Writers On Islands

While shipwrecked on the island of Pala, Will Farnaby, a disenchanted journalist, discovers a utopian society that has flourished for the past 120 years. Although he at first disregards the possibility of an ideal society, as Farnaby spends time with the people of Pala his ideas about humanity change. HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library.

When she was twenty-seven, Nell Stevens—a lifelong aspiring novelist—won an all-expenses-paid fellowship to go anywhere in the world to write. Would she choose a glittering metropolis, a romantic village, an exotic paradise? Not exactly. Nell picked Bleaker Island, a snowy, windswept pile of rock in the Falklands. Other than sheep, penguins, paranoia, and the weather, there aren’t many distractions, but as Nell soon discovers, total isolation and 1,085 calories a day are far from ideal conditions for literary production. With deft humor, this memoir traces her island days and slowly reveals the life and people she has left behind in pursuit of her writing. It seems that there is nowhere she can run—an island or the pages of her notebook—to escape the big questions of love, art, and, ambition.

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A masterwork of travel literature and of history: voyaging from Cuba to Jamaica, Puerto Rico to Trinidad, Haiti to Barbados, and islands in between, Joshua Jelly-Schapiro offers a kaleidoscopic portrait of each society, its culture and politics, connecting this region’s common heritage to its fierce grip on the world’s imagination. From the moment Columbus gazed out from the Santa María's deck in 1492 at what he mistook for an island off Asia, the Caribbean has been subjected to the misunderstandings and fantasies of outsiders. Running roughshod over the place, they have viewed these islands and their inhabitants as exotic allure to be consumed or conquered. The Caribbean stood at the center of the transatlantic slave trade for more than three hundred years, with societies shaped by mass migrations and forced labor. But its people, scattered across a vast archipelago and separated by the languages of their colonizers, have nonetheless together helped make the modern world—its politics, religion, economics, music, and culture. Jelly-Schapiro gives a sweeping account of how these islands’ inhabitants have searched and fought for better lives. With wit and erudition, he chronicles this “place where globalization began,” and introduces us to its forty million people who continue to decisively shape our world.

Three boys, fifteen-year-old Ralph Rover (the narrator), eighteen-year-old Jack Martin and fourteen-year-old Peterkin Gay, are the sole survivors of a shipwreck on the coral reef of a large but uninhabited Polynesian island. At first their life on the island is idyllic; food, in the shape of fruits, fish and wild pigs, is plentiful, and using their only possessions; a broken telescope, an iron-bound oar and a small axe, they fashion a shelter and even construct a small boat. Their first contact with other people comes after several months when they observe two large outrigger canoes land on the beach. The two groups are engaged in battle and the three boys intervene to successfully defeat the attacking party, earning the gratitude of the chief Tararo. The Polynesians leave and the three boys are alone once more. Then more unwelcome visitors arrive in the shape of pirates, who make a living trading, or stealing, sandalwood. The three boys conceal themselves in a hidden cave, but Ralph is captured when he sets out to see if the pirates have left, and is taken aboard the pirate schooner. Ralph strikes up an unexpected friendship with one of the pirates, "Bloody Bill", and when they call at an island to trade for more wood he meets Tararo again. On the island he sees all facets of island life, including the popular sport of surfing, as well as the practice of infanticide and cannibalism. Rising tension leads to an attack by the inhabitants on the pirates, leaving only Ralph alive and Bloody Bill mortally wounded. However they manage to make their escape in the schooner. After Bill dies, making a death-bed repentance for his evil life, Ralph manages to sail back to the Coral Island to be re-united with his friends.

