gender as a category of sustained analysis, Refiguring Women challenges the reigning nationalist and anticolonial historical narratives of a conceptually and institutionally monolithic colonial modernity that made inevitable the rise of ethnonationalism and xenophobia in Burma. The study demonstrates the irreducible heterogeneity of the colonial encounter and draws attention to the conjoined development of cosmopolitanism and nationalism. Ikeya illuminates the important roles that Burmese men and women played as cultural brokers and agents of modernity. She shows how their complex engagements with social reform, feminism, anticolonialism, media, and consumerism rearticulated the boundaries of belonging and foreignness in religious, racial, and ethnic terms. Refiguring Women adds significantly to examinations of gender and race relations, modernization, and nationalism in colonized regions. It will be of interest to a broad audience—not least those working in the fields of Southeast Asian studies, colonial and postcolonial studies, cultural studies, and women’s and gender studies.

This book challenges the popular notion that Burmese women are powerful and are granted equal rights as men by society. Throughout history Burmese women have been represented as powerful and as having equal status to men by western travellers and scholars alike. National history about women also follows this conjecture. This book explains why actually very few powerful Burmese women exist, and how these few women help construct the notion of the high status of Burmese women, thereby inevitably silencing the majority of ‘unequal’ and disempowered women. One of the underlying questions throughout this book is why a few powerful women feel compelled to defend the notion that women hold privileged positions in Burmese society. Combining historical archives with statistical data published by UN agencies, this book highlights the reality of women’s status in modern Burma. Case studies include why the first Burmese women’s army was disbanded a few months after its establishment; how women writers assessed the conditions of Burmese women and represented their contemporaries in their works; the current state of prostitution; how modern-day sex-workers are trying to find their voice; and how women fared vis-à-vis men in education.

“Craig wields powerful and vivid prose to illuminate a country and a family trapped not only by war and revolution, but also by desire and loss.” —Viet Thanh Nguyen, Pulitzer Prize–winning author Miss Burma tells the story of modern-day Burma through the eyes of Benny and Khin, husband and wife, and their daughter Louisa. After attending school in Calcutta, Benny settles in Rangoon, then part of the British Empire, and falls in love with Khin, a woman who is part of a long-persecuted ethnic minority group, the Karen. World War II comes to Southeast Asia, and Benny and Khin must go into hiding in the eastern part of the country during the Japanese occupation, beginning a journey that will lead them to change the country’s history. Years later, Benny and Khin’s eldest child, Louisa, has a danger-filled, tempestuous childhood and reaches prominence as Burma’s first beauty queen soon before the country falls to dictatorship. As Louisa navigates her newfound fame, she is forced to reckon with her family’s past, the West’s ongoing covert dealings in her country, and her own loyalty to the cause of the Karen people. Based on the story of the author’s mother and grandparents, Miss Burma is a captivating portrait of how modern Burma came to be and of the ordinary people swept up in the struggle for self-determination and freedom. “At once beautiful and heartbreaking . . . An incredible family saga.” —Refinery29 “Miss Burma charts both a political history and a deeply personal one—and of those incendiary moments when private and public motivations overlap.” —Los Angeles Times

"Romancing Human Rights demonstrates how Burmese women break out of prisons, both real and discursive, by writing themselves into being"--Jacket.

Just married and returning to live in her new husband's native land, a young Austrian woman arrived with her Burmese husband by passenger ship in Rangoon in 1953. They were met at dockside by hundreds of well-wishers displaying colorful banners, playing music on homemade instruments, and carrying giant bouquets of flowers. She was puzzled by this unusual welcome until her embarrassed husband explained that he was something more than a recently graduated mining engineer - he was the Prince of Hsipaw, the ruler of an autonomous state in Burma's Shan mountains. And these people were his subjects! She immersed herself in the Shan lifestyle, eagerly learning the language, the culture, and the history of the Shan hill people. The Princess of Hsipaw fell in love with this remote, exotic land and its warm and friendly people. She worked at her husband's side to bring change and modernization to their primitive country. Her efforts to improve the education and health care of the country, and her husband's commitment to improve the economic well-being of the people made them one of the most popular ruling couples in Southeast Asia. Then the violent military coup of 1962 shattered the idyllic existence of the previous ten years. Her life irrevocably changed. Inge Sargent tells a story of a life most of us can only dream about. She vividly describes the social, religious, and political events she experienced. She details the day-to-day living as a "reluctant ruler" and her role as her husband's equal - a role that perplexed the males in Hsipaw and created awe in the females. And then she describes the military events that threatened her life and that of her children. Twilight over Burma is a story of a great happiness destroyed by evil, of one woman's determination and bravery against a ruthless military regime, and of the truth behind the overthrow of one of Burma's most popular local leaders.

This text aims to provide insights into the daily lives of people of the traumatized and often forgotten land of Burma, through personal contacts over a wide range of Burmese society, in urban centres, monasteries and hilltribe villages.