Women S Rites

Women's Rites of Passage grew out of Abigail Brenner s desire to answer some fundamental questions about the role of rites of passage in contemporary women s lives. Relying on a research study involving over 50 women, Brenner shows how women today understand the need to take responsibility for their lives and for directing their own paths, and are beginning to do so by creating their own very personal rites of passage.

There are physical and psychological experiences and rites of passage common to all women's lives, crossing the boundaries of age, class, culture, race, sexual orientation, and religion. While women have a great hunger for ritual to reflect the events in their lives, they often do not know how to begin. For many, the very thought of creating their own rituals is too intimidating, and instead wait for others to take the lead, or simply suppress their own needs, desires, and dreams. Consequently, many women lead lives that too often are physically, emotionally, and spiritually unfulfilled. Finally, comes an author who seeks to provide women with the tools to address and fulfill their own needs for meaning that is sourced from their own intuitive knowing. Together, with open minds and hearts, we can learn to shape chaos and human needs into works of great power and beauty. Women's Rites, Women's Mysteries is a practical and magical, one-of-a-kind guide and resource for both creating and facilitating Goddess and female-centered rituals. Written for individuals and groups, both beginners and experienced ritualists alike, Dianic High Priestess and seasoned ritualist Ruth Barrett guides women through a unique step-by-step process, with practices that weaves personal need with an individual or group's intuitive creativity. Barrett demystifies the components of how to design and facilitate an effective ritual for any significant occasion, seasonal holy day, or life-cycle event. Unique from other books on ritual, Barrett emphasizes energetics for ritual, delving into the awareness and conscious working of energy to intentionally align, support, and carry out the ritual's purpose. From personal energetic preparation, preparation for group ritual facilitators and participants, Barrett provides practices and suggestions for this important and often overlooked aspect of the ritual experience. Women's Rites, Women's Mysteries is specifically not a didactic ritual "cookbook," that tells the reader exactly what to do, but rarely explains the reason or motivation behind a given enactment or symbol. Ruth Barrett teaches women how to think like a ritualist and develop the inner tools needed to create meaningful rituals for themselves and with others. Beginning with a discussion on the power of women's ritual and the importance of women creating their own ritual experiences, Barrett proceeds with how to use intuition to develop a ritual's purpose, how to work with energy that supports the ritual theme, creating enactments, appropriate structure, creating invocations, and an overview of a female-centered Wheel of the Year for seasonal celebrations. Barrett brings four decades of experience providing ritual facilitation, to discuss the personal and practical skills needed when creating, preparing for, and facilitating small or large group rituals that open to the public - a must for women drawn to providing rituals for others. Rarely addressed in print before is the topic of how to evaluate a ritual in order to constantly learn and improve them. A variety of magical techniques with applications for ritual and spellcraft are woven throughout the book that enhance and deepen a woman's relationship with herself and the powers of nature. Barrett substantially discusses her perspective on the roles and responsibilities of the Priestess in ancient and contemporary times, the herstory and cosmology of the feminist Dianic tradition, its foundational spiritual tenants based on female embodiment, spiritual service, and as a spiritual feminist tool for women to heal from internalized patriarchal oppression.

Many Christians do not know the Bible contains female images of God because they have never heard nor seen them in church. In Women, Ritual, and Power, Elizabeth Ursic gives the reader insight into four Christian communities that worship God with female imagery, both as a worship focus and a community identity. These Methodist, Presbyterian, Lutheran, and Catholic congregations operate within their established church denominations and are led by either ordained Protestant ministers or vowed Catholic sisters. Because expressing God-as-She can expose strident claims for maintaining God-as-He, this book shows not only how patriarchy continues to operate in churches today, but also how it is being successfully challenged through liturgy.

More of Mason Currey's irresistible Daily Rituals, this time exploring the daily obstacles and rituals of women who are artists--painters, composers, sculptors, scientists, filmmakers, and performers. We see how these brilliant minds get to work, the choices they have to make: rebuffing convention, stealing (or secreting away) time from the pull of husbands, wives, children, obligations, in order to create their creations. From those who are the masters of their craft (Eudora Welty, Lynn Fontanne, Penelope Fitzgerald, Marie Curie) to those who were recognized in a burst of acclaim (Lorraine Hansberry, Zadie Smith) . . . from Clara Schumann and Shirley Jackson, carving out small amounts of time from family life, to Isadora Duncan and Agnes Martin, rejecting the demands of domesticity, Currey shows us the large and small (and abiding) choices these women made--and continue to make--for their art: Isak Dinesen, "I promised the Devil my soul, and in return he promised me that everything I was going to experience would be turned into tales," Dinesen subsisting on oysters and Champagne but also amphetamines, which gave her the overdrive she required . . . And the rituals (daily and otherwise) that guide these artists: Isabel Allende starting a new book only on January 8th . . . Hilary Mantel taking a shower to combat writers' block ("I am the cleanest person I know") . . . Tallulah Bankhead coping with her three phobias (hating to go to bed, hating to get up, and hating to be alone), which, could she "mute them," would make her life "as slick as a sonnet, but as dull as ditch water" . . . Lillian Hellman chain-smoking three packs of cigarettes and drinking twenty cups of coffee a day--and, after milking the cow and cleaning the barn, writing out of "elation, depression, hope" ("That is the exact order. Hope sets in toward nightfall. That's when you tell yourself that you're going to be better the next time, so help you God.") . . . Diane Arbus, doing what "gnaws at" her . . . Colette, locked in her writing room by her first husband, Henry Gauthier-Villars (nom de plume: Willy) and not being "let out" until completing her daily quota (she wrote five pages a day and threw away the fifth). Colette later said, "A prison is one of the best workshops" . . . Jessye Norman disdaining routines or rituals of any kind, seeing them as "a crutch" . . . and Octavia Butler writing every day no matter what ("screw inspiration"). Germaine de Staël . . . Elizabeth Barrett Browning . . . George Eliot . . . Edith Wharton . . . Virginia Woolf . . . Edna Ferber . . . Doris Lessing . . . Pina Bausch . . . Frida Kahlo . . . Marguerite Duras . . . Helen Frankenthaler . . . Patti Smith, and 131 more--on their daily routines, superstitions, fears, eating (and drinking) habits, and other finely (and not so finely) calibrated rituals that help summon up willpower and self-discipline, keeping themselves afloat with optimism and fight, as they create (and avoid creating) their creations.

Women, Rites, and Ritual Objects in Premodern Japan seeks to expand our understanding of the roles women played in rituals, how particular rituals were carried out, what types of implements or icons accompanied them, and how various ritual objects were used.

English translations of the author's most important articles.

Among the topics explored are: how to form a women's spirituality group; holidays for women to celebrate; creating a personal altar; how to participate in guided meditations; the names of the goddeses; and celebrating female rites of passage.