Women S Worlds The Mcgraw Hill Anthology Of Women S Writing In English Across The Globe

Women’s Worlds, a new anthology of women’s writing, makes available a broad range of women’s voices from across time, across classes, and across the globe in a slimmer, more flexible, and more affordable format. This new anthology includes selections from the 14th through the 21st centuries, from the first text by a woman published in English (Julian of Norwich’s Revelation of Divine Love) to selections by contemporary writers like Barbara Kingsolver, Alison Bechdel, and Zadie Smith. The selections are drawn from Britain and North America, but also from Africa, Asia, Oceania, the Middle East, and the Caribbean--wherever English is spoken. While classics of fiction, poetry, and drama are provided, the text also includes essays, song lyrics, letters, diary entries--even excerpts from domestic handbooks and a graphic memoir--to represent the full range of women’s voices. And Cultural Coordinates essays provide insights into customs and costumes from purdah to life before the Pill. To expand the choice of novels instructors wish to assign, McGraw-Hill also offers works from Library of Women's Literature at a discount.

The Routledge Companion to Romantic Women Writers overviews critical reception for Romantic women writers from their earliest periodical reviews through the most current scholarship and directs users to avenues of future research. It is divided into two parts.The first section offers topical discussions on the status of provincial poets, on women’s engagement in children’s literature, the relation of women writers to their religious backgrounds, the historical backgrounds to women’s orientalism, and their engagement in debates on slavery and abolition.The second part surveys the life and careers of individual women – some 47 in all with sections for biography, biographical resources, works, modern editions, archival holdings, critical reception, and avenues for further research. The final sections of each essay offer further guidance for researchers, including “Signatures” under which the author published, and a “List of Works” accompanied, whenever possible, with contemporary prices and publishing formats. To facilitate research, a robust “Works Cited” includes all texts mentioned or quoted in the essay.

Political Aesthetics highlights the complex and ambiguous connections of aesthetics with social, cultural and political experiences in contemporary societies. If today aesthetics seems a rather overused term, mixing a variety of historical realities and complex personal states of being, its relevance as a connecting agent between individual, state and society is stronger than ever. The actual context of political and economic crisis generates new relations between official imposed aesthetics and the resistance and critiques they trigger. Considered beyond the poles of power and protest, the book examines how traditional or innovative artistic practices may acquire unexpected capacities of subversion. It nourishes the current debate around the new political stakes of aesthetics as an inviolable right of ordinary citizens, an essential element of empowerment and agency in a democratic every day. It will be of interest to students and scholars of international relations, political culture and political aesthetics, as well as critical sociology and history. It will also be useful for some broad courses in media studies, cultural studies, and sociology.

As a Christian—as a college student—do you want to be a feminist? Why would anybody want to be a feminist? And what, if anything, have Christians done to advance women’s rights? The answers lie in this book where the history of women preachers, the rise of the publishing industry, the creation of eighteenth- and nineteenth-century female seminaries and academies, and the work of feminist theologians is explored. This book introduces the Christian college student to a coherent story of First, Second, and Third Wave Feminism and how these interlocking histories overlap with Christian faith and practice. Designed for the student who has little or no knowledge of feminist histories, theories, and practices, this book offers timelines, reading lists, and glossaries to help orient the student in a field of study often filled with irony and contradictions. Furthermore, the influence of anti-feminists and the impact of visual culture tell a story of how power is made and how it is challenged. Throughout this book, students are invited to consider their relationship with feminism and to critically reflect on a position that holds true to their faith as they are experiencing it in the twenty-first century.

Featuring entries composed by leading international scholars, The Encyclopedia of English Renaissance Literature presents comprehensive coverage of all aspects of English literature produced from the early 16th to the mid 17th centuries. Comprises over 400 entries ranging from 1000 to 5000 words written by leading international scholars Arranged in A-Z format across three fully indexed and cross-referenced volumes Provides coverage of canonical authors and their works, as well as a variety of previously under-considered areas, including women writers, broadside ballads, commonplace books, and other popular literary forms Biographical material on authors is presented in the context of cutting-edge critical discussion of literary works. Represents the most comprehensive resource available for those working in English Renaissance literary studies Also available online as part of the Wiley-Blackwell Encyclopedia of Literature, providing 24/7 access and powerful searching, browsing and cross-referencing capabilities

Joanna Baillie and the Art of Moral Influence explores the project of moral reform that Baillie sets out for herself in the Introductory Discourse to her first volume of Plays on the Passions (1798). It begins by revealing the foundation that Baillie creates for her project as she combines her own unique theology with eighteenth-century moral philosophy and seventeenth- and eighteenth-century discourses on the theatre's potential to reform audiences. This book argues that Baillie uses this eclectic mix to craft a potentially radical social critique in the midst of a seemingly conservative moral project. Using examples from fifteen of her plays as well as from her prefaces and her religious tract, the book traces Baillie's moral project from its direct representations in De Monfort and Henriquez through its dangerous complexities in plays such as Orra and The Trial to its conflict with domestic ideology as an alternative means of reform in plays such as The Dream, Ethwald, The Phantom, and Witchcraft. This analysis of Baillie's project reveals how she ultimately overcomes the difficulties inherent in her project by asking her audiences to take responsibility for their moral reform rather than relying upon the domestic woman to change society and by asking her audiences to ground their interpretations in the basic truths of Christianity. Understanding Baillie's moral project and the discourses that influenced it and then seeing how it is enacted throughout her plays will allow teachers and scholars to appreciate even more fully the complexities of this British Romantic playwright.