Wrestling At The Chase

St. Louis was the capital and Muchnick the ruler of pro wrestling before Vince McMahon's World Wrestling Entertainment took over. Muchnick and St. Louis paved the way for the multi-billion-dollar sports entertainment industry broadcast worldwide from the stadia and showpiece venues of the States. The centre of this magical operation was a TV programme called Wrestling at the Chase', which ran from 1959 to 1983 from the majestic Chase Hotel. Matysik, Muchnick's protege and longtime ringside announcer, recalls with touching fondness the legends of his time.'

When Sam Muchnick and Harold Koplar had a chance conversation on a plane in [need year here], they had no inclination that their unique idea would turn into the iconic program Wrestling at the Chase. Spanning multiple generations of fans, the premier of the show in 1959 would launch a phenomenon and the onset of professional wrestling's golden years. Today, the WWE rules television and arenas nationwide, but without the leadership and promotion of this show, it may never have reached the standing it enjoys today.Hundreds of men and women, dressed to the nines, would be drawn ringside every Saturday night in the Khorassan Room of the opulent Chase Park Plaza Hotel while hundreds of thousands more tuned in at the stroke of nine to enjoy the spectacle. They'd marvel at such heroes of the sport as Bruiser, the Fabulous Moolah, Gorgeous George, King Kong, and Nature Boy. Then the next morning, a brand new audience of thousands would tune in for the re-airing of the show. America couldn't come cheer on their idols in person, so Muchnick, the Vince McMahon of his day, brought wrestling to the living rooms of America.Emmy-award winning producer Ed Wheatley brings the story of professional wrestling's rise to prominence to life in this exciting, ride-of-a-lifetime book. With hundreds of photos and the stories behind the famous monikers, relive the decades and the countless memories that have thrilled wrestling lovers for generations. The three legs of the stool (the location, the delivery, and the product) came together in Wrestling at the Chase; now its story comes through on each page.

No-holds-barred, honest, and objective, this is a definitive look at the greatest pro wrestlers who ever stepped through the ropes. Blending the old and the new and delving into what made these 50 remarkable performers the best in their sport, this guide illustrates their contributions to the massively popular spectacle of the wrestling world. The antidote to the marketing-motivated claims made by World Wrestling Entertainment (WWE) is provided here, sweeping aside the corporate profit motive of listing standouts who can sell DVDs and dolls and instead shooting from the hip, revealing who sincerely belongs among the cream of the crop. The complexity of choosingØ¡nd rankingØ´he 50 finest ever from a strong group of talented candidates also spins a secondary tale about the evolution of pro wrestling and how this unique sport operates. Revealing these starsÒ compelling stories in detail, this collection adds up to an entertaining and enlightening description of a monumental business through the history of its legends.

From the host of the critically acclaimed pro wrestling podcast Straight Shoot, this graphic novel history of wrestling features the key grapplers, matches, and promotions that shaped this beloved sport and form of entertainment. As a pop culture phenomenon, professional wrestling--with its heroic babyfaces and villainous heels performing suplexes and powerbombs in pursuit of championship gold--has conquered audiences in the United States and around the world. Now, writer/podcaster Aubrey Sitterson and illustrator Chris Moreno form a graphic novel tag team to present wrestling's complete illustrated history. Featuring legendary wrestlers like Bruno Sammartino, Hulk Hogan, and The Rock, and modern-day favorites like John Cena, Kenny Omega, and Sasha Banks, the book covers wrestling's progress from the carnival days of the Gold Dust Trio to the dominance of the WWF/WWE to today's diverse independent wrestling scene, and it spotlights wrestling's reach into Mexico/Puerto Rico (lucha libre), the U.K. (all-in), and Japan (puroresu).

Portrait of the legendary Bruiser Brody - a wrestler who dominated the pro scene despite his refusal to accept scripted defeats, until he was savagely murdered in 1988, allegedly by another wrestler.

