Wonder Woman 2011 25

There's no time for Wonder Woman to fully comprehend the fallout from last issue's shocking turn of events as her family gathers to prepare for an assault on Olympus.

Who wouldn't want to see their name in lights? Wonder Woman, that's who, and she's hell bent on putting a stop to the Wonder Woman movie in part 2 of the 2-part "A Star in the Heavens" arc!

As her duties as God of War draw Wonder Woman into battle, the Cheetah resurfaces to strike!

It's the grand finale of the historic WONDER WOMAN epic by writer Brian Azzarello and artist Cliff Chiang! Saying more would spoil all the surprises--and there will be plenty!

Wonder Woman has been shot through the heart--by the Lord of the Underworld himself, who wants the Amazon for his bride! It's up to Lennox to pull his half-sister out of hell!

William Marston was an unusual man—a psychologist, a soft-porn pulp novelist, more than a bit of a carny, and the (self-declared) inventor of the lie detector. He was also the creator of Wonder Woman, the comic that he used to express two of his greatest passions: feminism and women in bondage. Comics expert Noah Berlatsky takes us on a wild ride through the Wonder Woman comics of the 1940s, vividly illustrating how Marston’s many quirks and contradictions, along with the odd disproportionate composition created by illustrator Harry Peter, produced a comic that was radically ahead of its time in terms of its bold presentation of female power and sexuality. Himself a committed polyamorist, Marston created a universe that was friendly to queer sexualities and lifestyles, from kink to lesbianism to cross-dressing. Written with a deep affection for the fantastically pulpy elements of the early Wonder Woman comics, from invisible jets to giant multi-lunged space kangaroos, the book also reveals how the comic addressed serious, even taboo issues like rape and incest. Wonder Woman: Bondage and Feminism in the Marston/Peter Comics 1941-1948 reveals how illustrator and writer came together to create a unique, visionary work of art, filled with bizarre ambition, revolutionary fervor, and love, far different from the action hero symbol of the feminist movement many of us recall from television.

If the helmet fits...then it's time to play God.

Diana returns to Paradise Island for the first time since the Amazons were wiped out...but do those ancient stones hold the answers she's looking for?