Worlds Enough

A short, provocative book that challenges basic assumptions about Victorian fiction Now praised for its realism and formal coherence, the Victorian novel was not always great, or even good, in the eyes of its critics. As Elaine Freedgood reveals in Worlds Enough, it was only in the late 1970s that literary critics constructed a prestigious version of British realism, erasing more than a century of controversy about the value of Victorian fiction. Examining criticism of Victorian novels since the 1850s, Freedgood demonstrates that while they were praised for their ability to bring certain social truths to fictional life, these novels were also criticized for their formal failures and compared unfavorably to their French and German counterparts. She analyzes the characteristics of realism—denotation, omniscience, paratext, reference, and ontology—and the politics inherent in them, arguing that if critics displaced the nineteenth-century realist novel as the standard by which others are judged, literary history might be richer. It would allow peripheral literatures and the neglected wisdom of their critics to come fully into view. She concludes by questioning the aesthetic racism built into prevailing ideas about the centrality of realism in the novel, and how those ideas have affected debates about world literature. By re-examining the critical reception of the Victorian novel, Worlds Enough suggests how we can rethink our practices and perceptions about books we think we know.

By the author of The Forever War: In the decades following the ultimate conflict, the last remnants of humanity face extinction on a doomed voyage to a new home in the stars, in the momentous conclusion to Joe Haldeman’s acclaimed Worlds saga The Earth is no more, an uninhabitable shell following the one-day war that obliterated the population. In the decades that followed, the surviving Worlds orbiting the dead planet have become the last refuge of humankind. With the discovery of a possibly habitable planet in a distant star system, ten thousand brave colonists are preparing to depart from New New York aboard the interstellar vessel Newhome. Among them is Marianne O’Hara, who will ultimately control the fate of what remains of the human race. The momentous voyage is plagued from the start by ignorance and sabotage, and by the dark tenets of a nihilistic religion dedicated to ultimate destruction. But despite the many trials and tragedies, the spacefarers—and particularly Marianne and her loved ones—will be forced to endure. There is no turning back once the journey begins . . . for soon there will be nowhere left to return to. With Worlds Enough and Time, Hugo and Nebula Award–winning author Joe Haldeman completes his magnificent story of humankind’s destruction and rebirth, capping off his acclaimed trilogy with a truly transcendent tale of destiny, courage, selflessness, dedication, and the resilience of humankind. This ebook features an illustrated biography of Joe Haldeman including rare images from the author’s personal collection.

With our lives firmly controlled by the steady pace of time, humans have yearned for ways to escape its constraints, and authors have responded with narratives about traveling far into the past or future, reversing the flow of time, or creating alternate universes where Napoleon was triumphant at Waterloo or the South won the Civil War. Writers ranging from Dante and Lewis Carroll to Philip K. Dick and Martin Amis have probed into the workings of time, and an overwhelming desire to master time reverberates throughout popular culture. This book considers how imaginative works involving time and time travel reflect ongoing scientific concerns and examine the human condition. The scope of the volume is unusually wide, covering such topics as Dante, the major novels of the 19th century, and stories and films of the 1990s. The book concludes with a lengthy bibliography of short stories and novels, films and television programs, and nonfiction works that feature time travel or speculations about time. With a roster of contributors that includes several of the field's major scholars, this book offers many new insights into this fascinating subject.

For more than thirty years, humankind has known how to grow enough food to end chronic hunger worldwide. Yet while the ''Green Revolution'' succeeded in South America and Asia, it never got to Africa. More than 9 million people every year die of hunger, malnutrition, and related diseases every year - most of them in Africa and most of them children. More die of hunger in Africa than from AIDS and malaria combined. Now, an impending global food crisis threatens to make things worse. In the west we think of famine as a natural disaster, brought about by drought; or as the legacy of brutal dictators. But in this powerful investigative narrative, Thurow & Kilman show exactly how, in the past few decades, American, British, and European policies conspired to keep Africa hungry and unable to feed itself. As a new generation of activists work to keep famine from spreading, Enough is essential reading on a humanitarian issue of utmost urgency.

An extraordinary artist with few rivals in his chosen arena, Dan Simmons possesses a restless talent that continually presses boundaries while tantalizing the mind and touching the soul. Now he offers us a superb quintet of novellas -- five dazzling masterworks of speculative fiction, including "Orphans of the Helix," his award-winning return to the Hyperion Universe -- that demonstrates the unique mastery, breathtaking invention, and flawless craftsmanship of one of contemporary fiction's true greats. Human colonists seeking something other than godhood encounter their long-lost "cousins"...and an ancient scourge. A devastated man in suicide's embrace is caught up in a bizarre cat-and-mouse game with a young woman possessing a world-ending power. The distant descendants of a once-oppressed people learn a chilling lesson about the persistence of the past. A terrifying ascent up the frigid, snow-swept slopes of K2 shatters preconceptions and reveals the true natures of four climbers, one of whom is not human. At the intersection of a grand past and a threadbare present, an aging American in Russia confronts his own mortality as he glimpses a wondrous future.

In World Enough, Maureen N. McLane maps a universe of feeling and thought via skyscapes, city strolls, lunar vistas, and passages through environments given and built. These poems explore how we come to know ourselves—sensually, intellectually, politically, biologically, historically, and anthropologically. Moving from the most delicate address to the broadest salutation, World Enough takes us from New England to New York to France to the moon. McLane fuses song and critique, giving us poetry as "musical thought," in Carlyle's phrase. Shuttling between idyll and disaster, between old forms and open experiment, these are restless, probing, exacting poems that aim to take the measure of—and to give a measure for—where we are. McLane moves through many forms and creates her own, invoking the French Revolution alongside convolutions of the heart and revolutions of the moon. Shifting effortlessly between the species and the self, between the sentient surround and the peculiar pulse within, World Enough attests to experience both singular and shared: "not that I was alive / but that we were."

A powerful and inspiring story of self-realization and legal victory that upends our basic assumptions about sexual identity. In 1966, a male baby, Chris, was adopted by an upper-middle-class Toronto couple. From early childhood, Chris felt ill-at-ease as a boy and like an outsider in his conservative family. An obsession with sports--running, waterskiing and especially cycling--helped him survive what he would eventually understand to be a profound disconnect between his anatomical sexual identity and his gender identity. In his twenties, with the support of newfound friends and family and the medical community, Chris became Kristen. Chris had been a world-class cyclist, and now Kristen wanted to compete for her country and herself in the 2008 Beijing Olympics. She became the first athlete in the world to submit to the International Olympic Committee's gender verification process, the Stockholm Consensus. An all-male jury determined she fit their biological criteria--but the IOC ultimately objected to her use of testosterone supplements. They, and other sports bodies, regard them as performance enhancing, when in fact all transitioned female athletes need the hormone to stay healthy and to compete. So Kristen filed a complaint against the sports bodies standing in her way with the Ontario Human Rights Tribunal. And she won. Woman Enough is the account of a human rights battle with global repercussions for the world of sport; it's a challenge to rethink fixed ideas about gender; and it's the extraordinary story of a boy who was rejected for who he wasn't, and who fought back until she found out who she is.