Irvin Muchnick ' a widely published writer and nephew of the late, legendary St. Louis wrestling promoter Sam Muchnick ' has produced a book unlike any other on the astonishing growth of professional wrestling and its profound impact on mainstream sports and society. In Wrestling Babylon, he traces the demise of wrestling's old Mafia-like territories and the rise of a national marketing base thanks to cable television, deregulation and a culture-wide nervous breakdown. Naturally, the figure of WWE's Vince McMahon lurks throughout, but equally evident is the public's late-empire lust for bread, circuses, and blood. As this book demonstrates, the more cartoonishly unreal wrestling got, the more chillingly real it became. What truly distinguishes Wrestling Babylon, however, is Muchnick's ability to show how professional wrestling has become the ur-carnival for a culture that feeds on escapist displays of humiliation, revenge, fantasy characters, and sex. His People magazine article on Hulk Hogan blew the lid off the drug abuse of the sport's signature superstar. His award-winning Penthouse profile of the ill-starred Von Erich clan was the first to connect the dots between wrestling, televangelism, and MTV-style production values. His never-before-published investigation of the death of Jimmy "Superfly" Snuka's girlfriend suggests the cover-up of a murder. The book's appendix ' a comprehensive listing of the dozens of wrestlers who died prematurely over the last generation, with little or no attention ' is both a valuable resource for wrestling historians and a shocking document of the ruthless way sports entertainment eats its own.

For decades, distinct professional wrestling territories thrived across North America. Each regionally based promotion operated individually and offered a brand of localized wrestling that greatly appealed to area fans. Promoters routinely coordinated with associates in surrounding regions, and the cooperation displayed by members of the National Wrestling Alliance made it easy for wrestlers to traverse the landscape with the utmost freedom. Dozens of territories flourished between the 1950s and late ’70s. But by the early 1980s, the growth of cable television had put new outside pressures on promoters. An enterprising third-generation entrepreneur who believed cable was his opportunity to take his promotion national soon capitalized on the situation. A host of novel ideas and the will to take chances gave Vincent Kennedy McMahon an incredible advantage. McMahon waged war on the territories and raided the NWA and AWA of their top talent. By creating WrestleMania, jumping into the pay-per-view field, and expanding across North America, McMahon changed professional wrestling forever. Providing never-before-revealed information, Death of the Territories is a must-read for fans yearning to understand how McMahon outlasted his rivals and established the industry’s first national promotion. At the same time, it offers a comprehensive look at the promoters who opposed McMahon, focusing on their noteworthy power plays and embarrassing mistakes.

In his own words, Bret Hart’s honest, perceptive, startling account of his life in and out of the pro wrestling ring. The sixth-born son of the pro wrestling dynasty founded by Stu Hart and his elegant wife, Helen, Bret Hart is a Canadian icon. As a teenager, he could have been an amateur wrestling Olympic contender, but instead he turned to the family business, climbing into the ring for his dad’s western circuit, Stampede Wrestling. From his early twenties until he retired at 43, Hart kept an audio diary, recording stories of the wrestling life, the relentless travel, the practical jokes, the sex and drugs, and the real rivalries (as opposed to the staged ones). The result is an intimate, no-holds-barred account that will keep readers, not just wrestling fans, riveted. Hart achieved superstardom in pink tights, and won multiple wrestling belts in multiple territories, for both the WWF (now the WWE) and WCW. But he also paid the price in betrayals (most famously by Vince McMahon, a man he had served loyally); in tragic deaths, including the loss of his brother Owen, who died when a stunt went terribly wrong; and in his own massive stroke, most likely resulting from a concussion he received in the ring, and from which, with the spirit of a true champion, he has battled back. Widely considered by his peers as one of the business’s best technicians and workers, Hart describes pro wrestling as part dancing, part acting, and part dangerous physical pursuit. He is proud that in all his years in the ring he never seriously hurt a single wrestler, yet did his utmost to deliver to his fans an experience as credible as it was exciting. He also records the incredible toll the business takes on its workhorses: he estimates that twenty or more of the wrestlers he was regularly matched with have died young, weakened by their own coping mechanisms, namely drugs, alcohol, and steroids. That toll included his own brother-in-law, Davey Boy Smith. No one has ever written about wrestling like Bret Hart. No one has ever lived a life like Bret Hart’s. For as long as I can remember, my world was filled with liars and bullshitters, losers and pretenders, but I also saw the good side of pro wrestling. To me there is something bordering on beautiful about a brotherhood of big tough men who pretended to hurt one another for a living instead of actually doing it. Any idiot can hurt someone. —from Hitman