Women Pirates And The Politics Of The Jolly Roger

An account of piracy through three millennia, in histories of women and men sailing on four seas: t he Chinese Straits, the Mediterranean, the Atlantic Ocean, and the Carribean. The volume is introduced by Gabriel Kuhn's essay, on anarchism and piracy, "Under the Death's Head". Copyright © Libri GmbH. All rights reserved.

Over the last couple of decades, an ideological battle has raged over the political legacy and cultural symbolism of the “golden age” pirates who roamed the seas between the Caribbean Islands and the Indian Ocean from roughly 1690 to 1725. They are depicted as romanticized villains on the one hand and as genuine social rebels on the other. Life Under the Jolly Roger examines the political and cultural significance of these nomadic outlaws by relating historical accounts to a wide range of theoretical concepts—reaching from Marshall Sahlins and Pierre Clastres to Mao Zedong and Eric J. Hobsbawm via Friedrich Nietzsche and Michel Foucault. With daring theoretical speculation and passionate, respectful inquiry, Gabriel Kuhn skillfully contextualizes and analyzes the meanings of race, gender, sexuality, and disability in golden age pirate communities, while also surveying the breathtaking array of pirates’ forms of organization, economy, and ethics. Life Under the Jolly Roger also provides an extensive catalog of scholarly references for the academic reader. Yet this delightful and engaging study is written in language that is wholly accessible for a wide audience. This expanded second edition includes two new prefaces and an appendix with interviews about contemporary piracy, the ongoing fascination with pirate imagery, and the thorny issue of colonial implications in the romanticization of pirates.

While history has painted most pirates as abominable brutes, capable of the worst cruelties and driven by insatiable greed, the author of this study insists that pirates have gotten a lot of bad press, mainly by popularizing writers who were trying to sell books. He notes, for example, that Henry Morgan always carried privateering commissions signed by the Governor of Jamaica, and that many pirates bought commissions and pardons from one or other of the governors of the American colonies. With this in mind, Mr. Pringle tries to separate fact from fiction in chronicling the activities of the infamous men and women who sailed under the black flag during the great age of piracy. Starting with Sir Francis Drake, the "Father of Modern Piracy, " he examines the lives and deeds of such criminals as Morgan, Kidd, Blackbeard, and Mary Read, as well as lesser-known scoundrels, finding, for the most part, that the myths about these maritime marauders are largely overblown.

This book delves into humanity’s compulsive need to valorize criminals. The criminal hero is a seductive figure, and audiences get a rather scopophilic pleasure in watching people behave badly. This book offers an analysis of the varied and vexing definitions of hero, criminal, and criminal heroes both historically and culturally. This book also examines the global presence, gendered complications, and gentle juxtapositions in criminal hero figures such as: Robin Hood, Breaking Bad, American Gods, American Vandal, Kabir, Plunkett and Macleane, Martha Stewart, Mary Read, Anne Bonny, Ocean’s 11, Ocean’s Eleven, and Let The Bullets Fly.

Pirates have long been stock figures in popular culture, from Treasure Island to the more recent antics of Jack Sparrow. Villains of all Nations unearths the thrilling historical truth behind such fictional characters and rediscovers their radical democratic challenge to the established powers of the day.

Profiles pirates throughout history, especially women pirates of Europe, America, and Asia, such as Princess Alvilda, Ingean Ruadh, Grany Imallye, Elizabeth Killegrew, Anne Bonny, and Lai Cho San.