Woodstock University

"Provides a comprehensive history of Jesuit higher education in the United States, weaving together the stories of the fifty-four colleges and universities that the Jesuits have operated (successfully and unsuccessfully) since 1789. It emphasizes the connections among the institutions, exploring how certain Jesuit schools like Georgetown University gave birth to others like Boston College by sharing faculty, financial resources, accreditation, and even presidents throughout their history. The book also explores how the colleges responded to common challenges-including anti-Catholic prejudice in the United States, the push from government authorities to modernize their shared curriculum, and the pull from Roman authorities to remain loyal to Catholic tradition. It covers themes like the rise of the research university in the 1880s, the administrative reforms of the 1960s, and the role of Jesuit colleges in racial justice, women's education, and other civil rights issues"--

Includes University catalogues, President's report, Financial report, registers, announcement material, etc.

Intimate portraits by photojournalist Richard F. Bellak of the musical festival’s counterculture attendees celebrating peace, love, and rock and roll. In the summer of 1969, 400,000 people from across the country came together and redefined the music scene forever. Though the legacy and lore of Woodstock lives on in the memory of its attendees, a new generation can experience the real and unedited festival through Richard Bellak’s never-before-seen photographs and John Kane’s incredible new interviews. Pilgrims of Woodstock offers a vivid and intimate portrait of the overlooked stars of the festival: the everyday people who made Woodstock unforgettable. The photographs and interviews capture attendees’ profound personal moments across hundreds of acres of farmland, as they meditated, played music, cooked food at night, and congregated around campfires. For three days, they helped and relied on each other in peace and harmony. For most, it was a life-changing event. Now, after the 50th anniversary of the famed festival, relive their experiences firsthand in Pilgrims of Woodstock.

From baby boomers to millennials, attending a big music festival has basically become a cultural rite of passage in America. In Half a Million Strong, music writer and scholar Gina Arnold explores the history of large music festivals in America and examines their impact on American culture. Studying literature, films, journalism, and other archival detritus of the countercultural era, Arnold looks closely at a number of large and well-known festivals, including the Newport Folk Festival, Woodstock, Altamont, Wattstax, the New Orleans Jazz and Heritage Festival, Hardly Strictly Bluegrass, and others to map their cultural significance in the American experience. She finds that—far from being the utopian and communal spaces of spiritual regeneration that they claim for themselves— these large music festivals serve mostly to display the free market to consumers in its very best light.

The essays in this volume address a closely interconnected set of questions: To be true to its mission, what function is the Church meant to perform? What does the faith of Christians contribute to the human perception of justice? What is the theological significance of action undertaken by Christians for political or social transformation? Is justice to be looked on as one of the moral virtues that it is incumbent on Christians to practice or has it a more intrinsic link to the gift of faith which Christians have received? Does the following of Christ call Christians away from social systems into Òthe new creation or is the call extended to them to concern themselves with the social systems which shape human beings? -- from the Foreword Contributors include: -Avery Dulles -William Dych -John Donahue -John Langan -David Hollenbach -Richard Roach -William Walsh