Woven Into The Urban Fabric

This regional study focuses on the socio-economic development of the so-called West-Quarter of the county of Flanders during the period 1300-1600. Through the expansion of potent textile industries in the countryside from the fourteenth century onwards, this region gradually attained distinctly 'urban' characteristics in terms of production scale, specialisation, product quality, and the aim for external markets. By the middle of the sixteenth century the West-Quarter had even become one of Flanders's main production regions of woolen cloth. This book assesses how and why this economic expansion took place, why it happened at that particular moment, and why in this region. The broader aims of the research are twofold: first, to offer a contribution to the debate on Europe's transition from a 'feudal' to a 'capitalist' or market economy by looking at the influence of specific social structures and institutional frameworks on the economic development of pre-industrial societies. Secondly, this book contributes to the debate about the divide between town and countryside in pre-industrial Europe, combining the outlooks and methods of both urban and rural historians in order to qualify this supposed dichotomy.

Times of Creative Destruction is about the years that followed the end of WWII, one of the most seminal and dramatic epochs in human history, during which extraordinary star-buildings were born, cities exploded, and an unprecedented world of a ‘Third Ecology’ emerged. Never before was there such a flurry of daring mega-constructions, such daring spatial acrobatics, ‘star’ buildings by star architects attained by star developers, mega-constructions, technological feats, and flourishing spatial acrobatics. But, for all its exhilarating creativity, this was also an era of unanticipated, intractable, irreversible destruction reducing the uniqueness and diversity of cultural, social and ecological peaks and valleys of our world, to a ‘desert flatland’, environmental inequality and unhappiness. This book critically discusses and revaluates these contradictory events, bringing together and commenting on a selection of shorter key texts by Tzonis and Lefaivre, the product of a rare research and writing partnership. The texts, published between the early 1960s and the present, are significant as documents that inform about the period. They are also important and timely because of their critical and influential role in the debates of this era, both creative and destructive.

Courts and societies across the early modern Eurasian world were fundamentally transformed by the physical, technological, and conceptual developments of their era. Evolving forms of communication, greatly expanded mobility, the spread of scientific knowledge, and the emergence of an increasingly integrated global economy all affected how states articulated and projected visions of authority into societies that, in turn, perceived and responded to these visions in often contrasting terms. Landscape both reflected and served as a vehicle for these transformations, as the relationship between the land and its imagination and consumption became a fruitful site for the negotiation of imperial identities within and beyond the precincts of the court. In Landscape and Authority in the Early Modern World, contributors explore the role of landscape in the articulation and expression of imperial identity and the mediation of relationships between the court and its many audiences in the early modern world. Nine studies focused on the geographical areas of East and South Asia, the Islamic world, and Europe illuminate how early modern courts and societies shaped, and were shaped by, the landscape, including both physical sites, such as gardens, palaces, cities, and hunting parks, and conceptual ones, such as those of frontiers, idealized polities, and the cosmos. The collected essays expand the meaning and potential of landscape as a communicative medium in this period by putting an array of forms and subjects in dialogue with one another, including not only unique expressions, such as gardens, paintings, and manuscripts, but also the products of rapidly developing commercial technologies of reproduction, especially print. The volume invites a deeper and more nuanced understanding of the complexity with which early modern states constructed and deployed different modes of landscape for different audiences and environments. Contributors: Robert Batchelor, Seyed Mohammad Ali Emrani, John Finlay, Caroline Fowler, Katrina Grant, Finola O'Kane, Anton Schweizer, Larry Silver, Stephen H. Whiteman.

This Element focuses on how music is experienced, articulated, and reclaimed in urban commercial environments. Special attention is paid to listeners, spaces, and music, co- and re-produced continuously in their triangular relationship affected by social, legal, economic, and technological factors. The study of the historical development of background music industries, construction of contemporary sonic environments, and individual meaning-making is based on extensive data gathered through interviews, surveys, and fieldwork, and supported by archival research. Due to the Finnish context and the ethnomusicological approach, this study is culture-sensitive, providing a fresh 'factory-to-consumer' perspective on a phenomenon generally understood as industry-lead, behavioral, and global. This title is also available as Open Access on Cambridge Core.

In this masterful synthesis, Charalambos Bouras draws together material and textual evidence for Athens in the Middle Byzantine period, from the mid-tenth century to 1204, when it was conquered by Crusaders. What emerges from his meticulous investigation is an urban fabric surprisingly makeshift in its domestic sector yet exuberantly creative in its ecclesiastical architecture. Rather than viewing the city as a mere shadow of its ancient past, Bouras demonstrates how Athens remained an important city of the Byzantine Empire as the seat of a metropolitan, home to local aristocracy, and pilgrimage destination for those who came to worship at the Christian Parthenon. Byzantine Athens explores the relationship of the Byzantine infrastructure to earlier configurations, shedding light on the water supply, industrial facilities, streets and fortifications of medieval Athens, and exploring the evidence for the form and typology of Byzantine houses. Thanks to Bouras’s indefatigable study of all available archaeological reports the first part of the book offers an overall picture of the Middle Byzantine city. The second part presents a fully documented and illustrated catalogue of nearly 40 churches, including synthetic treatments of their typology and morphology set in the wider Byzantine architectural context. Finally, Bouras joins his unrivalled knowledge of the surviving remains and exhaustive scrutiny of the relevant scholarship to offer a historical interpretation of the Athenian monuments. Byzantine Athens is a unique achievement that will remain an invaluable compendium of our knowledge of one of the most complex, yet relatively unknown, Byzantine cities.

This powerful reference features one hundred famous urban plans all drawn to the same scale, each accompanied by a one-page summary of the site discussing its history, design and lessons for future urban design.

In the southern German city of Stuttgart lives a pious Muslim population that has merged with the local population to create a meaningful shared existence. In this ethnographic account, the author introduces and examines the lives of ordinary residents, neighborhoods, and mosque communities to analyze moments and spaces where Muslims and non-Muslims engage with each other and accommodate their respective needs. These accounts show that even in the face of resentment and discrimination, this pious population has indeed become an integral part of the urban community.

The transformative power of urban design in shaping our experiences within high-rise cities takes center stage in Humanizing the High-Rise City: Podiums, Plazas, Parks, Pedestrian Networks, and Public Art. This captivating exploration delves into the art of turning towering skyscraper cities into vibrant havens that foster human connection, celebrate culture, and build communities. Unveiling the secrets behind the creation of urban spaces, from dynamic plazas that encourage social interaction to tranquil parks that infuse life into steel and glass, the book unfolds a narrative that resonates with the innate rhythms of humanity. Examining 20 major high-rise cities worldwide (including Chicago, New York City, Dubai, Shanghai, Hong Kong, and Singapore, among others), synthesizing extensive literature, and enriched with over 200 photographs, this book showcases projects seamlessly weaving nature, art, and connectivity into the urban fabric. These endeavors craft environments that enhance well-being and instill a profound sense of belonging amid the challenges of urban density. As the global landscape increasingly tilts toward vertical living, this book serves as a guiding light, illuminating the path to a heightened and enriched experience of high-rise urban living. This book will be useful to practitioners and students of architecture, urban planning, and urban design interested in improving high-rise cities.