Women Of Faith And Religious Identity In Fin De Si Cle France

In this unique study, Machen explores a moment of intense religious upheaval and transformation in France between 1880 and 1920. In these pre–World War I years, a powerful Catholic community was pitted against equally powerful anticlerical members of the French Third Republic. During this time, women became increasingly involved in faith-based organizations, engaging in social and political action both to expand women’s rights and to ensure that religion remained part of the public debate about France’s identity. By representing their faith communities as modern, progressive, and in some cases democratic, women positioned themselves to help guide a modernizing France. Women of Catholic, Protestant, and Jewish faiths also reshaped the narrative of female power within the French nation and within their own religious groups. Their activism provided them with social, religious, and political influence unattainable through any other French institutions, enabling them in turn to push France toward becoming a more democratic, equitable society. Machen’s timely examination of the critical role women played in shaping the nation’s religious identity helps to illuminate contemporary issues in France as Muslim communities respond to civic pressure to secularize and as the country debates the role of women in Islam.

This book explores the creative women of the "Lost Generation" including painters, sculptors, film makers, writers, singers, composers, dancers, and impresarios who all pursued artistic careers in the years leading up to, during, and following World War I. These women’s stories, and the art they created, commissioned, mobilized as propaganda, and performed shed light on the shifting nature of gender norms during this period. With the combined knowledge and expertise from different contributors, chapters in this book consider how modernist practices continued their development in women’s hands during the war through networks forged by and for women artists in the absence of their male colleagues. These chapters also reflect on how, in many cases, the dissolution of these structures after the November 1918 armistice had detrimental consequences for their professional trajectories. This book challenges the place creative women currently hold in the historical record while also clarifying how these artists and impresarios contributed to wartime and post-war culture. This collection of essays will be of great value to scholars interested in social and gender history of the twentieth century, as well as historians of the arts through offering nuanced understanding of the essential work of female creative professionals, highlighting artistic women’s experiences of resistance, mourning, and reinvention in the shadow of the Great War.

Heroic Hearts examines how young women in nineteenth-century France, authorized by a widespread cultural discourse that privileged individual authority over domesticity and marriage, sought to change the world. Jennifer J. Popiel offers a recuperative reading of sentimental authority, especially in its relationship to religious vocabulary. Heroic Hearts uncovers the ways sentimental appeals authorized women to trust themselves as modern actors for a project of cultural restoration. With their emphasis on sacrifice and heroism, these cultural currents offered liberatory potential. Heroic Hearts examines not only general cultural currents but their adoption by particular women, each of whom was privileged with access to money and social influence. The words of three extraordinary women, Philippine Duchesne, Pauline Jaricot, and Zélie Martin, offer powerful testimony to their agency. These women’s rejection of “traditional” domesticity, believed to be a formative influence for their class, demonstrates how women understood the imperative to change the world outside of their natural families. Their writings, which demonstrate the appeal of sentimental virtue, show us how women’s public lives could exist not in opposition to prevailing religious and social ideals but because of them.

In Faith and Politics in the Public Sphere, Ugur explores the politics of religious engagement in the public sphere by comparing two modernist conservative movements: the Mormon Church in the United States and the Gülen movement in Turkey. The book traces the public activities and activism of these two influential and controversial actors at the state, political society, and civil society domains, discerning their divergent strategies and positioning on public matters, including moral issues, religious freedoms, democracy, patriotism, education, social justice, and immigration. Despite being strikingly similar in their strong fellowship ties, emphasis on conservative social values, and their doctrines concerning political neutrality, these two religious entities have employed different political strategies to promote their goals of survival, growth, and the collective interests of their communities. In contrast to the Mormon Church’s more assertive approach and emphasis on its autonomy and distinctiveness, the Gülen movement has been rather cautious with its engagement in the public sphere, with preference for coalition building and ambiguity. To explain such different strategies, Ugur examines how the liberal and republican models of the public sphere have shaped the norms and practices of public activism for religious groups in Turkey and the United States. Ugur’s deft and nuanced exploration of these movements’ adaptation and engagement is essential to help us better understand the dynamic role of religious involvement in the public sphere.

This work considers how Frenchwomen participated in Christian religious practice during the sixteenth century, with their words and their actions. Using extensive original and archival sources, it provides a comprehensive study of how women contributed to institutional, theological, devotional and political religious matters. Challenging the view of religious reforms and ideas imposed by male authorities upon women, this study argues instead that women, Catholic and Calvinist, lay and monastic, were deeply involved in the culture, meanings and development of contemporary religious practices.

This volume explores the way in which composers, performers, and critics shaped individual and collective identities in music from Europe and the United States from the 1860s to the 1950s. Selected essays and articles engage with works and their reception by Richard Wagner, Georges Bizet (in an American incarnation), Lili and Nadia Boulanger, William Grant Still, and Aaron Copland, and with performers such as Wanda Landowska and even Marilyn Monroe. Ranging in context from the opera house through the concert hall to the salon, and from establishment cultures to counter-cultural products, the main focus is how music permits new ways of considering issues of nationality, class, race, and gender. These essays - three presented for the first time in English translation - reflect the work in both musical and cultural studies of a distinguished scholar whose international career spans the Atlantic and beyond.

The late nineteenth-century fin de siècle has proved an enduringly fascinating moment in literary and cultural history. It is associated with the emergence of intriguing figures - such as the 'new woman' and 'uranian'; with contradictory impulses - of decadence and decay on the one hand, and of experiment and renewal, on the other; as well as with unprecedented intercultural exchange, especially between Britain and France. The 22 newly-commissioned essays collected here re-examine some of the key concepts taken to define the fin de siècle, while also introducing hitherto overlooked cultural phenomena into the frame, such as the importance of humanitarianism. The impact of recent research in material culture is explored, particularly how the history of the book and the history of performance culture is changing our understanding of this period. A wide range of cultural activities is discussed?from participation in avant-garde theatre to interior decoration and from the writing of poetry to political and religious activism. Together, the essays provide new scholarly insights into British fin de siècle and enrich our understanding of this complex period, while paying particular attention to the importance of regionalism.

In this volume 30 of the field's top scholars examine historical and contemporary aspects of American Islam, and explore the meaning of religious identity in the context of race, ethnicity, gender, and politics.