Writing And Renunciation In Medieval Japan

This is the first monograph-length study in English of Kamo no Chomei, one of the most important literary figures of medieval Japan. Drawing upon a wide range of writings in a variety of genres from the Heian and Kamakura periods, Pandey focuses on the terms kyogen kigo (wild words and fancy phrases), shoji soku nehan (samsara is nirvana), hoben (expedient means), and suki (single-minded devotion to an art). She shows how these terms deployed by writers in an attempt to reconcile literary and artistic activities with a commitment to Buddhism. By locating Chomei within this broad context, the book offers an original reading of his texts, while at the same time casting a light upon intellectual preoccupations that were central to the times. Writing and Renunciation in Medieval Japan is an important contribution to a growing body of work that challenges the rigid distinction between the religious and literary—a distinction that would have made little sense to medieval writers, many of whom were poets as well as priests—and sheds light on the particular ways in which a religio-aesthetic tradition came to be articulated in medieval Japan. Through an examination of records left by Chomei's contemporaries, the book also traces the life of Chomei, particularly his activities as a court poet and the circumstances that led to his taking the tonsure.

This book traces the history of noh and kyōgen, the first major Japanese theatrical arts. Going beyond P. G. O'Neill's Early Nō Drama of 1958, it covers the full period of noh's medieval development and includes a chapter dedicated to the comic art of kyōgen, which has often been left in noh's shadow. It is based on contemporary research in Japan, Asia, Europe and America, and embraces current ideas of theatre history, providing a richly contextualized account which looks closely at theatrical forms and genres as they arose. The masked drama of noh, with its ghosts, chanting and music, and its use in Japanese films, has been the object of modern international interest. However, audiences are often confused as to what noh actually is. This book attempts to answer where noh came from, what it was like in its day, and what it was for. To that end, it contains sections which discuss a number of prominent noh plays in their period and challenges established approaches. It also contains the first detailed study in English of the kyōgen repertoire of the sixteenth-century.

This book provides new insights into the creation and use of written texts in medieval Japan. Drawing upon lawsuits from Ategawa no shō in central Japan between the early eleventh and early fourteenth centuries, the author analyses the use of writing by various social groups - temple priests, warriors and peasants. Though these social groups had different levels of literacy and accordingly followed different communicative traditions, their use of writing had common features. In the semi-literate society of medieval Japan the dissemination and reception of written texts took place primarily through speaking and hearing. Documents of the medieval period therefore had a distinctly oral characteristic. Priests, warriors and peasants all alluded to motifs in their legal pleas that were in essence given by the oral world of tales, legends and gossip. By showing that literacy was not in conflict but interacted with orality, the author uncovers an important aspect of the use of the written word in medieval Japan.

Japanese historian Louis Perez brings Mikiso Hane's rich and beloved account of early Japanese history up-to-date in this thoroughly revised Second Edition of Premodern Japan. The text traces the key developments of Japanese history in the premodern period, including the establishment of the imperial dynasty, early influences from China and Korea, the rise of the samurai class and the establishment of feudalism, the culture and society of the long Tokugawa period, the rise of Confucianism and Shinto nationalism, and finally, the end of Tokugawa rule. While the text provides many political developments through the early modern period, it also integrates the social, cultural, and intellectual aspects of Japanese history as well. Perez's updates to the text provide a comprehensive overview of the major social, political, and religious trends in premodern Japan as well as offering the most current scholarship.

This book is an introduction the Japanese history, culture, and society from 1185 - the beginning of the Kamakura period - through the end of the Edo period in 1868.

This is an updated edition of Conrad Totman’s authoritativehistory of Japan from c.8000 BC to the present day. The first edition was widely praised for combiningsophistication and accessibility. Covers a wide range of subjects, including geology, climate,agriculture, government and politics, culture, literature, media,foreign relations, imperialism, and industrialism. Updated to include an epilogue on Japan today andtomorrow. Now includes more on women in history and more on internationalrelations. Bibliographical listings have been updated and enlarged.

The Russo-Japanese War of 1904-05 has been widely seen as a historical turning-point. For the first time in modern history an Asian and a European country competed on equal terms, overturning the prevailing balance of power. Based on a wide range of original source material in Russian, Japanese and other languages, this book goes beyond the military and international political grand narratives to examine the war's social, cultural, literary and intellectual impact in their historical context. In Japan the war reinforced the country's self-image as a 'coming' nation, while in Russia, combined with the revolution of 1905 and later political and social upheaval, it was seen as separating the old régime from the new. Throughout the world, 'spirit' was seen to be a decisive factor, and cultural considerations determined the war's interpretation. Featuring contributions by established scholars in the fields of military history and the history and literature of both Russia and Japan, this book offers for the first time a comparative perspective on the symbolic meaning of the conflict.