Wordsworth S Theory Of Poetic Diction

Excerpt from Wordsworth's Theory of Poetic Diction: A Study of the Historical and Personal Background of the Lyrical Ballads The following study was undertaken as a doctoral dissertation under the direction of Professor Albert S. Cook of Yale University. To Professor Cook I am especially indebted, not only for stimulating guidance in the field of the English language in general, but for a most minute and painstaking criticism of the proof. To Professor Lane Cooper of Cornell University I owe a debt less easy of definition. Although he has not read the manuscript of this book, and is not responsible for particular statements herein, the inspiration and the direction that I received from him in my reading of Wordsworth as an undergraduate at Cornell has been the most vital element in my study of the poet; if there is anything good in this work of mine, it is ultimately derived from him. I also wish to make grateful acknowledgment to Professor Charlton M. Lewis for criticism received from him in his course on nineteenth-century poets in the Graduate School of Yale University. My indebtedness to books I have tried to indicate in the footnotes. But, like many other students of Wordsworth, I wish to record my especial appreciation of the Early Life of William Wordsworth by Professor Emile Legouis. Although, in many instances, I have been forced to disagree with the conclusions of M. Legouis, I feel that without the stimulating example of his beautiful work, this study would have been impossible. In acknowledging my special indebtedness to books, I wish to make grateful mention of the beautiful collection of Wordsworthiana in the possession of Mrs. Cynthia Morgan St. John of Ithaca, New York, which she generously placed at my disposal. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This Is A New Release Of The Original 1917 Edition.

This insightful study explores the ideas and influences that shaped Wordsworth's revolutionary approach to poetry. Marjorie Latta Barstow Greenbie provides a nuanced analysis of the Lyrical Ballads and sheds light on the intellectual and cultural milieu that gave rise to the Romantic movement. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Wordsworth's verse and compelling criticism have shaped our understanding of poetic art since the Romantic period. This collection is the first in years to reexamine Wordsworth's complex theory of poetry in depth. Designed to be equally useful and inspiring, it provides much-needed reassessments of a vital juncture of Romantic creativity.

A major addition to the literature of poetry, Edward Hirsch’s sparkling new work is a compilation of forms, devices, groups, movements, isms, aesthetics, rhetorical terms, and folklore—a book that all readers, writers, teachers, and students of poetry will return to over and over. Hirsch has delved deeply into the poetic traditions of the world, returning with an inclusive, international compendium. Moving gracefully from the bards of ancient Greece to the revolutionaries of Latin America, from small formal elements to large mysteries, he provides thoughtful definitions for the most important poetic vocabulary, imbuing his work with a lifetime of scholarship and the warmth of a man devoted to his art. Knowing how a poem works is essential to unlocking its meaning. Hirsch’s entries will deepen readers’ relationships with their favorite poems and open greater levels of understanding in each new poem they encounter. Shot through with the enthusiasm, authority, and sheer delight that made How to Read a Poem so beloved, A Poet’s Glossary is a new classic.