Writers And Politics In West Germany

Originally published in 1986, this book is an interpretative survey of the development of political writing in the former Federal Republic of Germany. It illustrates how intertwined writing is with politics, whether by the political commitment of writers like Grass or the analysis of Böll, by the exclusion of writers from political debate under Adenauer or their insistence on involvement in the years of the SPD. So many themes central to German life are themselves political – the division of the German state, the interpretation of the German character, the Green Movement. This wide-ranging and thorough study discusses a central issue of European politics and culture.

A comprehensive survey of German literary writers' political writing and involvement since 1945.

Foreign Front describes the activism that took place in West Germany in the 1960s when more than 10,000 students from Asia, Latin America, and Africa were enrolled in universities there. They served as a spark for local West German students to mobilize and protest the injustices that were occurring wordwide.

Grass-novelist, poet, and graphic artist-is also a committed political activist. In this collection of essays, he takes on writing and politics with his accustomed verve and insight. Introduction by Salman Rushdie. Translated by Ralph Manheim. A Helen and Kurt Wolff Book

How postwar West German democracy was styled through word, image, sound, performance, and gathering

Across half a century, from the division of Germany through the end of the Cold War, a cohort of thirty women from the small German town of Schönebeck in what used to be the GDR circulated among themselves a remarkable collective archive of their lives: a Rundbrief, or bulletin, containing hundreds of letters and photographs. This book draws on that unprecedented resource, complemented by a set of interviews, to paint a rich portrait of “ordinary” life in postwar Germany. It shows how these women—whether reflecting on their experiences as Nazi-era schoolchildren or witnessing reunification—were united by their complex interactions with official power and their commitment to sustaining a shared German identity as they made the most of their everyday lives in both the GDR and the Federal Republic.

This is the most comprehensive account to date of literary politics in Nazi Germany and of the institutions, organizations and people who controlled German literature during the Third Reich. Barbian details a media dictatorship-involving the persecution and control of writers, publishers and libraries, but also voluntary assimilation and pre-emptive self-censorship-that began almost immediately under the National Socialists, leading to authors' forced declarations of loyalty, literary propaganda, censorship, and book burnings. Special attention is given to Nazi regulation of the publishing industry and command over all forms of publication and dissemination, from the most presitigious publishing houses to the smallest municipal and school libraries. Barbian also shows that, although the Nazis censored books not in line with Party aims, many publishers and writers took advantage of loopholes in their system of control. Supporting his work with exhaustive research of original sources, Barbian describes a society in which everybody who was not openly opposed to it, participated in the system, whether as a writer, an editor, or even as an ordinary visitor to a library.