From the #1 New York Times bestselling author of One Day in December . . . When a double-booking at a remote one-room cabin accidentally throws two solace seekers together, it feels like a cruel twist of fate. But what if it’s fate of a different kind? “A perfectly executed and quintessential romantic comedy.”—Christina Lauren, author of The Unhoneymooners Spending her thirtieth birthday alone is not what dating columnist Cleo Wilder wanted, but she plans a solo retreat―at the insistence of her boss―in the name of re-energizing herself and adding a new perspective to her column. The remote Irish island she’s booked is a far cry from London, but at least it’s a chance to hunker down in a luxury cabin and indulge in some self-care while she figures out the next steps in her love life and her career. Mack Sullivan is also looking forward to some time to himself. With his life in Boston deteriorating in ways he can’t bring himself to acknowledge, his soul-searching has brought him to the same Irish island to explore his roots and find some clarity. Unfortunately, a mix-up with the bookings means both have reserved the same one-room hideaway on exactly the same dates. Instantly at odds, Cleo and Mack don’t know how they’re going to manage until the next weekly ferry arrives. But as the days go by, they no longer seem to mind each other’s company quite as much as they thought they would. Written with Josie Silver’s signature charm, One Night on the Island explores the meaning of home, the joys of escape, and how the things we think we want are never the things we really need.

"The 17 selections of fiction, nonfiction, and poetry in this vibrant collection unite the voices of islanders from around the globe, complete with an excellent introduction by Marlon James...Readers encounter the language, customs, and flora and fauna of many island nations in this delightful and enlightening volume, an invitation to share and experience islands around the globe." --Publishers Weekly, STARRED review "As an anthology, this collection of work is amazingly well-rounded...This collection is a unique and worthy addition to any library...These writers offer a window into genuine, unglazed local life in far-flung, ill-understood parts of the world. It's a gift beyond price." --Sinkhole Magazine Collecting new fiction, essays, and poems from seventeen countries around the world, So Many Islands brings us stories about love and protest, about childhood innocence and the traumas of history, about leaving home and trying to return. These writers's island homes may seem remote on the map, but there is nothing isolated about their compelling, fresh voices. Featuring contributions by authors from Antigua and Barbuda, Barbados, Bermuda, Cyprus, Grenada, Jamaica, Kiribati, Malta, Mauritius, Niue, Rotuma (Fiji), Samoa, Singapore, Saint Lucia, Saint Vincent and the Grenadines, Tonga, and Trinidad and Tobago. So Many Islands is the fourth publication of Peekash Press, an imprint of Akashic Books and Peepal Tree Press, committed to supporting the emergence of new Caribbean writing, and as part of the CaribLit project. From the introduction by Marlon James: I wonder if it is because we island people are surrounded by sea, hemmed in and branching out at once, that we are always in a state of flux. The sea and even the sky are definers and confiners, they have spent millions of years carving space, while at the same time giving us clear openings to map the voyage out. And, today, to be an islander is to live in one place and a thousand, to be part of a family that is way too close by for your business ever to be your own, or way too far but only a remittance cheque away. Or, put another way, to be island people means to be both coming and going. Passing and running, running and passing, as the song goes. Living there, but not always present, travelling or migrating, but never leaving. Or what has never been a new thing, but might turn into a new movement: more and more authors staying put, all the better to let their words wander.

How contemporary Cuban writers build transnational communities In Writing Islands, Elena Lahr-Vivaz employs methods from archipelagic studies to analyze works of contemporary Cuban writers on the island alongside those in exile. Offering a new lens to explore the multiplicity of Cuban space and identity, she argues that these writers approach their nation as part of a larger, transnational network of islands. Introducing the term “arcubiélago” to describe the spaces created by Cuban writers, both on the ground and in print, Lahr-Vivaz illuminates how transnational communities are forged and how they function across space and time. Lahr-Vivaz considers how poets, novelists, and essayists of the 1990s and 2000s built interconnected communities of readers through blogs, state-sponsored book fairs, informal methods of book circulation, and intertextual dialogues. Book chapters offer in-depth analyses of the works of writers as different as Reina María Rodríguez, known for lyrical poetry, and Zoé Valdés, known for strident critiques of Fidel Castro. Incorporating insights from on-site interviews in Cuba, Spain, and the United States, Lahr-Vivaz analyzes how writers maintained connections materially, through the distribution of works, and metaphorically, as their texts bridge spaces separated by geopolitics. Through a decolonizing methodology that resists limiting Cuba to a distinct geographic space, Writing Islands investigates the nuances of Cuban identity, the creation of alternate spaces of identity, the potential of the Internet for artistic expression, and the transnational bonds that join far-flung communities. Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.