Women Pleasure Film

The Lola film is a distinct subgenre of the woman's film in which woman's claim to pleasure is entertained without recourse to the figure of the femme fatale. Lola embodies a recognizable set of characteristics through which over time a select group of directors, actors, and audiences have responded in ways that do not succumb to the imperatives of gender. There are over thirty-five Lola films, starting with Marlene Dietrich in The Blue Angel: many are German, others are French, American, British, Italian, and Spanish, but her claim has also resonated in Argentina, China, Egypt, Mexico, Thailand, and the Philippines. Lola can be working class, lesbian, transgender, ethnic, suburban, or any combination. This book examines Lola as a specific and enduring aspect of the early twentieth-century "new woman": woman's forthright claim to pleasure on her own terms, liberated, if only as a cinematic fantasy, from the usual constraints of sex and gender.

The technological, economic and social landscape of the consumer society was formed between the 1880s and 1920s. The author of this study shows how cinema played a key role in changing the urban landscape, using Chicago as a model and linking cinema theory with women's studies.

A revealing study of the sensual tensions powering the period's formal and ideological innovations.

First published in 1988. Routledge is an imprint of Taylor & Francis, an informa company.

First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.

Women's Film and Female Experience takes a fresh look at a wide range of popular women's films in order to discover what American female consciousness in the 1940s was really about. The author traces the evolution and development of the Hollywood women's film, and describes the social history of American women in the 1940s. She then analyzes dominant narrative patterns within popular women's films of the decade: the maternal drama, the career woman comedy, and the films of suspicion and distrust.

Join Fran's quest for a "normal" sex life - featured in The Guardian's Best Shows of Edinburgh Fringe 2018, written and performed by Fran Bushe. Fran wants to fix sex. No matter how many wonder-cures she tries, how many trips to the doctor or offers of help from friends, she doesn't feel like her fire's been lit. Sometimes it hurts. Join Fran on this 'relentlessly hilarious' (★★★★ Stage) quest, with songs, as she pursues a satisfying sex-life. Expect toe-tapping tunes, a magic penis and a visit to sex camp. Oh, and dolphins. ★★★★ "Relentlessly hilarious" The Stage ★★★★ "Smart and audacious" The Guardian ★★★★★ Londontheatre1 ★★★★★ Arthur's Seat ★★★★★ Fringe Review ★★★★ Theatre Weekly ★★★★ Upper Circle Theatre Performer of the Year - Sexual Freedom Awards 2019 The Guardian's 'Best Shows of the Fringe 2018'

For a full list of entries and contributors, sample entries, and more, visit the Routledge International Encyclopedia of Women website. Featuring comprehensive global coverage of women's issues and concerns, from violence and sexuality to feminist theory, the Routledge International Encyclopedia of Women brings the field into the new millennium. In over 900 signed A-Z entries from US and Europe, Asia, the Americas, Oceania, and the Middle East, the women who pioneered the field from its inception collaborate with the new scholars who are shaping the future of women's studies to create the new standard work for anyone who needs information on women-related subjects.