Words From Beyond The Fringe

In August 1947, an émigré Austrian opera impresario launched the Edinburgh International Festival of Music and Drama to heal the scars of the Second World War through a celebration of the arts. At the same time, a socialist theatre group from Glasgow and other amateur companies protested their exclusion from the festival by performing anyway, inventing the concept of 'fringe' theatre. Now the annual celebration known collectively as the Edinburgh Festival is the largest arts festival in the world, incorporating events dedicated to theatre, film, art, literature, comedy, dance, jazz and even military pageantry. It has launched careers – from Peter Cook and Dudley Moore in Beyond the Fringe to Phoebe Waller-Bridge with Fleabag – mirrored the political and social mood of its times, shaped the city of Edinburgh around it and welcomed a huge all-star cast, including Orson Welles, Grace Kelly, Yehudi Menuhin and Mark E Smith's The Fall and many many more. This is its story.

A collection of comic sketches.

This must read is your golden ticket to a trip down memory lane with of one of Hollywood's most iconic actors. . . Who almost turned down his iconic role on The Sopranos because he could not sing? Did Katharine Hepburn really build the Uris building? How did a simple handshake with President Kennedy almost end in disaster? In his debut memoir, Too Funny for Words, Jerry Adler reveals all for the first time! In his career as a theater director, producer, and actor that has spanned over 70 years, Adler has certainly had his fair share of laughs, and is ready to take readers on a reminiscent journey of Hollywood tales past. With numerous stories to tell, each funnier than the last, sit back and enjoy a trip behind the scenes. Including unforgettable stories about: Paul Rudd, Robin Williams, Meryl Streep, Larry David, James Gandolfini, Alan Arkin, Woody Allen, JFK, Marilyn Monroe, Barbra Streisand, Joe Pesci, Paul Reiser, George Clooney, Richard Burton, Richard M. Nixon, Katharine Hepburn, Julie Andrews, Orson Welles, and many, many more!

Spreading Hate offers a history of the modern white power movement, describing key moments in its evolution since the end of World War Two. Daniel Byman focuses particular attention on how the threat has changed in recent decades, examining how social media is changing the threat, the weaknesses of the groups, and how counterterrorism has shaped the movement as a whole. Each chapter uses an example, such as the Christchurch mosque shooter Brenton Tarrant or the British white hate band Skrewdriver, as a way of introducing broader analytic themes.

Spoken Word in the UK is a comprehensive and in-depth introduction to spoken word performance in the UK – its origins and development, its performers and audiences, and the vast array of different styles and characteristics that make it unique. Drawing together a wide range of authors including scholars, critics, and practitioners, each chapter gives a new perspective on performance poetics. The six sections of the book cover the essential elements of understanding the form and discuss how this key aspect of contemporary performance can be analysed stylistically, how its development fits into the context of performance in the UK, the ways in which its performers reach and engage with their audiences, and its place in the education system. Each chapter is a case study of one key aspect, example, or context of spoken word performance, combining to make the most wide-ranging account of this form of performance currently available. This is a crucial and ground-breaking companion for those studying or teaching spoken word performance, as well as scholars and researchers across the fields of theatre and performance studies, literary studies, and cultural studies.

Beyond the Urban Fringe was first published in 1983. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. The non-metropolitan hinterland of the United States is no longer the placid and bucolic countryside celebrated by Currier and Ives. As urban America imposes ever-increasing demands upon the nation's resources, energy, water, food, recreation and scenery, peace and quiet are all sought in the land beyond the urban fringe. Certain dramatic changes in non-metropolitan America are already apparent. Census figures from 1980 documented that the population of rural areas and small towns was increasing more rapidly than that of metropolitan areas or the nation as a whole. The interstate highway network affords unprecedented access to small cities and towns, broadening commuting patterns and enabling industries to relocate outside of cities. During the 1960s and 1970s millions of acres were carved yo for second homes and recreational developments, a practice which often inflated the price of rural land. Beyond the Urban Fringe deals with problems arising from this transformation of nonmetropolitan America. It is based on reports given at a 1980 conference sponsored by the Association of American Geographers and funded by the National Science Foundation, with the participation of the U.S. Geological Survey and the Office of Water Research and Technology. The authors represent a wide range of disciplines--geography, resource economics, rural sociology, planning, law, and physics--and deal with topics not often found in a single volume: the character of land-use change in non-metropolitan areas, rural economic growth and decline, the rural land market, the growth and decline of small towns, farmland policy, remote sensing in rural areas, the impact of energy development on land use, hazardous waste disposal, and nuclear plant siting in nonurban areas. Geographers, planners, resource economists, and others concerned with environmental and resource management will find Beyond the Urban Fringe a valuable source of current research on a subject of central importance at all levels of government.

Following Never Again and Having It So Good, the third part of Peter Hennessy's celebrated Post-War Trilogy 'By far the best study of early Sixties Britain ... so much fun, yet still shrewd and important' The Times, Books of the Year Harold Macmillan famously said in 1960 that the wind of change was blowing over Africa and the remaining British Empire. But it was blowing over Britain too - its society; its relationship with Europe; its nuclear and defence policy. And where it was not blowing hard enough - the United Kingdom's economy - great efforts were made to sweep away the cobwebs of old industrial practices and poor labour relations. Life was lived in the knowledge that it could end in a single afternoon of thermonuclear exchange if the uneasy, armed peace of the Cold War tipped into a Third World War. In Winds of Change we see Macmillan gradually working out his 'grand design' - how to be part of both a tight transatlantic alliance and Europe, dealing with his fellow geostrategists Kennedy and de Gaulle. The centre of the book is 1963 - the year of the Profumo Crisis, the Great Train Robbery, the satire boom, de Gaulle's veto of Britain's first application to join the EEC, the fall of Macmillan and the unexpected succession to the premiership of Alec Douglas-Home. Then, in 1964, the battle of what Hennessy calls the tweedy aristocrat and the tweedy meritocrat - Harold Wilson, who would end 13 years of Conservative rule and usher in a new era. As in his acclaimed histories of British life in the two previous decades, Never Again and Having it so Good, Peter Hennessy explains the political, economic, cultural and social aspects of a nation with inimitable wit and empathy. No historian knows the by-ways as well the highways of the archives so well, and no one conveys the flavour of the period so engagingly. The early sixties live again in these pages.