Woolf Editing Editing Woolf

Woolf Editing / Editing Woolf focuses on Woolf as editor both of her own work and of the Hogarth Press, and on editing Woolf—on the conflation of textual and theoretical criticism of Woolf’s oeuvre. Since many contributors are editors, creative writers, and critics, contributions highlight the intersections of those three roles. The essays variously addressed the “granite” of close textual reading and the “rainbow” of theoretical approaches to Woolf’s writings. Several more flexible versions of editing emerge in the papers that discuss adaptations of Woolf to film, theatre, and music. Brenda Silver’s contribution in memory of Julia Briggs opens the volume, and James Haule’s contribution concludes it.

The essays in this book variously addressed the "granite" of close textual reading and the "rainbow" of theoretical approaches to Woolf's writings. Several more flexible versions of editing emerge in the papers that discuss adaptations of Woolf to film, theatre, and music. Brenda Silver's contribution in memory of Julia Briggs opens the volume, and James Haule's concludes it.

This volume covers a wide range of editorial confrontations with Virginia Woolf's writings, touching on almost every genre in which she wrote: fiction, diary, letter, biography. It describes a variety of editorial practices and deals with current theories informing the critical editing of the prose of this singular twentieth-century woman writer. This collections of essays by distinguished scholar-critics of Virginia Woof confronts a number of contemporary issues in critical editing: the use of pre-print materials, authorial revision, the collation of historical texts; and it engages in a lively discussion of the present-day editorial apparatus, tackling questions on annotation and paratext. The volume is essential reading for anyone seriously interested in the critical editing of Modernist writing or in the ways in which Woolf's canon has been and is being preserved for her present and future readers.

Screening Woolf examines the three film adaptations of her novels To the Lighthouse, Orlando, Mrs. Dalloway; her theorizing about film and its impact on her thinking about fiction; and her central role in the David Hare/Stephen Daldry adaptation of Michael Cunningham’s Pulitzer Prize–winning novel The Hours.

Contradictory Woolf is a collection of essays selected from approximately 200 papers presented at the 21st Annual International Conference on Virginia Woolf, hosted by the University of Glasgow. The theme of contradiction in Woolf's writing, including her use of the word "but", is widelyexplored in relation to auto/biography, art, philosophy, cognitive science, sexuality, animality, class, mathematics, translation, annotation, poetry, and war. Among the essays collected in this volume are the five keynote addresses - by Judith Allen, Suzanne Bellamy, Marina Warner, Patricia Waugh,and Michael Whitworth - as well as a preface by Jane Goldman and an introduction by the editors.

A Companion to Virginia Woolf is a thorough examination of her life, work, and multiple contexts in 33 essays written by leading scholars in the field. Contains insightful and provocative new scholarship and sketches out new directions for future research Approaches Woolf's writing from a variety of perspectives and disciplines, including modernism, post-colonialism, queer theory, animal studies, digital humanities, and the law Explores the multiple trajectories Woolf’s work travels around the world, from the Bloomsbury Group, and the Hogarth Press to India and Latin America Situates Woolf studies at the vanguard of contemporary literature scholarship and the new modernist studies

A Handbook on Woolf's achievements as an innovative novelist and pioneering feminist theorist. It studies her life, her works, her relationships with other writers, her professional career, and themes in her work including among others feminism, sexuality, education, and class.