Write Fight Scenes

Whether a side-street skirmish or an all-out war, fight scenes bring action to the pages of every kind of fiction. But a poorly done or unbelievable fight scene can ruin a great book in an instant. In Fight Write you'll learn practical tips, terminology, and the science behind crafting realistic fight scenes for your fiction. Broken up into "Rounds," trained fighter and writer Carla Hoch guides you through the many factors you'll need to consider when developing battles and brawls. • In Round 1, you will consider how the Who, When, Where, and Why questions affect what type of fight scene you want to craft. • Round 2 delves into the human factors of biology (think fight or flight and adrenaline) and psychology (aggression and response to injuring or killing another person). • Round 3 explores different fighting styles that are appropriate for different situations: How would a character fight from a prone position versus being attacked in the street? What is the vocabulary used to describe these styles? • Round 4 considers weaponry and will guide you to select the best weapon for your characters, including nontraditional weapons of opportunity, while also thinking about the nitty-gritty details of using them. • In Round 5, you'll learn how to accurately describe realistic injuries sustained from the fights and certain weapons, and what kind of injuries will kill a character or render them unable to fight further. By taking into account where your character is in the world, when in history the fight is happening, what the character's motivation for fighting is, and much more, you'll be able write fight scenes unique to your plot and characters, all while satisfying your reader's discerning eye.

Have you ever: • Held a sword? • Taken a karate class? • Punched another person in the face? Even if your answer is “no,” you can still write a good fight scene. In this guide, fantasy novelist Marie Brennan will show you how. Drawing on her experience with fencing, stage combat choreography, Okinawan martial arts, and above all writing, she lays out the components that turn the strikes into a compelling story. From purpose to tactics to prose, Writing Fight Scenes walks you through the anatomy and execution of combat on the page.

Miles Cameron is the master of intrigue and action-packed battles in this epic tale of magic and mercenaries, war, depravity, and politics, the final book of the Traitor Son Cycle. In the climax of the Traitor Son Cycle, the allied armies of the Wild and the Kingdoms of men and women must face Ash for control of the gates to the hermetical universe, and for control of their own destinies. But exhaustion, treachery and time may all prove deadlier enemies. In Alba, Queen Desiderata struggles to rebuild her kingdom wrecked by a year of civil war, even as the Autumn battles are fought in the west. In the Terra Antica, The Red Knight attempts to force his unwilling allies to finish the Necromancer instead of each other. But as the last battle nears, The Red Knight makes a horrifying discovery. . .all of this fighting may have happened before.

This book will help you to write fight scenes that are entertaining as well as realistic, and leave the reader breathless with excitement. The book suggests a six-part structure to use as blueprint for your scene, and reveals tricks how to combine fighting with dialogue, which senses to use when and how, and how to stir the reader's emotions. You'll decide how much violence your scene needs, what's the best location, how your heroine can get out of trouble with self-defence and how to adapt your writing style to the fast pace of the action. There are sections on female fighters, male fighters, animals and weres, psychological obstacles, battles, duels, brawls, riots and final showdowns. For the requirements of your genre, there is even advice on how to build erotic tension in a fight scene, how magicians fight, how pirates capture ships and much more. You will learn about different types of weapons, how to use them in fiction, and how to avoid embarrassing blunders. The book uses British spellings.

Finally finish a novel?or write your best novel yet?while living your busy life.From executive editor and writing coach Bryn Donovan comes the step-by-step guide to plan, write, and edit your novel. Even if you're a full-time employee, a student, or a parent, you can complete a novel that's polished and ready to submit to agents and editors or to self-publish. Do one step a week to finish in one year's time?or go as fast as you like!In this book, you'll learn how to:?create a clear vision for your project?avoid common pitfalls that publishing houses see all the time?plot a novel on one index card (for people who hate to plot)?identify and fix plot holes before you even begin writing?continuously improve your writing style with mini-lessons throughout the book?revise and edit a first draft?confront and change the fears and doubts that hold you back from success!Get Blank Page to Final Draft today and begin writing the novel of your dreams.

Hoping to save his family, one man enters his realm's most glorious tournament and finds himself in the middle of a political chess game, unthinkable bloodshed, and an unexpected romance with a woman he's not supposed to want.

Violence: A Writer's Guide (Second Edition) introduces writers to a world of terror, pain and blood.A world where lives are changed forever in a few desperate seconds.A world where innocent people, heroes, and the most depraved criminals live, thrive, suffer and die in a constant struggle for survival.This is your world. It's the real world.Bad things happen in the real world.This book is for writers who write about assault, fighting, war, and other conflict. For writers who write about violence.

Women are not men with mammaries. They approach, deal with, and react to violence differently. Aiki Flinthart is a long-time martial artist, author, thrill-seeker, and assault-survivor. In Fight Like a Girl, she brings experience and vast amounts of research to the table to help authors write tense, emotive fight scenes. Grab a copy.