World War Ii In Contemporary German And Dutch Fiction

World War II in Contemporary German and Dutch Fiction: The Generation of Meta-Memory offers a comparative study of the construction of World War II memory in contemporary German, Flemish, and Dutch literature. More specifically, it investigates in what ways the large temporal distance to the historical events has impacted how literary writers from these three literatures have negotiated its meaning and form during the last decades. To that end, this book offers analyses of nine novels that demonstrate a pronounced reflexivity on the conditions of contemporary remembering. Rather than a dig for historical truth or a struggle with historical trauma, these novels reflect on the transmission, the narrative shapes, the formation processes, and the functions of World War II memory today, while asserting a self-conscious and often irreverent approach toward established mnemonic routines, practices, and rules. As the analyses show, this approach is equally articulated through the novels’ poetics, which are marked by a large formal diversity and a playfulness that highlights mnemonic agency, a posttraumatic positioning, and the ascendency of the literary over the historiographical. Based on these findings, this book proposes the emergence of a new paradigm within the postwar cultural assessment of World War II: the generation of meta-memory.

Family Fictions and World Making: Irish and Indian Women’s Writing in the Contemporary Era is the first book-length comparative study of family novels from Ireland and India. On the one hand, despite an early as well as late colonial experience, Ireland is often viewed exclusively within a metropolitan British and Europe-centered frame. India, on the other hand, once seen as a model of decolonization for the non-Western world, has witnessed a crisis of democracy in recent years. This book charts the idea of "world making" through the fraught itineraries of the Irish and the Indian family novel. The novels discussed in the book foreground kinship based on ideological rather than biological ties and recast the family as a nucleus of interests across national borders. The book considers the work of critically acclaimed women authors Anne Enright, Elizabeth Bowen, Mahasweta Devi, Jennifer Johnston, Kiran Desai and Molly Keane. These writers are explored as representative voices for the interwar years, the late-modern period, and the globalization era. They not only push back against the male nationalist idiom of the family but also successfully interrogate family fiction as a supposedly private genre. The broad timeframe of Family Fictions and World Making from the interwar period to the globalization era initiates a dialogue between the early and the current debates around core and periphery in postcolonial literature.

This book demonstrates the legacies of Romanticism which animate the poetry and poetics of Eavan Boland, Gillian Clarke, John Burnside, and Kathleen Jamie. It argues that the English Romantic tradition serves as a source of inspiration and critical contention for these Irish, Welsh, and Scottish poets, and it relates this engagement to wider concerns with gender, nation, and nature which have shaped contemporary poetry in Britain and Ireland. Covering a substantial number of works from the 1980s to the 2010s, the book discusses how Boland and Clarke, as women poets from the Republic of Ireland and Wales, react to a male-dominated and Anglocentric lyric tradition and thus rework notions of the Romantic. It examines how Burnside and Jamie challenge, adopt, and revise Romantic aesthetics of nature and environment. The book is the first in-depth study to read Boland, Clarke, Burnside, and Jamie as post-Romantics. By disentangling the aesthetic and critical conceptions of Romanticism which inform their inheritance, it develops an innovative approach to the understanding of contemporary poetry and literary influence.

This book makes the case that the idea of a "world" in the cultural and philosophical sense is not an exclusively Western phenomenon. During the Cold War and in the wake of decolonization a plethora of historical attempts were made to reinvent the notions of world literature, world art, and philosophical universality from an anticolonial perspective. Contributing to recent debates on world literature, the postcolonial, and translatability, the book presents a series of interdisciplinary and multilingual case studies spanning Europe, the United States, and China. The case studies illustrate how individual anti-imperialist writers and artists set out to remake the conception of the world in their own image by offering a different perspective centered on questions of race, gender, sexuality, global inequality, and class. The book also discusses how international cultural organizations like the Afro-Asian Writers’ Bureau, UNESCO, and PEN International attempted to shape this debate across Cold War divides.

This volume brings together scholars, students and writers as well as artists from around the world. By choosing a thematic focus on "transition" in women’s lives, we present research on women who have crossed biological, geopolitical and political borders as well as emotional, sexual, cultural and linguistic boundaries. The international approach brings together different cultures and genres in order to emphasize the links and connections that bind women together, rather than those which separate them. The chapters consider the ways in which the changes and transitions women undergo influence the world we live in. We are particularly interested in the idea of crossing borders and how this influences identity and belonging, and the theme of crossing boundaries in the context of motherhood as well as sexual orientation. The topic is timely given the waves of migration all around the world in recent times. The contributors deal with issues central to contemporary life, such as gender equality and women’s empowerment, as well as understanding women’s identities and being sensitive to fluid concepts of gender and sexuality.

