Women S Diaries

An expanded edition of one of the most original and provocative works of American history of the last decade, which documents the pioneering experiences and grit of American frontier women.

Excerpts from the private diaries of women, known and unknown, among them Louisa May Alcott, Sophie Tolstoy, George Eliot, Anais Nin.

Using private diary writing as her model, Catherine Delafield investigates the cultural significance of nineteenth-century women's writing and reading practices. Beginning with an examination of non-fictional diaries and the practice of diary-writing, she assesses the interaction between the fictional diary and other forms of literary production such as epistolary narrative, the periodical, the factual document and sensation fiction. The discrepancies between the private diary and its use as a narrative device are explored through the writings of Frances Burney, Elizabeth Gaskell, Anne Brontë, Dinah Craik, Wilkie Collins and Bram Stoker. The ideological function of the diary, Delafield suggests, produces a conflict in fictional narrative between that diary's received use as a domestic and spiritual record and its authority as a life-writing opportunity for women. Delafield considers women as writers, readers, and subjects and contextualizes her analysis within nineteenth-century reading practice. She demonstrates ways in which women could becomes performers of their own story through a narrative method which was authorized by their femininity and at the same time allowed them to challenge the myth of domestic womanhood.

More than a quarter of a million Americans crossed the continental United States between 1840 and 1870, going west in one of the greatest migrations of modern times. The frontiersmen have become an integral part of our history and folklore, but the Westering experiences of American women are equally central to an accurate picture of what life was like on the frontier. Through the diaries, letters, and reminiscences of women who participated in this migration, Women’s Diaries of the Westward Journey gives us primary source material on the lives of these women, who kept campfires burning with buffalo chips and dried weeds, gave birth to and cared for children along primitive and dangerous roads, drove teams of oxen, picked berries, milked cows, and cooked meals in the middle of a wilderness that was a far cry from the homes they had left back east. Still (and often under the disapproving eyes of their husbands) they found time to write brave letters home or to jot a few weary lines at night into the diaries that continue to enthrall us. In her new foreword, Professor Mary Clearman Blew explores the enduring fascination with this subject among both historians and the general public, and places Schlissel’s groundbreaking work into an intriguing historical and cultural context.

Diaries of Girls and Women captures and preserves the diverse lives of forty-seven girls and women who lived in Minnesota, Iowa, and Wisconsin between 1837 and 1999—young schoolgirls, adolescents coming of age, newlywed wives, mothers grieving the loss of children, teachers, nurses, elderly women, Luxembourger immigrant nuns, and women traveling abroad. A compelling work of living history, it brings together both diaries from historical society archives and diaries still in possession of the diarists or their descendents. Editor Suzanne L. Bunkers has selected these excerpts from more than 450 diaries she examined. Some diaries were kept only briefly, others through an entire lifetime; some diaries are the intensely private record of a life, others tell the story of an entire family and were meant to be saved and appreciated by future generations. By approaching diaries as historical documents, therapeutic tools, and a form of literature, Bunkers offers readers insight into the self-images of girls and women, the dynamics of families and communities, and the kinds of contributions that girls and women have made, past and present. As a representation of the girls and women of varied historical eras, locales, races, and economic circumstances who settled and populated the Midwest, Diaries of Girls and Women adds texture and pattern to the fabric of American history.

This carefully crafted ebook: "The Diary of a Provincial Lady (Unabridged Edition With Original Illustrations)" is formatted for your eReader with a functional and detailed table of contents. When the editor of Time and Tide wanted some light "middles", preferably in serial form, E. M. Delafield promised to think of something to submit'. It was thus, in 1930, that her most popular and enduring work Diary of a Provincial Lady was written. This largely autobiographical novel which took the form of a journal of the life of an upper-middle class Englishwoman living mostly in a Devon village of the 1930s is a humorous account of a house-wife and a mother who juggles her life at home and yet goes on to successfully publish her first book. Excerpt: "November 7th.—Plant the indoor bulbs. Just as I am in the middle of them, Lady Boxe calls. I say, untruthfully, how nice to see her, and beg her to sit down while I just finish the bulbs. Lady B. makes determined attempt to sit down in armchair where I have already placed two bulb-bowls and the bag of charcoal, is headed off just in time, and takes the sofa." (The Diary of a Provincial Lady) E. M. Delafield (1890-1943) was a prolific English author who is best known for her autobiographical works like Zella Sees Herself, The Provincial Lady Series etc. which look at the lives of upper-middle class Englishwomen.

Using private diary writing as her model, Catherine Delafield investigates the cultural significance of nineteenth-century women's writing and reading practices. Examining historical and fictional diaries by authors such as Frances Burney, Elizabeth Gaskell, Anne Brontë, Wilkie Collins and Bram Stoker, Delafield reveals the ideological discrepancy between the private diary and its performance in the role of narrator, offering fresh insights into domesticity, authorship, and the diary as a feminine form and model for narrative.

Guyana Diaries narrates the life histories of members of the Red Thread Development Corporation, a group of women activists in the Caribbean. Kimberly Nettles, an African American researcher, explores the impact of their work on these women’s lives and, in the process, discovers differences of class and nation that overshadow the gender and race she shares with her subjects. Blending feminist ethnography, critical autobiography, and literary narratives, Nettles examines both the collective and her own experiences in studying its members, producing an illuminating, evocative work of self and other. It should be of interest to those in race and ethnic studies, gender studies, Caribbean studies, development studies, and qualitative research.