Write His Answer

The only Bible study available for the Christian writer. Now in a revised and expanded edition.

“An intense snapshot of the chain reaction caused by pulling a trigger.” —Booklist (starred review) “Astonishing.” —Kirkus Reviews (starred review) “A tour de force.” —Publishers Weekly (starred review) A Newbery Honor Book A Coretta Scott King Honor Book A Printz Honor Book A Time Best YA Book of All Time (2021) A Los Angeles Times Book Prize Winner for Young Adult Literature Longlisted for the National Book Award for Young People’s Literature Winner of the Walter Dean Myers Award An Edgar Award Winner for Best Young Adult Fiction Parents’ Choice Gold Award Winner An Entertainment Weekly Best YA Book of 2017 A Vulture Best YA Book of 2017 A Buzzfeed Best YA Book of 2017 An ode to Put the Damn Guns Down, this is New York Times bestselling author Jason Reynolds’s electrifying novel that takes place in sixty potent seconds—the time it takes a kid to decide whether or not he’s going to murder the guy who killed his brother. A cannon. A strap. A piece. A biscuit. A burner. A heater. A chopper. A gat. A hammer A tool for RULE Or, you can call it a gun. That’s what fifteen-year-old Will has shoved in the back waistband of his jeans. See, his brother Shawn was just murdered. And Will knows the rules. No crying. No snitching. Revenge. That’s where Will’s now heading, with that gun shoved in the back waistband of his jeans, the gun that was his brother’s gun. He gets on the elevator, seventh floor, stoked. He knows who he’s after. Or does he? As the elevator stops on the sixth floor, on comes Buck. Buck, Will finds out, is who gave Shawn the gun before Will took the gun. Buck tells Will to check that the gun is even loaded. And that’s when Will sees that one bullet is missing. And the only one who could have fired Shawn’s gun was Shawn. Huh. Will didn’t know that Shawn had ever actually USED his gun. Bigger huh. BUCK IS DEAD. But Buck’s in the elevator? Just as Will’s trying to think this through, the door to the next floor opens. A teenage girl gets on, waves away the smoke from Dead Buck’s cigarette. Will doesn’t know her, but she knew him. Knew. When they were eight. And stray bullets had cut through the playground, and Will had tried to cover her, but she was hit anyway, and so what she wants to know, on that fifth floor elevator stop, is, what if Will, Will with the gun shoved in the back waistband of his jeans, MISSES. And so it goes, the whole long way down, as the elevator stops on each floor, and at each stop someone connected to his brother gets on to give Will a piece to a bigger story than the one he thinks he knows. A story that might never know an END…if Will gets off that elevator. Told in short, fierce staccato narrative verse, Long Way Down is a fast and furious, dazzlingly brilliant look at teenage gun violence, as could only be told by Jason Reynolds.

George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times

The ultimate companion for caregivers of aging parents. No guilt. No "how-you-can-do-it better." Just gentle encouragement and inspiration by over 100 caregivers in the trenches. Are you overwhelmed by the needs of an aging parent? When the roles are reversed and your parents need your help but you don't know how to make them happy... When you're exhausted, drained, criticized, pulled in different directions... When your turn to care becomes your need for care... You are NOT alone! My Turn to Care will help you discover God's blessings and draw on His strength day by day and hour by hour. Devotionals and inspirational thoughts/poetry by over 100 authors are divided into six helpful sections: Growing Older Needing More Support Live-In Parents The Nursing Home Decision Watching, Waiting, and Praying Going Home. Compiled and edited by the beloved writer, speaker, conference director, and many years a caregiver herself, Marlene Bagnull.

This devotional book for writers (published or unpublished) is designed to inspire and give encouragement for those difficult times which all writers face. It's a work planned to help you fulfill your call and see the fruits of your labors. Author Data: Marlene Bagnull has been freelancing since 1980. She has sold over 1,000 articles and authored two other books, I Am Special and A Prayer Diary for Junior High Girls. A teacher at heart, Marlene is the founder and director of the Greater Philadelphia Christian Writers' Fellowship.

For better or worse...as long as there's more better than worse. For richer or poorer...but love doesn't pay the bills! Till death do us part.... You mean there's no escape clause? "For Better, For Worse is a devotional filled with, real stories from real people who have years of experience making their marriages work. Through their stories you will see how to live out your wedding-day promises. Over 100 well-known authors have contributed to Marlene's book including Barbara Hibschman, Cec Murphey, Marita Littauer and Bob Hostetler.

Driven to better the lives of his people, Benard Ondiek sacrifices to plant churches and orphanages, and to place the lonely in families in Kenya.