Teaching in Times of Crisis explores how comparative methods, which are instrumental in reading and teaching works of literature from around the world, also provide us with tools to dissect and engage the moments of crises that permeate our contemporary political realities. The book is written in the form of a series of classroom reflections—or memos—capturing the political environment preceding and proceeding the 2016 US presidential election. It examines the ways in which the ethics involved in reading comparatively can be employed by teachers and students alike to map and foster "lifelines for cultural sustainability" (to borrow the term from Djelal Kadir’s Memos from the Besieged City) that are essential for creating and maintaining a healthy multicultural society. Nyawalo achieves this through comparative readings of postcolonial films, LGBTQ texts, French slam poetry, as well as episodes from Star Trek: The Next Generation, among other materials. The classroom reflections captured in each memo are shaped by the Appalachian setting in which the discussions and lessons took place. Inspired by this setting, the author develops pedagogic ethics of comparison—a method of reading comparatively—which privileges the local educational spaces in which students find themselves by mapping the contested cultural politics of Appalachian realities onto a world literature curriculum.

‘Heart wrenching… I really struggled to put this book down, particularly the end of the book which I sat up until 2am reading and trying hard not to wake my husband with my crying!’ Goodreads Reviewer ⭐⭐⭐⭐⭐ 1941, Nazi-occupied Amsterdam. An unforgettable story of love, hope and betrayal, and a testament to the courage of humanity in history’s darkest days. As Nazis occupy his beloved city, Professor Josef Held feels helpless. So when he discovers his former pupil Michael Blum is trying to escape the Gestapo, he offers Michael a place to hide in his attic. In the quiet gloom of the secret room, Michael talks of his beautiful, fearless girlfriend, Elke. Michael insists that not even the Nazis will come between them. But Elke is a non-Jewish Dutch girl, and their relationship is strictly forbidden. Josef sees the passionate determination in his young friend’s eyes. Furious with the rules of the cruel German soldiers and remembering his own heartbreak, Josef feels desperate to give Michael and Elke’s love a chance. But then tragedy strikes, and Josef is faced with an impossible choice. In the dark days of war, with danger and betrayal at every turn, no-one can be trusted. If Michael is to survive and get back to the woman he loves, it will be down to Josef – to find the hero inside himself, and do whatever it takes to keep Michael alive. Even if it means putting his own life in mortal danger. A heartbreakingly beautiful story about courage against the odds, perfect for fans of The Tattooist of Auschwitz, All The Light We Cannot See, and The Nightingale. Readers are loving A View Across the Rooftops: ‘Oh my goodness... Hauntingly beautiful… Incredibly powerful… I cried, I grieved and I hoped… I was left both heartbroken and satisfied.’ Robin Loves Reading ⭐⭐⭐⭐⭐ ‘Heart-wrenching… It is an emotional journey of heartache and love that will leave you in tears. One of the finest books I have ever read.’ NetGalley Reviewer ⭐⭐⭐⭐⭐ ‘I’ve read many books on WW2… but I’ve never read one like this before. Mesmerising, emotional and beautifully written.’ NetGalley Reviewer ⭐⭐⭐⭐⭐ ‘The rollercoaster of emotions I went through while reading this book is amazing… For an author to make me literally cry… The story is just incredible.’ Goodreads Reviewer ⭐⭐⭐⭐⭐ ‘If I could give this book more than 5 stars, I would. From the first moment I started reading the story, I could not stop. I was captured… Made me feel like I was right there.’ Goodreads Reviewer ⭐⭐⭐⭐⭐ ‘Oh my Goodness! What a wonderful book! There is so much love, hope, and fear as well. This is a book I will put back to read again, I enjoyed it so much. It is a book you can't put down.’ Goodreads Reviewer ⭐⭐⭐⭐⭐ ‘It brought me to tears… impossible for me to put it down. One of my best reads of 2019.’ Goodreads Reviewer ⭐⭐⭐⭐⭐ ‘Took me on a rollercoaster of emotions – happiness, sadness, anger. This story made me cry and the writing style is amazing. An amazing book.’ NetGalley Reviewer ⭐⭐⭐⭐⭐ ‘A beautifully written story of love, courage, self-sacrifice and determination… Such an emotional story and so different to others that I have read in this subject… [A] big fat 5 stars from me.’ Goodreads reviewer ⭐⭐⭐⭐⭐

How does a nation recover from fascism and turn toward a free society once more? This internationally acclaimed revelatory history—"filled with first-person accounts from articles and diaries" (The New York Times)—of the transformational decade that followed World War II illustrates how Germany raised itself out of the ashes of defeat and reckoned with the corruption of its soul and the horrors of the Holocaust. Featuring over 40 eye-opening black-and-white photographs and posters from the period. The years 1945 to 1955 were a raw, wild decade that found many Germans politically, economically, and morally bankrupt. Victorious Allied forces occupied the four zones that make up present-day Germany. More than half the population was displaced; 10 million newly released forced laborers and several million prisoners of war returned to an uncertain existence. Cities lay in ruins—no mail, no trains, no traffic—with bodies yet to be found beneath the towering rubble. Aftermath received wide acclaim and spent forty-eight weeks on the best-seller list in Germany when it was published there in 2019. It is the first history of Germany's national mentality in the immediate postwar years. Using major global political developments as a backdrop, Harald Jähner weaves a series of life stories into a nuanced panorama of a nation undergoing monumental change. Poised between two eras, this decade is portrayed by Jähner as a period that proved decisive for Germany's future—and one starkly different from how most of us imagine it today.