Woodstock Vision

(Book). Elliott Landy has his finger on the pulse of the Woodstock generation. He was there before the famous festival, hanging out with Dylan and The Band; he was the photographer of record at the festival itself; and he still lives in Woodstock today. Here he captures and preserves the true vision and pure essence of that incredibly influential event what it was like to be part of the '60s, sharing the spirit of unlimited hope, optimism, and the belief that the world can be made better through peace and love.

(Book). Once in a while a photographer gains the trust of an artist or a band, and his work fuses with that of the artist in such a way that the two become married in the public consciousness. One can think of David Duncan's pictures of Picasso at work or Alfred Wertheimer's pictures of Elvis backstage in 1956. Elliott Landy's chronicle of The Band from 1968-1969 is of similar importance. He was trusted so deeply that this group of photographs is as intimate a portrait of a group of musicians inventing a new music as you are ever likely to come across. Today we call that music "Americana," and it is played all over the world by everyone from Mumford and Sons to the Zac Brown Band. But in 1968, when Elliott first started making these pictures, it was played by six musicians in the town of Woodstock, New York Bob Dylan and a group called The Hawks. They later changed their name to The Band. They had been The Hawks for five years when Bob Dylan pulled them out of Tony Mart's dive bar on the Jersey Shore to be his band.

Although Katharine Drexel has been the subject of several biographies, they have tended to treat her as a perfect human being whom the Church later transformed into a saint. Katherine and the Sisters Who Shared Her Vision moves beyond the story of the heiress’s individual life devoted to God and shines a light on the work she did, assisted by the Sisters of the Blessed Sacrament. Drexel could have lived comfortably, wealthy and privileged, as a Philadelphia philanthropist but chose to found a religious congregation of women dedicated to working within Black and Indigenous communities—without receiving the bulk of the money left by Drexel's father. The author’s careful examination of the work Drexel and her Sisters accomplished in Philadelphia and elsewhere shows impacts on the Church while also revealing racial issues at work in the story. This brings a critical perspective to Drexel's ministry to further our understanding of the Black Catholic community and renew our commitment to the difficult, ongoing conversation about race in America.

A convenient, one-volume edition of the seminal conservation writings of George Perkins Marsh, annotated in the context of modern conservation thinking.

This continuing saga of Jack Walker’s fascinating life story takes the reader inside the Chicago labor movement and civil rights street activity during the tumultuous 1960s and 1970s and the anti-Vietnam War protests. The reader will be with Walker as he associates with labor leaders, some honest and some not. Politicians and judges on the take. He introduces two mafia “juice men” who shared their daily experiences with him and two other mobsters who ran a call girl ring. His working relationship with most all the Black leaders in Chicago gives some insight into Black rage of the time. His years as a civil rights investigator will introduce a small-town mayor who claimed his school district would never integrate Whites with Negroes and a Minnesota town that went silent on why the Native American students were pulled out and returned to the reservation. His legal defenses before administrative law judges and arbitrators left landmark precedents for federal government workers. Readers will experience his ten years as a practicing alcoholic and his up-and-down life recovering to go on and become a successful real estate operator, only to lose it all in bankruptcy and foreclosure, then recover to go on living one day at a time.