Wonder Woman 1942 175

Mr. Gargoyle, a villain whose face has been disfigured in an explosion, forcing him to wear a gargoyle-like mask, tries to force Wonder Woman to love him by capturing both her and Steve Trevor and placing Trevor in a death trap. Gargoyle says that he will release Trevor if she will fall in love with him.

This anthology hosts a collection of essays examining the role of comics as portals for historical and academic content, while keeping the approach on an international market versus the American one. Few resources currently exist showing the cross-disciplinary aspects of comics. Some of the chapters examine the use of Wonder Woman during World War II, the development and culture of French comics, and theories of Locke and Hobbs in regards to the state of nature and the bonds of community. More so, the continual use of comics for the retelling of classic tales and current events demonstrates that the genre has long passed the phase of for children’s eyes only. Additionally, this anthology also weaves graphic novels into the dialogue with comics.

Steve trails Wonder Woman to Paradise Island and discovers he has a rival.

Steve Trevor and Mer-Man compete for Wonder WomanÕs hand, only to find themselves at odds with a knight in shining armor with a flying saucer.

"Menace of the Mirror-Wonder Woman!" Wonder Woman fights the Image-Maker, a villain who exists within a world of mirrors.

Wonder Woman battles not only creatures of stone, but an evil twin 7,000 years old in “The Invasion of the Sphinx Creatures!” And have a slice of cake on Paradise Island at “Wonder Girl’s Birthday Party!”

Diana travels to another dimension where King Arthur and heroes of legend still exist and asks for their help in repelling Mars's troops.

Tezcatlipoca transforms Wonder Woman back into a non-powered Diana Price!