Wonder In South Asia

The experience of wonder—encompassing awe, bewilderment, curiosity, excitement, fear, dread, mystery, perplexity, reverence, surprise, and supplication—and the ineffable quality of that which is wondrous have been entwined in religion and human experience. Yet strangely, wonder in non-western societies, including South Asia, has rarely been acknowledged or understood. This groundbreaking volume brings together historians and ethnographers of South Asia, including leading and emerging scholars, to consider the place and meaning of wonder in such varied joyful, tense, and creative sites and moments as Sufi music performances in Gujarat, Tamil graveyard processions, trans women's charitable practices, Kipling's Orientalist tales, village Kuchipudi dance performances, and Rajasthani healing shrines. Offering a synthetic and scholarly reading of wonder that speaks to the political, aesthetic, and ethical worlds of South Asia, these essays redefine the nature and meaning of wonder and its worlds. Taken together, they provide an invaluable research tool for those in the fields of Asian religion, religion in context, and South Asian religions in particular.

A comparative study of wonder in South Asian religions.

These Are Translations Of Tales Of Wonder, With Miraculous Or Fantastic Elements From Four Different Asian Languages. A Final Chapter Deals With The Background Of These Still-Current Stories, With Histories That Sometimes Stretch Back To Ancient India. Like New.

Travel, Art and Collecting in South Asia questions what are ideas of vertiginous collecting, art-making and museums as expanded fields, including wonder houses and missionary museums (or museobuses) in Britain and South Asia. If the historiography of British India has privileged photography and the 'Imperial Picturesque', the emphasis here is on the formation of a creole modernity, one that considers the relationship between art and labour, including pearlescence and pearl fishing in Sri Lanka, and the iconoclastic/fetish debates and forms of collecting amongst missionaries. Eaton explores these themes alongside the genealogies and modernities of white(ness) in contemporary curating and amateur female practice, and how the museobus or museum as a unique object has informed the work of contemporary artist group Raqs Media Collective. This book will be of interest to scholars in art history, Asian history, and imperial and colonial history.

Wonder-Tales of South Asia contains translations that Simon Digby has made over the years of tales of wonder, with miraculous or fantastic elements, from four different Asian languages.

This volume, part of the ongoing official record of U.S. foreign policy, presents key documentation on the Nixon Administration's policy immediately prior to and during the Indo-Pakistan War of 1971. Included in this volume is full coverage of the "tilt" toward Pakistan by President Richard Nixon and his Assistant for National Security Affairs, Henry Kissinger. Viewed Aug. 3, 2005.

This book presents a radical rethinking of Border Studies. Framing the discipline beyond conventional topics of spatiality and territoriality, it presents a distinctly South Asian perspective – a post-colonial and post-partition region where most borders were drawn with political motives, ignoring the socio-cultural realities of the region and economic necessities of the people. The authors argue that while securing borders is an essential function of the state, in this interconnected world, crossing borders and border cooperation is also necessary. The book examines contemporaneous and topical themes like disputes of identity and nationhood, the impact of social media on Border Studies, trans-border cooperation, water-sharing between countries, and resolution of border problems in the age of liberalisation and globalisation. It also suggests ways of enhancing cross-border economic cooperation and connectivity, and reviews security issues from a new perspective. Well supplemented with case studies, the book will serve as an indispensable text for scholars and researchers of Border Studies, military and strategic studies, international relations, geopolitics, and South Asian studies. It will also be of great interest to think tanks and government agencies, especially those dealing with foreign relations.

The Fairy Tale World is a definitive volume on this ever-evolving field. The book draws on recent critical attention, contesting romantic ideas about timeless tales of good and evil, and arguing that fairy tales are culturally astute narratives that reflect the historical and material circumstances of the societies in which they are produced. The Fairy Tale World takes a uniquely global perspective and broadens the international, cultural, and critical scope of fairy-tale studies. Throughout the five parts, the volume challenges the previously Eurocentric focus of fairy-tale studies, with contributors looking at: • the contrast between traditional, canonical fairy tales and more modern reinterpretations; • responses to the fairy tale around the world, including works from every continent; • applications of the fairy tale in diverse media, from oral tradition to the commercialized films of Hollywood and Bollywood; • debates concerning the global and local ownership of fairy tales, and the impact the digital age and an exponentially globalized world have on traditional narratives; • the fairy tale as told through art, dance, theatre, fan fiction, and film. This volume brings together a selection of the most respected voices in the field, offering ground-breaking analysis of the fairy tale in relation to ethnicity, colonialism, feminism, disability, sexuality, the environment, and class. An indispensable resource for students and scholars alike, The Fairy Tale World seeks to discover how such a traditional area of literature has remained so enduringly relevant in the modern world.